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With a cast of Barrington Stage Company favorites, BSC presents 10 fast-paced plays full of drama, comedy, wit, and irreverence, in its annual 10x10 New Play Festival, the cornerstone of Pittsfield’s Upstreet Winter Arts Festival. Now in its fifteenth year, 10x10 will run for five weeks, from February 12 through March 15, on the St. Germain Stage at the Sydelle and Lee Blatt Performing Arts Center in Downtown Pittsfield. Get tickets now as this usually sells out.

After lunch, my father and I followed Calder down a short path that led to the high-ceilinged studio. which sat on a plateau where the “vultures” I’d noticed from afar, came into view as a flock of stabiles. They were mostly black, a few red, enormous and, despite their stationary nature, seemed as if they were poised to take off at any minute.

Palm Beach Dramaworks (PBD) in South Florida and Barrington Stage Company (BSC) in the Berkshires are staging the classic play "Driving Miss Daisy." The triumphant co-production continues through March 1 at PBD and runs May 27-June 21 at BSC. "Driving Miss Daisy" tackles timely themes and opens our hearts to people different from us.

In a psychopathic rage, Herod's adopted daughter, Salome, calls for the beheading of John the Baptist. Tense music underscores the tense drama.

From its inception in 1936, the Institute of Contemporary Art has endured a daunting existential struggle. As late as 1971 the Museum of Fine Arts appointed a part time curator of contemporary art. Lack of interest for modern and contemporary art resulted in a community which did not significantly support institutions, collectors, galleries and artists. The story of the ICA represents the struggle to overcome that indifference. Relocated to Newbury Street, it thrived from 1963-1968 under director Sue Thurman.

You have the power to cultivate and direct your chi for healing purposes. This isn’t about magic or mysticism; it’s about harnessing the body’s inherent capacity for self-regulation and tapping into a powerful energy source

In this fictionalized true story, a French diplomat has a 20-year relationship with a singer of Chinese opera. Despite carnal encounters, the Frenchman claims never having known that the modest and delicate creature was a man. David Henry Hwang's story and themes are interlaced with those of Puccini's opera Madama Butterfly.

If I had been arrested, I would have given up your name in a heartbeat. Even if they didn’t ask me.

I keep returning to Bad Bunny’s Super Bowl performance. Few global artists have been as scrutinized and politicized as he has. His communities remain persistently endangered, and his homeland exists within the long, uneasy tensions of American territorial power. By every expectation of protest performance, that stage could have been a site of fury, a reckoning, an indictment, a civic interrogation broadcast to the largest audience on earth.

New City Players is preparing to present its professional production of "A Case for the Existence of God" by Samuel D. Hunter. The production will run from Feb. 20-March 8 in Island City Stage's intimate black box space in Wilton Manors, near Ft. Lauderdale. The play spotlights two struggling men who connect.

Katori Hall's fantasy of MLK speculates his last night before his assassination. He asks a maid who delivers coffee to him in his motel room to keep him company. He finds that this is no working-class simpleton, but a challenge to his assumptions in more ways than one.

The “Look” of the 2026 Games succeeds at what should be its elemental function — the connection of beauty, athleticism, celebration, and memory.

Opera Frankfurt gives a commanding and deeply engaging performance of The Passenger by Mieczysaw Weinberg, with a libretto by Alexander Medvedev. Dmitri Shostakovich, a close friend of the composer, read Zofia Posmysz’s novel and immediately saw its potential as an opera. Weinberg agreed and went on to write what he considered the best of his seven operas. The Soviet government suppressed it

As it prepares to open a new home in Payne Park Auditorium later this year, the Sarasota Players is putting a renewed focus on the shows it stages and reconnecting with the community that has helped it near a centennial celebration.

Opera Frankfurt is mounting Amor Vien dal Destino (Love Is Destiny) by the late 17th-century composer Agostino Steffani. An Italian who masterfully blended bel canto lyricism with the German counterpoint tradition, Steffani was a major influence on Handel, who frequently glommed onto his work, sometimes quoting it directly.

The aristocratic Liubov returns from Paris as she can't keep up with mortgage payments on her estate. The rich parvenu Lopkhin, whose family had worked the estate, has a viable plan to save Liubov and her brother financially, but it would involve destroying her beloved cherry orchard. Sometimes nostalgia gets in the way of sound thinking.

This season of Pops presents a lineup of today’s most compelling stars from a range of musical traditions, including Jon Batiste, Ray Chen, Jacob Collier, Ben Folds, Pink Martini, Leslie Odom, Jr., and St. Vincent join the Pops for solo performances. Terence Blanchard and Ravi Coltrane perform a special Miles Davis and John Coltrane Centennial tribute, accompanied by a jazz ensemble.

We could eat anything on the menu. Nothing was held back from us. Whatever we wanted. Except for the ‘chitlins’ which as far I remember none of us was capable of eating.

Paul Simon, one of the most celebrated and beloved singer-songwriters of all time, is set to make his Tanglewood debut this summer as part of the festival’s Popular Artist Series. The 16-time GRAMMY® Award winner and two-time Rock & Rock Hall of Fame inductee brings his highly acclaimed “A Quiet Celebration” tour to the Koussevitzky Music Shed on Saturday, June 27, at 7:30 p.m.

Building on true events and characters, the musical tells of the contributions made by a particular class of women in World War I. For vital battlefield communications in France, General Pershing needed personnel with both telephone operator and French language skills. The answer was ultimately over 200 staff members recruited from the U.S. They were all women. They were The Hello Girls.

Admittedly, many in the audience laughed heartily at the antics of the characters. You may also. But if you were expecting sophistication, you will be disappointed.

The Clark Art Institute continues its art in public spaces program in 2026 with a year-long installation presenting the work of artist Sónia Almeida (b. 1978, Lisbon; lives and works in Boston).

Woodie King, Jr., founder of New Federal Theatre and a prolific producer and director who dedicated more than five decades to providing opportunities for minorities and women in the performing arts, died January 29 at Weill Cornell Medical Center of complications from emergency heart surgery. He was 88.

Heartbeat Opera is offering a striking new Manon, cut and shaped into a taut hundred minutes, restoring much of the original wit and allowing it to sharpen—rather than soften—the opera’s tragic ending. This one-act chamber adaptation features a new English translation by Jacob Ashworth and Rory Pelsue. Directed by Pelsue with meticulous attention to detail and an unerring sense of pace. Conducted by the inimitable Dan Schlosberg, the production is terrific from start to finish

Tanglewood—the famed music and learning campus and summer home of the Boston Symphony Orchestra (BSO)—announces details of its 2026 season, opening in late June and continuing to Labor Day weekend.