The 2006 Stephen D. Paine Scholarship

New England School of Art & Design at Suffolk University Again Hosts Awards Exhibition.

By: Charles Giuliano - Jan 23, 2007

The winners and finalists of the Stephen D. Paine Scholarships.Giuliano photos.

Art dealer and BADA president, Arthur Dion, at the podium.

Thomas W. Lentz, director of the Harvard University Art Museums greets guests at the Fogg.

A sculpture by Arthur Henderson is made from paper cups.

The expressionist narrative paintings of Corey Corcoran won an award.

Sharlene M. Ickes won for her series of photographs.

Formerly working as a disco DJ inspired this light piece by Brian Halligan.

Cody Hoyt displayed a series of prints.

The sculpture of William Eddy displays intestinal fortitude.

Art dealer Audrey Pepper.

Curator James Manning, left, and juror Theodore E. Stebbins, Jr.

Kathryn Sloan president of Mass. College of Art.

Gallerists Barbara Krakow and Alan Fink with artist Arthur Henderson.

Juror Stebbins chats with winner Sharlene M. Ickes.

Curator of new media George Fifield arrived bundled up on a cold night.

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New England School of Art & Design at Suffolk University 75 Arlington Street Boston, Mass. 02126

January 16 through February 9

Vernissage: Thursday, January 25, 5 to 8 PM

Jurors: Theodore E. Stebbins, Jr. and Virginia Anderson Curator: James Manning

Winners: Corey Corcoran and Sharlene M. Ickes Finalists: William Eddy, Brian Halligan, Arthur Henderson, Cody Hoyt, Julia A. Larsen, and Rui Wang.

    Boston is renowned for its many educational institutions and a significant number of these colleges and universities offer degree programs in the fine arts. There are also a number of institutions dedicated to studio art including the School of the Museum of  Fine Arts, Massachusetts College of Art, New England School of Art & Design at Suffolk University, the Art Institute of Boston, The School of Fine Arts at Boston University and the New England School of Photography. As well as strong studio programs at a range of colleges and universities that abound in the area.

    Many of the graduates of these programs will go on to earn graduate degrees and aspire to join galleries pursuing careers as exhibiting artists. To support and recognize this vast and important mandate to train artists the Boston Art Dealers Association (BADA), which was formed in 1989, decided, in 1997, to establish an annual scholarship competition open to all undergraduates in their junior year of study. It was named in memory of a great patron and collector of contemporary art, Stephen D. Paine.

    Last fall Theodore E. Stebbins, Jr. and Virginian Anderson of the Department of American Art at the Fogg Art Museum assumed the task of selecting two winners, the painter, Corey Corcoran, and photographer, Sharlene M. Ickes, from a field of more than a hundred applicants. They also identified six finalists: William Eddy, Brian Halligan, Arthur Anderson, Cody Hoyt, Julia A. Larsen and Rui Wang. Other than Ickes, who is a student at the Art Institute of Boston, all of the other artists are students at the Mass. College of Art.

     The two finalists each receive $4,000 to apply to their work during the senior year of study. It is hoped that the amount of the award will be increased next year and that the finalists will each be given $500. To raise money for the awards BADA recently hosted an elegant dinner, at $250 per plate, in the court yard of the venerable Fogg Art Museum of Harvard University. It was a great and festive evening with many of the dealers present as well as all of the very excited Paine winners and finalists.

    Art dealer, Arthur Dion, the president of BADA, presided at the podium and introduced Thomas W. Lentz, the director of the Harvard University Art Museums who greeted the honored guests and induced Stebbins to make some remarks on the process of judging this year's scholarship competition. When Dion returned to conclude this aspect of the evening's program he announced there was an "open mike" for anyone who cared to add to the remarks. After a moment of hesitation Corey Corcoran bravely approached and offered comments on what winning the award meant to him. Having broken the ice, quite spontaneously, all of the young artists approached and spoke briefly. The audience thoroughly enjoyed this unrehearsed aspect of the celebration.

    Last year on short notice Dion approached me about hosting the awards exhibition in my program for the New England School of Art & Design. By then we had made our plans for the year and allocated limited funds. So it took some creativity and imagination to nip and tuck the awards exhibition into our schedule. The only possible slot was in May after commencement. Falling after the regular school year created difficulty for some of the students and their peers to participate. On the positive side we were able to use additional space that would not be available during the academic year. The task of organizing the exhibition and complex installation was taken on by the assistant curator, James Manning. The resultant show was viewed as a complete success and we are negotiating with BADA to make the Paine Show a permanent and prominent annual slot in our exhibition program.

     Starting early last fall when the artists were selected by Stebbins and Anderson, Manning began to work individually with the artists to plan for their installations. Because the show was moved to January all of the artists will participate in the opening and the exhibition will offer far more exposure to the arts community. Because it is early in the second semester, Audrey Goldstein, chair of the fine arts department, has been generous in providing an adjoining studio area allowing us to double the normal space for exhibitions. The result of this is that all eight artists have been given space to adequately install their work.

    The resultant exhibition is just what one would hope for an eclectic mix of media and styles that is fresh, edgy and sure to induce lively feedback and dialogue. Manning is a particularly committed curator when it comes to working with students and emerging artists. In that regard he was recently described by Big Red and Shiny, a lively web site, as an "art star and celebrity" in a review of a show he curated for the Mills Gallery of the Boston Center for the Arts. For my program he has organized a series of "new talent" summer shows. Recently he commented that one of the four finalists for the current ICA Awards had participated in one of those summer shows that never got reviews and a handful of people bothered to visit.

    When it comes to looking at and dealing with very young artists I tend to feel my age. Frankly I am more comfortable dealing with peers and mid career artists. I defer to Jim and other curators who have more of a feeling for raw work. Which is why, in developing a balanced exhibition program, Jim and I work off of each other. He brings fresh eyes and a vision I trust to the work of emerging artists. In that sense he is one of the best spotters and scouts in the city. Smart gallerists and collectors should pay more attention to his picks. Me, hey, like Rodney Dangerfield, I get no respect. But in my own way I try to zig where others might zag and look for edgy, difficult, rewarding work that strikes me as underappreciated and worthy of critical attention.

    So do, by all means, fall by the gig and eyeball the work. Oh yeah, bring your checkbook. The work is still cheap and the artists can use the money.