The Huntington’s 2026/27 season
Broadway Hits, and Fresh Interpretations of Enduring Stories
By: Huntington - Apr 16, 2026
Huntington Norma Jean Calderwood Artistic Director Loretta Greco?and?Executive Director Christopher Mannelli?announce seven titles in The Huntington’s bold 2026/27 season, featuring world premieres, acclaimed Broadway hits, and fresh interpretations of enduring stories.
The Huntington is premiering a stirring new musical adaptation of New York Times best-seller Unorthodox by Broadway dream-team Benj Pasek (Dear Evan Hansen, The Greatest Showman), Shaina Taub (Suffs), and Joshua Harmon (Prayer for the French Republic, Bad Jews).
The season also includes another musical world premiere with the joyous finale to Mfoniso Udofia’s nine-play Ufot Family Cycle, a final chapter two years in the making.
Audiences can also look forward to regional premieres of internationally acclaimed titles, like Aaron Sorkin’s (The West Wing, A Few Good Men) soaring adaptation of Harper Lee’s To Kill a Mockingbird and Branden Jacobs-Jenkins (Appropriate) Tony- and Pulitzer-winning play Purpose, as well as a new comedy from Massachusetts-raised playwright Talene Monahon.
And, inspired by the citywide creative and community power driving the Ufot Family Cycle, The Huntington looks forward to convening arts organizations and creating new theatergoing opportunities for Boston audiences in the years to come. In 2026/27, The Huntington is partnering on bringing two individual, limited-run productions to Boston stages for season subscribers, including: a concert celebrating queer history through drag and music directed by Taylor Mac with music by Matt Ray; and a fresh interpretation of Shakespeare’s Hamlet by Peru’s Teatro La Plaza that centers a vibrant ensemble of actors with Down syndrome (performed in Spanish with English subtitles).
“We are thrilled to be announcing this year’s exhilarating season of seven entertaining, meaty, and wholehearted theatrical experiences from some of the most groundbreaking artists of our time who are asking soaring questions in intimate ways around legacy, heritage, family, and moral responsibility,” says Huntington Artistic Director Loretta Greco.?“It’s no surprise as we enter our 250th?year as a nation that we are digging hungrily into questions of identity – who we are and who we aspire to become – for ourselves, our children, and our community. We are proud to offer Boston audiences another season of robust, big-humored, and thought-provoking experiences and the rich conversations which inevitably follow.”
Now in her fourth season helming The Huntington, Greco crafts a line-up for 2026/27 that reflects the Tony Award-winning theatre’s continued commitment to ambitious storytelling that connects deeply with audiences and raises the bar on how theatre can entertain, challenge, and inspire.
The finale of Mfoniso Udofia’s Ufot Family Cycle is particularly momentous. After spearheading the launch of the two-year festival at Boston City Hall in 2024, The Huntington has energized and collaborated with 35+ cultural and community organizations across Greater Boston to come together behind one shared vision to produce all nine plays in their intended order (including five world premieres).
Since then, the nine-play festival centering on one Nigerian-American family has been recognized for its unprecedented scope and scale. The Boston Globe summed up the Cycle’s ambition, “Boston theater companies and other arts organizations placed a dauntingly big bet… So far, that bet is paying off not just handsomely, but excitingly.”
The Huntington and its Ufot partners and collaborators have continued to “bet” on Udofia’s work by bringing the Cycle to new venues and neighborhoods, engaging fresh audiences with each Ufot chapter. By the time the ninth play is performed, audiences in eleven different communities and neighborhoods (including Back Bay, Brookline, Cambridge, the Fenway, East Boston, Downtown, Hyde Park, Jamaica Plain, Roxbury, the South End, and Wellesley) will have had the opportunity to experience this poignant family story of growth, diaspora, and family.
The Huntington looks forward to sharing the ninth and final play with both new Ufot audiences and theatergoers who have been following the Ufot family from the beginning. It will be more than a world premiere play; it will be a joyful celebration of the Cycle’s success.
As The Huntington prepares for this dynamic 2026/27 season, it also is preparing for the following year’s major milestone in 2027/28 – when the highly anticipated, expanded new wing of the Huntington Theatre will open. This opening will complete a decade-long transformation of The Huntington’s historic home on Huntington Ave, incorporating a new soaring, modern venue – expansive lobbies, flexible performance spaces, a bar/lounge/café, and an outdoor balcony overlooking Huntington Ave – alongside the theatre, on the first two floors of the Toll Brothers residential tower currently under construction next door.
“This season demonstrates the scale of what is possible when artists and communities come together around bold storytelling,” says?Huntington Executive Director Chris Mannelli. “As we share this work with audiences across Greater Boston, we’re also preparing for a transformative new chapter with the opening of the Huntington Theatre’s expanded east wing, creating a dynamic hub for artists and a vibrant gathering place for community on the Avenue of the Arts.”
Performances in this new season will begin in September with shows taking place at the?Huntington Theatre?(264 Huntington Ave) and the?Calderwood Pavilion at the BCA?(527 Tremont Street).?See below for the list of titles and details.?
Season ticket packages are available for purchase at?huntingtontheatre.org?or by calling 617-266-0800. Season ticket holders receive up to 65% off single ticket prices. Single tickets to individual shows will go on sale in late spring/early summer 2026.?
THE HUNTINGTON’S 2026/27 SEASON:??
Purpose
by Branden Jacobs-Jenkins (Appropriate, An Octoroon)?
Directed by Josiah Davis (Lifted, Mary Gets Hers)
Wimberly Theatre, Calderwood Pavilion at the BCA
September 10 – October 11, 2026
WINNER! Tony Award for Best Play
WINNER! Pulitzer Prize for Drama
Winner of the 2025 Pulitzer Prize and a smash hit on Broadway,?Purpose?is the explosive and wildly entertaining new play from Tony winner?Branden Jacobs-Jenkins, diving headlong into the life of a prominent and influential political dynasty.
Encircled by civil rights leaders, pastors, and congressmen for decades, the Jasper family is a foundational pillar of Black American society. That is, until their youngest son returns home with an unexpected dinner guest, and their carefully curated existence begins to fracture. Don’t miss this searing and hilarious exploration of faith, class, ambition, and heritage — what?The Washington Post?called “a feast of jaw-dropping tea and riveting food for thought.”
From Huntington?Artistic Director Loretta Greco: “There is no better way to launch this thrilling new season than with the brilliant Branden Jacobs-Jenkins, whom we are welcoming to The Huntington for the first time, with his stunning play?Purpose!?Branden has conjured a richly layered family in the throes of a seismic generational reckoning — one worthy of the greatest family dramas. Experiencing?Purpose?had me constantly trying to catch my breath I was laughing so hard — until its complex truths hit home. The play’s beating heart: a compelling reminder that we?all?need something larger and more impactful than ourselves to strive towards in community with others. Perhaps now more than ever.”
From director Josiah Davis: “Legacy is hard to build. But it’s even harder to escape. The journey of finding yourself is difficult when expectations of who you ought to be, who you were raised to be looks over your head. Is it possible to escape familial demands and carve out a space of your own?”
From playwright Branden Jacobs-Jenkins: “For me, Purpose is a family story that’s trying to transcend, to be about the universal. It’s a play that’s really trying to connect people… it’s about taking stock of the community immediately around you and figuring out how to love deeper and better.”
Critical acclaim:?
“A merciless dissection of hypocrisy – you may have trouble catching your breath from laughing so hard.” –?The New York Times?
“Unstoppably fierce, funny, and ruthless.” – New York Post?
“A feast of jaw-dropping tea – and riveting food for thought. A densely packed powder keg of a play.” – The Washington Post
Harper Lee’s To Kill a Mockingbird
by Academy Award® winner Aaron Sorkin (The West Wing,?A Few Good Men,?Moneyball)
based on the Pulitzer Prize-winning book by Harper Lee?
Directed by Huntington Artistic Director Loretta Greco
The Huntington Theatre?
October 8 – November 8, 2026
“THE MOST SUCCESSFUL AMERICAN PLAY IN BROADWAY HISTORY” (60 Minutes)
Harper Lee’s enduring classic?To Kill a Mockingbird?is adapted anew as?Aaron Sorkin, the brilliant and beautifully idealistic creator of?The West Wing?and?A Few Good Men, returns to writing for the stage.?
When upstanding lawyer Atticus Finch seeks justice for a wrongfully accused man, he is tested by the limits of his virtue and the uneasy work of forgiveness in a world ruptured in two. Harper Lee’s Pulitzer Prize–winning novel has resonated powerfully for over six decades. What does it mean to revisit this beloved classic today with fresh eyes? — to consider how far we’ve come, and how far we still need to go?
Artistic Director?Loretta Greco?creates the first regional production of Sorkin’s soaring adaptation, especially for Boston.
From Huntington?Artistic Director Loretta Greco: “I thought I knew?To Kill a Mockingbird?— its trenchant moral questions, its searing heartbreak, its fierce insistence on empathy at all costs. But in the hands of the rigorously idealistic Aaron Sorkin, this muscular adaptation reveals something new and urgent: excavating fresh pleasures and provocations.?I can’t wait to share this production with you — it’s a chance to be reunited with a beloved story as if for the first time, with sharper eyes and all the heart — and hope — we can muster.”
From playwright Aaron Sorkin: “When I was asked to write?To Kill a Mockingbird?as a play, I knew I couldn’t try to do a Harper Lee impersonation and I knew I couldn’t pretend I was writing it in 1959. It would have to be a new play and I’m thrilled that the first post-Broadway production is happening on the stage of The Huntington. I hope Boston audiences enjoy this new look at Harper Lee’s classic story.”
?Critical acclaim:?
“A Mockingbird for our moment. Beautiful, elegiac, satisfying, even exhilarating.” –?The New York Times?
“An emotionally shattering landmark production of an American classic.” – Rolling Stone
“Aaron Sorkin supercharges To Kill a Mockingbird. At last, here’s a play with serious oomph. A seriously satisfying, satisfyingly serious evening.” – Sunday Times
Adia & Clora Snatch Joy
Book, Libretto, and Lyrics by Mfoniso Udofia
Music Composed by?Michael Ellis Ingram
Directed by Awoye Timpo?(The Grove)
The Huntington Theatre?
November 24 – December 13, 2026
WORLD PREMIERE
Our celebrated Ufot Family Cycle concludes its epic, citywide, two-and-a-half-year, nine-play journey where it began — here at The Huntington — with?Mfoniso Udofia’s rousing folk opera?Adia & Clora Snatch Joy.
?In the marshes of South Carolina, Clora Abernathy opens her front door to a stranger from Massachusetts — Adiaha Ufot — and something unnamed stirs within them. Both are dutiful daughters who’ve devoted their lives to their parents – but as the sparks fly, a life-changing question takes shape: What might happen if they dare to be good?to themselves? To wholly experience desire, pleasure, and joy as grown-ass women — for the very first time.?
?Soaringly composed for a cappella voices by?Michael Ellis Ingram,?Adia & Clora Snatch Joy breaks new ground while bringing the Ufot Family Cycle to a joyous, musical finale.?Awoye Timpo, who brilliantly directed?The Grove, returns to helm this landmark production that you can enjoy whether it’s the first play you are seeing in the Ufot Family Cycle or your ninth.?
From Huntington?Artistic Director Loretta Greco: “The Ufot Family Cycle has been a wild, beautiful, one-of-a-kind, city-wide odyssey — one that you’ve been on with us from theatre to theatre, falling in love with Abasiama, her ?children and their journeys as deeply as we have.?Adia & Clora Snatch Joy?is the Cycle’s jubilant, heartfelt finale. Mfoniso Udofia’s rich, captivating language meets Michael Ellis Ingram’s extraordinary music in a rite of passage that feels both personal and expansive. This production is a radiant celebration of spirit, legacy, and the joy that can emerge when we dare to imagine more for ourselves and for one another.”
From director Awoye Timpo: “Adia and Clora continue the fierce, messy and necessary work of becoming—wrestling with who they have been and moving toward their destinies. It is a joy to travel through time in song and text as we arrive at this luminous final chapter of the Ufot Cycle.”
From playwright Mfoniso Udofia: “Adia & Clora Snatch Joy?closes out 100 years of storytelling and, by the time it opens, will mark the culmination of 17 years of writing. I am so honored that The Huntington, along with producing partners across the city, made it possible—from the very beginning—for these plays to be seen. I cannot fully express what it means to have produced all of the Ufot Cycle plays—from the earliest, most tender “baby” play to the tried-and-true works—and now to return to The Huntington to mount the final piece: a folk opera. It feels right to me that the Ufot story ends in love and hope, and that Boston will be the first community to experience this final installment. I am deeply grateful, beyond words. I hope you’ll come, share in the joy, and carry a little of it with you.”
Praise for Mfoniso Udofia and the Ufot Family Cycle:?
“In terms of concept, scope, and execution, Mfoniso Udofia’s nine-play cycle about three generations of a Nigerian American family has proven to be one of the most exciting things to happen in Boston theatre in a long time.” –?The Boston Globe?
“Boston theatre companies and other arts organizations placed a dauntingly big bet on a playwright many — most? — local theatregoers had never heard of. So far, that bet is paying off not just handsomely, but excitingly.” –?The Boston Globe?
“Playwright Mfoniso Udofia has given us an extraordinary theatrical gift which exceeds all the demands of the medium.” – Joyce’s Choices??
“Udofia’s writing makes one feel like part of the family, sharing the Ufots’ happiness and pain.” –?The Harvard Crimson?
About the Ufot Family Cycle??
When nationally acclaimed playwright Mfoniso Udofia grew up in Southbridge, Massachusetts and went to Wellesley College, she rarely saw stories about Africans and African Americans that felt like her family. Inspired in part by meeting August Wilson at The Huntington, she set out to create a richly textured and emotionally engrossing cycle of nine plays that follows one family through three generations: parents, children, grandchildren. Each play stands alone, yet together form a rich tapestry of storytelling traditions that will resonate with everyone.??
Meet the Cartozians
by Talene Monahon
Directed by Huntington Artistic Director Loretta Greco
Wimberly Theatre, Calderwood Pavilion at the BCA
February 18 – March 21, 2027
A co-production with Berkeley Repertory Theatre
Part riveting historical drama, part razor-sharp satire,?Talene Monahon’s?Meet the Cartozians?boldly imagines an untold chapter of American history. In the 1920s, an Armenian man fights for legal recognition in the courts. A century later, a new generation embraces pop culture’s appetite for influence and fame. A runaway sensation in its New York premiere,?Meet the Cartozians?is a layered, complex, surprising, and stylish exploration of immigration, accountability, roots, and race. How do we decide who gets to belong — and at what price?
Born in Belmont, Monahon returns home to celebrate the Armenian American community of Boston in this bold and provocative play, in a new production led by Artistic Director Loretta Greco.
From Huntington?Artistic Director Loretta Greco: “I don’t think I’ve ever seen a writer dig at the thorny foundational questions of identity and the price of belonging with such a deliciously shrewd eye towards both our buried pasts and the fluid social coding of our present — to create a provocative, wholehearted, and hilarious?evening of theatre.?I’m thrilled to welcome Talene back to Boston to share this magnificent play with her hometown and to bring the story into conversation with the remarkable Armenian community here that helped shape her.”
From playwright Talene Monahon: “Ever since I wrote?Meet the Cartozians, it has been my dream that the play would come to Boston. I was raised in the Armenian community in the Boston suburbs?–?attending nursery school at the Armenian Sisters’ Academy, going to summer camp at Camp?Haiastan, food shopping at Sevan Bakery and Eastern Lamejun. In writing this play, I was trying to capture something about the people in my Armenian community?–?their humor and warmth, their ferocious devotion to culture,?and their fight against erasure. To bring the play to Boston is very much to bring it home.”
Critical acclaim:?
“A wildly funny piece that plays as pure entertainment, even as it weaves increasingly complex ideas.” – The New York Times
“A fascinating, epic drama that leaves you with plenty to think about.” – Time Out
“The funniest new play of the year! No one should miss this!” – The Wrap
Unorthodox?
Based on the best-selling memoir written by Deborah Feldman
Book by Joshua Harmon?(Prayer for the French Republic, Bad Jews)
Music and Lyrics by Benj Pasek (Dear Evan Hansen, La La Land) and Shaina Taub (Suffs)
Directed by Jordan Fein (Into the Woods at London’s Bridge Theatre)
The Huntington Theatre?
April 29 – May 30, 2027
WORLD PREMIERE?
BASED ON A NEW YORK TIMES BESTSELLER
Three Broadway icons unite for the first time to create this stunning new musical: composer?Benj Pasek?(EGOT winner,?Dear Evan Hansen,?La La Land,?Only Murders in the Building); composer?Shaina Taub?(two-time Tony winner for?Suffs); and playwright?Joshua Harmon?(Tony nominated for?Prayer for the French Republic).
Deep in the heart of Brooklyn, Devoiri, just seventeen, enters an arranged marriage in the Hasidic Satmar community. Sixty years earlier, her grandmother Fraida arrives in America at roughly the same age, alone, to begin a new life. In parallel journeys, one woman decides to join this devout world, while another awakens to the realization that she wants to try and leave. Based on the best-selling memoir,?Unorthodox?is an intimate and emotionally resonant new musical about the impossible choices we face trying to do what is right for our children – and ourselves.
From Huntington?Artistic Director Loretta Greco: “Every once in a blue moon, a true theatrical event comes along. And if you’re especially lucky, it also marks the birth of something thrilling, meaningful, and true. The joining of musical theater visionaries Benj Pasek and Shaina Taub with one of our great living playwrights, Joshua Harmon, collaborating for the first time together to create a musical adaptation of?Unorthodox?is one such moment. What they’ve crafted is an urgent, intimate, and soul-stirring story of two women discovering who they are and what world they want to forge for their children. I have no doubt this extraordinary new musical will resonate far beyond our walls, and you’ll be able to say you experienced it here first.”
From playwright Joshua Harmon and composers Benj Pasek and Shaina Taub: “We are close friends who had been searching for something to write together.?When we discovered this story, we knew it was the one we wanted to tell, as it’s full of complex characters in extraordinary circumstances making impossible choices. Collaborating on this show has been a genuine joy, we are grateful?to The Huntington for the chance to see it realized, and eager to share it with audiences!”
Critical acclaim for Deborah Feldman’s bestselling memoir Unorthodox:?
“A unique coming-of-age story that manages to speak personally to anyone who has ever felt like an outsider in her own life.” – School Library Journal
“A sensitive and memorable coming-of-age story.” – Pittsburgh Post-Gazette
“A brave, riveting account…?Unorthodox?is harrowing, yet triumphant.” – Jeannette Walls,?New York Times?bestselling author of?The Glass Castle
AS PART OF SIX- AND SEVEN-PLAY PACKAGES:?
Taylor Mac and Matt Ray: Songs from Bark of Millions
Lyrics and direction by Taylor Mac
Music and musical direction by Matt Ray
Emerson Paramount Center
October 15 – 18, 2026 – LIMITED RUN!
Presented by ArtsEmerson
In association with The Huntington
For six- and seven-play subscribers this limited run of Taylor Mac and Matt Ray: Songs from Bark of Millions will be included in their subscription.
A powerhouse collective of artists ignites an electrifying collision of performance, live music, and drag spectacle.?One of the great creative partnerships in contemporary American performance, MacArthur Award-winning icon Taylor Mac reunites with Obie Award-winning composer Matt Ray,?”the musical nexus of New York’s alt-cabaret scene” (NYTimes),?for an evening that invites all to reflect on queer lineage and futures.?
Following their much-heralded durational performance?A 24-Decade History of Popular Music?(subject of an HBO original documentary), Mac and Ray created the epic Bark of Millions, that aims to create a new canon of original songs inspired by queer figures past and present.
Electrifying, provocative, and entirely disarming, this concert version of Bark of Millions is an open call to community and celebration. In Mac’s own words, if you’re not invited to the party, throw a better one!?
“Bark of Millions?provides a source for poetic contemplation, a queer terroir out of which new forms of life can grow.” (Vulture, NY Mag)?
The?Bark of Millions?book will be published by Black Dog & Leventhal in Fall 2026.
From Huntington?Artistic Director Loretta Greco: “Bark of Millions?is a generous feast for the soul. I first experienced it in its infancy, and watching it evolve has been the most revelatory collision of rock ‘n’ roll, spectacle, and queer history. All the imaginations at play here are world class: the singular Taylor Mac joined by visionary composer Matt Ray?and exquisite maximalist Machine Dazzle — the sublime artists who made the landmark A 24 Decade History of Popular Music. What emerges is something rare, a vibrant celebration of legacy and pride with an exhilarating sense of abandon that you’ll want to share with everyone.”
From playwright and director Taylor Mac: “All we do is sing songs. But there’s something about the ritual of song after song after song inspired by different queer people from world history that is really liberating – And to do so in Boston, the Cradle of Liberty, makes it especially so.”
Critical acclaim:?
“What might radical queer art look like now? Taylor Mac has an answer.”?– The Guardian
“[Bark of Millions] cannot help but capture the senses and soul of its onlookers.” – Arts Review
“Bark of Millions helps us, even forces us, to remember the sheer, inexplicable size of the word, of ourselves.” – Limelight Magazine
About Pomegranate Arts:
Pomegranate Arts is an independent, NYC-based production company founded in 1998 by Linda Brumbach and Alisa E. Regas, specializing in producing and touring ambitious, cross-disciplinary, artist-driven projects. They partner with acclaimed artists like Taylor Mac, Philip Glass, and William Kentridge, fostering complex, long-term creative collaborations.
About ArtsEmerson:
ArtsEmerson is Boston’s leading presenter of contemporary world theater and film, founded in 2010 by Robert Orchard at Emerson College to foster inclusivity and community connection. Based in downtown Boston, it curates diverse international performances, public conversations, and artistic experiences aimed at celebrating diverse perspectives and fostering empathy.
Teatro La Plaza’s Hamlet
Written and directed by Chela De Ferrari?
The Huntington Theatre?
March 4 – March 7, 2027 – LIMITED RUN!
Represented by Aurora Nova
Performed in Spanish with projected English translation.
BREAKOUT HIT OF THE EDINBURGH FESTIVAL
For six- and seven-play subscribers this limited run of Teatro La Plaza’s Hamlet will be included in their subscription.
In this superb, funny, and deeply moving adaptation, Peruvian director?Chela De Ferrari?intertwines Shakespeare’s?Hamlet?with the lived experiences of a vibrant ensemble of eight actors with Down syndrome from?Teatro La Plaza. With wry humor, playful energy, pop music, and pointed critique, the company confronts the play’s timeless themes with striking honesty and fresh insight. Drawing resonant parallels between Shakespeare’s world and our own, they offer a vision of a more just and joyful imagined future.?
Now an international sensation, the production premiered in Peru before a celebrated run at the Edinburgh International Festival and has since toured 20 countries and 51 cities, with subtitles in 11 languages.?Performed in Spanish with projected English translation.
From Huntington?Artistic Director Loretta Greco: “I’ll admit, the last thing I wanted to see at the Edinburgh Fringe Festival was yet another production of?Hamlet. But Chela De Ferrari and the extraordinary ensemble from Peru’s Teatro La Plaza blew me away. The humor, vulnerability, unfiltered interrogation, and astonishing heart they bring to Hamlet peel the play open in ways that feel essential, revelatory, and joyful. In their capable hands, Shakespeare’s questions about justice, identity, and our collective future aren’t fixed in the past —they’re alive, urgent, and unmistakably our own.”
From playwright Chela De Ferrari: “In?Hamlet, working with those actresses and actors allowed me to approach theatre in a different way. No one expected to see the title role played by an actor with Down syndrome. By subverting expectations in this way, we were able to approach the question of the human condition from a different angle: the famous ‘to be or not to be’ monologue resonated in a new way… The play shifts from comedy to tragedy and back without the slightest condescension, freed from any tearful, pathetic, or romantic perspective.”
Critical acclaim:?
“A Hamlet that confronts darkness and death, it ends with a dance party, not a stage full of corpses. Joyous!” – The New York Times
“Brilliant …This infectiously exuberant production serves as a reminder that Shakespeare is accessible to all, and?Hamlet?is for everyone.” – The Telegraph
“Oozes charm, humor & imagination.” – The Guardian
“Emblematic, vigorous, and unforgettable.”– E-Urbanidade
About Teatro La Plaza:
Teatro La Plaza is a theater creation space that investigates and interprets reality to build a critical point of view that dialogues with its community. Opens its doors in 2003 with the purpose of connecting with its community by offering a production of works capable of questioning, provoking and surprising. Through texts of new playwrighting, as well as classics under a contemporary look, their proposals seek to formulate key questions that allow us to better understand our reality, the hectic times we live and the complex nature of human being. With the intention of collaborating in the development of local playwrights, in 2013 La Plaza created Sala de Parto, a program that stimulates the birth of new Peruvian plays and authors.
Calderwood / BCA