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  • The Irish Troubles

    An Overview in the Arts

    By: Nancy Bishop - Jul 19th, 2019

    A particular period of Irish history has been the focus of several recent remarkable works of art: two books, one an experimental novel, and the other journalistic nonfiction, plus a much-praised Broadway drama. All of them won multiple awards. I’ll also add a 2008 film to this list of artistic works. They all commemorate the years of the Troubles, that period of history of Northern Ireland in which more than 3500 people died or were disappeared.

  • In The Penal Colony Updated by Miranda Haymon

    Powerful Kafka in the Present

    By: Rachel de Aragon - Jul 18th, 2019

    At Next Door at New York Theatre Workshop The Hodgepodge Group and Lucy Powis presents, In the Penal Colony, a new and dynamic re-creation of Kafka's story by writer/director Miranda Haymon. What are the personal responsibilities of those who bear witness to the abuse of power? What is the relationship of the victim to the support of breaking institutional norms? What of the admiration for power, and the adulation of murderous solution?. At what point can we shed the reverence for brutal traditions?

  • A Strange Loop at Playwrights Horizons

    Fasten Your Seatbelt for a Bumpy Evening

    By: Edward Rubin - Jul 19th, 2019

    Not since A Strange Loop, through July 28th at Playwrights Horizons, have we come across a many faceted gay character like Usher (the extremely talented Larry Owens). He spares no detail, however raw, intimate, personal, scatological and sordid – in the telling of his life.

  • Kevin Puts Premiere at Tanglewood

    Andris Nelsons Conducts Renee Fleming and Rod Gilfry

    By: Susan Hall - Jul 21st, 2019

    The Brightness of Light by Kevin Puts had its world premiere at The Shed at Tanglewood. Rod Gilfry, baritone, and Puts' collaborator Renee Fleming, sang the baritone and soprano roles of Alfred Stieglitz and Georgia O'Keefe, who were married for twenty-two years. Often living and working in different parts of America, they corresponded. Puts scoured the correspondence to develop an arc for his orchestral song cycle. It is a brilliantly achieved work.

  • Davone Tines in The Black Clown

    Langston Hughes Inspires the Journey to Manhood

    By: Susan Hall - Jul 25th, 2019

    Davone Tines was looking for a project to touch him deeply. His college classmate Michael Schacter suggested reading Langston Hughes' poems. The Black Clown hit him in the gut. Years ago Hughes had felt just as he did. Schachter and Tines collaborated on a moving and energetic musical monologue prompted by the poem. It is a wild theatrical success in its New York premiere.

  • The Children By Lucy Kirkwood

    Nuclear Meltdown at Shakespere & Company

    By: Charles Giuliano - Jul 26th, 2019

    The approach of the Lucy Kirkwood play, The Children at Shakespere & Company, is conceptual. It’s rather like a BBC detective series where there is investigation of a murder that we don’t witness. There is crime but the audience is spared the horrific details. Characters are involved with cleaning up the meltdown of a nuclear power plant which entailed their flawed design.

  • Chrissie Hynde at MASS MoCA

    Pretenders the Real Deal

    By: Charles Giuliano - Jul 27th, 2019

    It was standing room only last night for the packed performance of Chrissie Hynde and The Pretenders. On a perfect summer night, with just a touch of heat relief, they performed on stage in a large courtyard of MASS MoCA.

  • Working: A Musical in Stockbridge

    Great Enertainment at Berkshire Theatre Group

    By: Charles Giuliano - Jul 28th, 2019

    For a deliciously entertaining evening of theater it is hard to top Working: A Musical at Berkshire Theatre Group. Last night the intimate Unicorn Theatre in Stockbridge was filled to capacity by a thoroughly delighted audience.

  • Blck, Whyte, Gray at Mostly Mozart Festival

    British Hip Hop Takes Us Deep into Dance

    By: Susan Hall - Aug 03rd, 2019

    Blck, Whyte, Gray is performed at the Mostly Mozart Festival, a clear invitation for a wide swathe of ethnic groups to join the Festival audience, and also a pleasure and a revelation for regulars. Advance notice was served at the White Light Festival last fall, when Blck, Whyte, Gray was a smash hit of the Festival.

  • Train Meets The Goo Goo Dolls

    Tanglewood Rocks

    By: Philip S. Kampe - Aug 06th, 2019

    A major billing with two headliners, Train and the Goo Goo Dolls, played to an enthusiastic audience of many generations, dominated by women at Tanglewood on Monday evening. Both bands played enthusiastic seventeen song set lists, before the encore. Cannons, fireworks and bouncing balloons helped keep the crowd active throughout the evening.

  • International Contemporary Ensemble

    The 12th Annual Journey of Sonic Landscapes

    By: Susan Hall - Aug 06th, 2019

    You can count on every International Contemporary Ensemble concert to deliver surprise, shock and awe. Performers are always in tip-top shape. You might hear an instrument you’ve never heard before, like the Cimbalon or the Kamanchah at a Mostly Mozart concert at Merkin Hall. ICE is superb and daring.

  • If I Were You.

    Composed by Jake Heggie with Libretto by Gene Scheer

    By: Victor Cordell - Aug 07th, 2019

    If I Were You possesses a compelling score with drama to match. Full of symbols of soul transporters and apples and grieving elephants as well as contrasting venues from offices to bars, it stimulates the ears and eyes and holds the attention throughout

  • National Black Theatre Festival

    Biannual Event in Winston-Salem, NC

    By: Nancy Bishop - Aug 09th, 2019

    Some thirty members of American Theatre Critics Association (ATCA) attended the Winston-Salem, NC National Black Theatre Festival. Here is the first report from our Chicago correspondent Nancy Bishop. More coverage will follow.

  • Ma Rainey’s Black Bottom

    August Wilson Play Produced by Multi Ethnic Theater

    By: Victor Cordell - Aug 10th, 2019

    Set in 1927 Chicago, Ma Rainey’s Black Bottom is the only play in August Wilson’s great ten-play, ten-decade “Pittsburgh Cycle,” of the black experience in America that takes place outside his home town. Although the black bottom in the title refers to the flapper dance of the period, it seems intended as a double entendre with sexual innuendo. Both connotations are relevant to one of the important verbal clashes among the band members.

  • National Black Theatre Festival

    Audience as Congregation in Winston-Salem

    By: Charles Giuliano - Aug 10th, 2019

    Thirty years ago the late Larry Leon Hamlin founded National Black Theatre Festival in Winston-Salem, North Carolina. The biannual event, July 29 to August 3, featured 30 productions on stages in and around the city, They ranged from intensive dramas to entertaining musicals. A great part of the experience was being part of audiences that might better be described as congregations. People assemble from all over American for this unique celebration of African American history, theatre and culture.

  • Sustaining Regional Black Theatre

    Harlem, Houston,Winston-Salem, Chicago, Sarasota

    By: Charles Giuliano - Aug 12th, 2019

    In a conference organized by Florida critic, Jay Handelman, 30 members and guests of American Theatre Critics Association attended the biennial of the 30-year-old National Black Theatre Festival. In and around Winston-Salem, North Carolina there were 30 productions. During two insightful panel discussions we met artistic directors from Winston-Salem, Sarasota, Chicago and Houston. It provided a compelling overview of black theatre in America.

  • Oliver Beer's Vessel Orchestra at the MET Breuer

    Nico Muhly and John Zorn compose for the Vessels

    By: Susan Hall - Aug 13th, 2019

    The Metropolitan Museum of Art has mounted its first sound-based installation. British artist Oliver Beer selected 32 vessels from the Museum's vast collection. They form a 32 note chromatic scale which can performed on an electronic keyboard. The exhibit was a feast for eyes and ears.

  • Steve Martin's Comedy The Underpants

    Extended Again at Old Globe

    By: Jack Lyons - Aug 14th, 2019

    Silly is, as silly does, could easily be the subtitle following the name of the current comedy/farce romp “The Underpants,” now on stage at the Old Globe’s Sheryl and Harvey White stage. The Steve Martin comedy has been extended twice now through September 8/

  • More on National Black Theatre Festival

    Biennial Event Seeks to Inspire All

    By: Aaron Krause - Aug 14th, 2019

    American Theatre Critics Association members hold their annual conference to coincide with the National Black Theatre Festival. 'Black theater is for everyone,' a panelist tells critics during one of several discussions. This year's festival line-up ranged from well-known works to new plays. The event attracts black theater companies worldwide to perform productions from an African American perspective.

  • Two Great Sustainable Wines From Chile

    The Vineyard Is Next To The Pacific Ocean

    By: Philip S. Kampe - Aug 15th, 2019

    Five years ago I had my first meeting with winemaker Alejandro Galaz, who produces dozens of wines from Chile. We focused on a couple of wines that he brought to lunch, a Pinot Noir and a Sauvignon Blanc. Both wines were special in 2014, as well, as in 2019. Galaz is known as a cold climate winemaker. The proof is the Kalfu 2017 Pinot Noir, as well as the 2018 Sauvignon Blanc.

  • Martha Graham Company Returns to Jacob's Pillow

    Program Combines Old and New Works

    By: Charles Giuliano - Aug 16th, 2019

    The greatest modernist dancer and choreographer of her generation, Martha Graham (1894-1991), had a long and unique connection to Jacob’s Pillow. This week the company she founded in 1926 is making its fifth posthumous appearance in the Berkshires. The program combines old and new, her own work and that of other women choreographers.

  • What We May Be By Kathleen Clark

    World Premiere Comedy at Berkshire Theatre Group

    By: Charles Giuliano - Aug 17th, 2019

    The structure of Kathleen Clark's world premiere comedy What We May Be, at Berkshire Theatre Group, is a play within a play. Actually, four plays within a play. That makes for a hard to follow , count them, five plays. It's confusing and not particularly funny. The writing of Clark and misdirection of Gregg Edelman squander generally fine performances by a terrific cast.

  • Love, Noël: The Songs and Letters of Noël Coward

    In NY at The Irish Repertory Theatre

    By: Edward Rubin - Aug 17th, 2019

    Alone and in duo, Ross and KT perform some two dozen Noel Coward songs, read a number of letters and first night theater opening telegrams (remember those days) both written by and received from his fans, famous friends, and yes, you might have guessed it, letters both to and from his mother.

  • Dell Arte Opera's La Liberazione di Ruggiero

    Brilliant Baroque Presentation of the First Opera by a Woman

    By: Susan Hall - Aug 17th, 2019

    In their summer home at La Mama in New York, dell'Arte Opera is presenting the first opera composed by a woman, Francesca Caccini. The composer understands the power of women well. She also portrays the power of evil in women. An exciting performance by a stellar cast of young artists accompanied by a small ensemble featuring lutes was conducted by Charles Weaver.

  • TIME:Spans Festival at DiMenna Center

    Nikel with Tscherkassky's CinemaScope Trilogy

    By: Susan Hall - Aug 17th, 2019

    TIME:SPANS is a Contemporary Music Festival presented by the Earle Brown Music Foundation Charitable Trust at the DiMenna Center in New York. The Nikel Ensemble was featured in the first half of the Festival. Nothing daunts them. Wearing long extensions on their fingers, they kept the beat to Simon Løffler's music which accompanied a Peter Tscherkassky adaptation of The Entity, a classic psychological horror film.

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