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  • Charles Giuliano Heads and Tales

    Pictures at an Exhibition

    By: Charles Giuliano - Jul 27th, 2018

    Arthur DeBow did a super job of curating and installing my retrospective Heads and Tales at Gallery 51 in North Adams. Some 150 plus friends and strangers passed through.

  • La Cage Aux Folles

    At South Florida Company's New Venue

    By: Aaron Krause - Sep 08th, 2018

    La Cage Aux Folles marks first show at Stage Door Theatre's brand new venue in South Florida. Popular Broward County company makes a triumphant debut at its new facility. Theater company imbues Jerry Herman, Harvey Fierstein classic with glamor, humanity and heart

  • Tanz im August, Berlin 2018

    Dance in August Ended September 2nd

    By: Angelika Jansen - Sep 09th, 2018

    One of the big international dance festivals, the Berlin based Tanz im August, celebrated its 30th anniversary with a thought-provoking and breath-taking array of works.

  • Cavalleria Rusticana and Pagliacci

    A Twofer at San Francisco Opera

    By: Victor Cordell - Sep 10th, 2018

    In an unusual alteration, perhaps opera’s most famous closing line, “La commedia è finita” which is written for Canio, is spoken by Mamma Lucia, who is a character from Cavalleria. This change is the most explicit link between the two operas, and it also suggests that the speaker represents humanity, demanding an end to the destructive chaos of primitive morality evidenced in both pieces.

  • Roberto Devereux by Gaetano Donizetti

    At San Francisco Opera

    By: Victor Cordell - Sep 10th, 2018

    Gaetano Donizetti is recognized as a master of bel canto, with its vocal ornamentation, agility, vibrato, glissando, and precise demands on breath and register control. Although not designed as companions, he wrote operas of three queens in that style, now known as the Tudor Trilogy – Anna Bolena, Maria Stuarda, and Roberto Devereux.

  • The Naturalists, A World Premier

    Intimately Understanding Terrorism

    By: Susan Hall - Sep 11th, 2018

    The Pond is an adventuresome young producing group whose mission is to seek out bold playwrights from Ireland and the UK and give American audiences a chance to know them. Playwright Jaki McCarrick deserves wide exposure. Terrorist acts are more familiar to the Irish than Americans, Yet the impact of these events on the families of terrorists is new territory and a fascinating one in The Naturalists.

  • Chicago on Stage

    Four Short Reviews

    By: Nancy Bishop and Matthew Nerber - Sep 13th, 2018

    Chicago critics Nancy Bishop and Matthew Nerber team up to cover four plays with brief reviews. This is one approach to focus on the wealth and diversity of productions in the Windy City.

  • Now & Then

    World Premiere Musical at Wilton Theater Factory

    By: Aaron Krause - Sep 15th, 2018

    A New musical has its touching moments, but is hampered by cliches, sentimentality. The world premiere of Now & Then runs through Sept. 30 at the newly-named Wilton Theater Factory near Ft. Lauderdale. A strong, versatile cast performs in Now & Then's first-ever production in South Florida.

  • The Goat, or Who Is Sylvia?

    Edward Albee Play at Chicago's Interrobang Theatre Project

    By: Nancy Bishop - Sep 15th, 2018

    The Goat, or Who Is Sylvia? is certainly a problem play, in the classic sense in which characters debate critical social issues in a realistic context. Think Ibsen, “kitchen sink drama” and the socialist plays of the 1920s and ‘30s. Albee also makes many references to classical tragedy, literature and Greek mythology throughout The Goat.

  • Agnes Howls at 59E59th

    Lesser America Presents a Play Centered on Autism

    By: Susan Hall - Sep 15th, 2018

    Hurricane Agnes is raging outside the small living space of a group of friends in their early 20s. The play focuses on Charlie, who has been diagnosed at the upper end of autism. We see him struggle to become just like everyone else, or getting as close to more conventional people as possible. His perspective is surprising and dramatic.

  • HIR By Taylor Mac

    Transitional Theatre at Shakespeare & Company

    By: Charles Giuliano - Sep 16th, 2018

    HIR by Taylor Mac, at Shakespeare & Company, demonstrates that we are now well beyond LGBT. The new acronym is LGBTTSQQIAAF. For Maxine who is transitioning to Max the correct pronoun is hir passing through ze. The playrwight answers to the pronoun judy. The play which took 17 years to create is described as Mac's most biographical.

  • More Fresh Grass Bluegrass Festival

    Rhiannon Giddens Steals The Show

    By: Philip S. Kampe - Sep 16th, 2018

    Today is Sunday and the last day of the Fresh Grass Festival. With four stages, wonderful cuisine and an enthusiastic young crowd, why not drive to North Adams, Massachusetts and enjoy the nation's best museum themed bluegrass festival. Ricky Skaggs and Kentucky Thunder headline today at 5:50pm.

  • Splendor In The Fresh Grass

    Awards Day

    By: Philip S. Kampe - Sep 17th, 2018

    (At press time, I didn't have a list of winners that were announced at the Fresh Grass Festival's banjo and band awards) Nonetheless, the Fresh Grass Festival 2018 vesion has come to an end.

  • Space Odyssey 2001 at NY Philharmonic

    Reprise of Classic

    By: Paul J. Pelkonen - Sep 18th, 2018

    Stanley Kubrick's seminal 1968 classic is now 50 years old, and remains as puzzling as ever. On Friday night, as part of this year's The Art of the Score festival, the New York Philharmonic performed the complete orchestral and choral music of 2001 as accompaniment to a large scale screening of the film at Lincoln Center.

  • The Abduction from the Seraglio

    Opera San Jose

    By: Victor Cordell - Sep 19th, 2018

    On opera’s dramatic measuring rod, any production of Abduction would fall on the comedic rather than the tragic end, but Opera San José pushes the comic meter to the point that opera detractors might even appreciate it as a stage comedy with music.

  • The Untranslatable Secrets of Nikki Corona

    World Premiere at Geffen Playhouse

    By: Jack Lyons - Sep 19th, 2018

    Under the aegis of new artistic director Matt Shakman, The Geffen Playhouse in Westwood, premieres playwright Jose Rivera’s mystical new work “The Untranslatable Secrets of Nikki Corona,” directed by acclaimed, award-winning director Jo Bonney,

  • Jaap van Zweden at the New York Philharmonic

    A New Era Begins

    By: Paul J. Pelkonen - Sep 21st, 2018

    Opening night at the New York Philharmonic is a yearly tradition an occasion for fat cat donors to dine on the Promenade of Lincoln Center's David Geffen Hall, and for ordinary critics (like your humble scribe) to put on suits and hobnob with each other before the performance. This year's ceremonies, held Thursday night, were also notable as it marked the long-awaited official debut of Jaap van Zweden, the orchestra's new music director.

  • Sky on Swings at Opera Philadelphia

    World Premier of Lembit Beecher's opera

    By: Susan Hall - Sep 24th, 2018

    Sky on Swings is a collaborative opera. The three principal artists, Lembit Beecher, Hannah Moscovitch and Joanna Settle have worked together for more than a year to bring a musical portrait of death-by-Alzheimer’s to the stage.

  • Komische Oper, Berlin, Germany

    Opening of the Season 2018/19

    By: Angelika Jansen - Sep 25th, 2018

    Berlin's Komische Oper (Comic Opera) opened its 2018/19 season with some of the most successful productions of the previous season. Wolfgang Amadeus Mozart's 'Zauberflöte' (Magic Flute) and Jerry Bock's 'Anatevka' which is better known as Fiddler On The Roof.

  • Debra Jo Rupp Romps in The Cake

    Geffen Playhouse Bakes Hilarous Comedy

    By: Jack Lyons - Sep 25th, 2018

    The Barrington Stage Company production of The Cake has gone West young man to LA's Geffen Playhouse. Now another coast shares the delicious comedy of Debra Jo Rupp. This is a run don't walk production.

  • Bess Wohl’s Make Believe

    World Premiere at Hartford Stage

    By: Karen Isaacs - Sep 25th, 2018

    Make Believe has potential but it isn’t ready for prime time. When people start taking peeks at their watches during a 90 minute play, it’s a clear sign that something isn’t working.

  • Shaw's Arms and the Man

    Chicago's City Lit Theater

    By: Nancy Bishop - Sep 26th, 2018

    City Lit Theater’s new production of George Bernard Shaw’s 1894 play, Arms and the Man, takes full advantage of its broad humor. Perhaps Shaw’s most frothy script, director Brian Pastor directs it with panache, although he sometimes lets his cast drift into silliness.

  • The Agitators at Gloucester Stage

    Remarkable Friends Frederick Douglass and Susan B. Anthony

    By: Charles Giuliano - Sep 26th, 2018

    Beyond their names most folks don't know much about abolitionist, Frederick Douglass, and women's suffrage leader, Susan B. Anthony. The remarkable play, The Agitators, by Mat Smart, offers more than a history lesson at Gloucester Stage. It has been given a compact and powerful production sharply directed by Jacqui Parker.

  • A Classic Play by Ntozake Shange

    African-American Shakespeare Company

    By: Victor Cordell - Sep 27th, 2018

    Ntozake Shange’s for colored girls who have considered suicide when the rainbow is enuf is a work of great moment that gave black women a platform, in some ways a pedestal, from which to denounce their double indignity of racial and gender discrimination and announce their worth and beauty.

  • Miller Theater Premiers Missy Mazzoli

    Proving Up Arrives in New York

    By: Susan Hall - Sep 27th, 2018

    Aware that all art forms now compete with Netflix, composer Missy Mazzoli and librettist Royce Vavrek seek out stories for their musical theater that will attract audiences. Mazzoli, a masterful young composer, can go very dark in tales because her music, in its blocks of beauty no matter what the subject, is compelling and evocative.

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