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  • Turandot at the Metropolitan Opera

    James Morris' 1000th performance at the Met

    By: Paul J. Pelkonen - Oct 18th, 2017

    Turandot is Giacomo Puccini’s final, unfinished work. It is a a grand fantasy of legendary China as reimagined through the lens of Italian romanticism. It is a farm tale, the story of an ice-hearted princess and the fearless Prince who wins her hand. It is seen (wrongly) as the end point of the genre of Italian opera. It is also, along with La bohème, the last of the Metropolitan Opera’s giant Franco Zeffirelli productions, crowded extravaganzas that evoke the opulence of a bygone era. (In this case, we’re talking about the 1980s.)

  • The BSO Season at Tanglewood

    Promises to Deliver

    By: Paul J. Pelkonen - Jun 25th, 2017

    Whisper the name "Tanglewood" and you will tickle the conscience of the novice classical music-goer, and fire the memories of those who have walked its grassy paths and visited the summer home of the Boston Symphony Orchestra. Located on a sprawling estate in Lenox, Massachusetts, this is the Cadillac of summer festivals, offering symphonies, chamber music and opera to a throng of devotees who make the pilgrimage again and again.

  • Wu Man and Shanghai Quartet

    Make Music Not War at Park Avenue Armory

    By: Susan Hall - Jun 22nd, 2017

    The Shanghai Quartet is an internationally acclaimed chamber group which bridges the sensibilities of East and West. Focusing in their program on folk music, you could close your eyes and sometimes imagine Ferde Grofé and Aaron Copland. Bach crops up as a reference.

  • Babel from the White Lights Festival

    Cacaphony of Words, Dance and Music

    By: Susan Hall - Oct 28th, 2016

    The impact of the Tower of Babel is immediately felt in the silence of the Rose Theater. Watching steel frames in the shapes of cubes and rectangles built up and toppled on stage, seeing people trapped by them and also liberated graphically, drives home our divided world and the need for human unification. These structures both divide and unite. There is hope.

  • Mark Morris Dance at Mostly Mozart

    Morris Paints Notes in Dance

    By: Susan Hall - Aug 27th, 2016

    Mark Morris is billed as a musician, and has, in fact, been music director of the Ojai Festival. He is clearly a musicians’ musician and knows as much about music as most professionals. His main gig is choreography. He insists on using live ‘bands,’ in this case, the Mostly Mozart Orchestra. Morris channels Mozart's notes in surprising and apt movements.

  • New York Theatre Workshop's Hadestown

    To Hell and Highwater with Anaïs Mitchell

    By: Susan Hall - Jul 02nd, 2016

    A brilliant new take on the Orpheus myth by Anaïs Mitchell and Rachel Chavkin. The story of Orpheus and Eurydice was the basis of the first opera written in 1600. It has intrigued artists ever since, from Monteverdi to Christoph Willibald Gluck to Jacques Offenbach. Dramatists too have found the tale impossible to resist, Thomas Pynchon, Salmon Rushie and Tennessee William among them. This may be the first time the audience sits in purgatory.

  • Elektra is Galvanic

    Murder and Revenge without Intermission at the MET

    By: Deborah Heineman - Apr 23rd, 2016

    A remarkable non-stop performance by Nina Stemme – who never leaves the stage in this 110-minute production – sets the tone for a magnificent interpretation of Strauss’ devastating opera.

  • Alexandre Tharaud Performs Bach

    A Crypt Session at the Church of the Intercession

    By: Susan Hall - Apr 05th, 2016

    Alexandre Tharaud is more than a musician's musician. His heart-rending performance of the Bach Goldberg variations put him at the same pinnacle of pianists as the Bach work is for music afficiandos. In a concert series performed in an intimate acoustic marvel, the crypt of the Church of the Intercession in upper Manhattan, Tharaud delivered a mesmerizing take on this crown jewel of compositions.

  • Paul Appleby, the Natural, at Carnegie

    A Master of Language and Meaning

    By: Susan Hall - Mar 17th, 2016

    Paul Appleby has rocketed to the top of the music world. This modest, charming man has a voice for the ages and communicates in many languages with an easy skill. At Zankel Hall in New York he sang about the infinite varieties of love as expressed by Schumann, Wolf, Berlioz and Villa Lobos. Matthew Aucoin's Merrill Songs were premiered. This irresistible master tenor speaks to the heart.

  • Tanglewood Update, new popular artists added to venue

    June will be rocking at Tanglewood.

    By: Philip S. Kampe - Mar 01st, 2016

    Tanglewood is appealing to all age categories with the addition of popular artists, Earth, Wind & Fire, Jackson Browne, Train and the B52's.

  • Boston Symphony Shakespeare Festival

    Three Concert Program Features Vocal Music, New Works

    By: David Bonetti - Feb 17th, 2016

    Acknowledging the 400th anniversary of Shakespeare's death, the BSO programmed music by some of the greats based on his works. Music director Andris Nelsons brought his lively intelligence to the enterprise, in which a new work based on Ophelia's words by the Dane Hans Abrahamsen was the stand-out hit.

  • The Cleveland Orchestra Graces Carnegie Hall

    Mitsuko Uchida Plays and Leads

    By: Susan Hall - Feb 15th, 2016

    Mitsuko Uchida plays and conducts Mozart with the Cleveland Symphony. Will she continue in a new career as a conductor? In Munich, the Bayerische State Opera is often conducted by Oksana Lyniv. Gemma New is at the New Jersey Symphony, and Mirga Gražinyt-Tyla is the new music director of the Birmingham Symphony. Women are coming to the podium.

  • Son House

    Prechin the Blues

    By: Charles Giuliano - Feb 12th, 2016

    A man of God in his twenties Delta man Son House succumbed to the Devil's music. During the Folk Revival I saw him perform at the 1969 Newport Folk Festival.

  • What's New at the Metropolitan Opera

    Sondra Radvanovky Crowned Queen of Opera

    By: Susan Hall - Feb 08th, 2016

    It seems just yesterday that Placido Domingo marched into General Manager Peter Gelb’s office and told him that he must keep the great soprano Sondra Radvanovsky on the Metropolitan Opera roster. Gelb could not say no. And so we have this season Donizetti’s Queens with Radvanovsky singing Anna Bolena, Maria Stuarda and Elizabeth.

  • Orpheus at Carnegie Hall

    Pianist Buniatishvili Makes Mozart an Erotic Experience

    By: Susan Hall - Jan 31st, 2016

    Orpheus’ performers clearly come to an agreement before they come onto stage, leaderless. This form gives the music a chance to implode and explode in the hands of gifted individuals coming together.

  • Jaap Van Zweden New Music Director of the NY Phil

    An Electrifying Conductor Arrives

    By: Susan Hall - Jan 27th, 2016

    On January 27, 2016, New York Philharmonic Chairman Oscar S. Schafer and President Matthew VanBesien announced that conductor Jaap van Zweden will become the Orchestra’s next Music Director, beginning in 2018–19. It will be the orchestra’s 177th season. Mr. van Zweden will serve as Music Director Designate in the 2017–18 season.

  • Mark Goldenberg and Eric Skye's Artifact

    New CD of Organic Music

    By: Joseph Callouri, edited by Philip S. Kampe - Jan 24th, 2016

    Artifact is one of those recordings that warrants repeated listening. Each time I listen to the CD, there is something new to marvel at, especially the organic, full and clean masterful guitar tones. Add the masterful song writing with actual melodies that stick out in each song and you have an album that stands out and sticks in one's brain.

  • Stephanie Blythe: Sing America!

    Carnegie Hall Hosts Amateur Singers Braving a Blizzard

    By: Susan Hall - Jan 24th, 2016

    The human voice is an instrument we all carry. Fewer than five percent of people are tone deaf and some experts consider the condition correctable. We all can experience the joy of singing together. Live singing is like nothing else under the sun. Stephanie Blythe makes the case with joy and conviction at a Carnegie Hall concert.

  • Tanglewood 2016 An Overview

    Tickets go on sale on January 24th

    By: Philip S. Kampe - Jan 23rd, 2016

    Tickets for the 2016 Tanglewood go on sale Sunday, January 24th. A diverse schedule of entertainers for the June 19th-September 1st season includes the return of Tanglewood conductor Seiji Ozawa, Brian Wilson of the Beach Boys and local favorite,James Taylor.

  • Marilyn Horne: The Song Continues

    Master Class at the Weill Recital Hall

    By: Susan Hall and Alison Gardiner - Jan 23rd, 2016

    Marilyn Horne is a wonderful, detailed teacher and it is a privilege to be in her presence. Clearly the singers in her master class were able to incorporate her apt suggestions. Is revelation the reason audiences respond to a great master class? With Horne, the answer is yes.

  • Hamilton on PBS

    Making of a Musical Masterpiece

    By: PBS - Jan 18th, 2016

    HAMILTON’S AMERICA is produced by Academy Award® and Emmy®-Winning producers RadicalMedia (What Happened Miss Simone?, Keith Richards: Under The Influence, In the Heights: Chasing Broadway Dreams for PBS). The documentary combines interviews with experts and prominent personalities, new footage of the production in New York, and cast-led expeditions to DC, Philadelphia and New York.

  • Welser-Möst Conducts Cleveland Orchestra

    Pain and Joy at Carnegie Hall

    By: Susan Hall - Jan 18th, 2016

    The Cleveland Orchestra shone in the new and the recent as they gave bells and chimes to Ophelia's descent to madness and drummed up Shostakovich's fury at Stalin's regime.

  • Poppea is Crowned in Germany

    Delightful Opera as Monteverdi is Staged

    By: Susan Hal - Jan 15th, 2016

    How do smaller houses solve budget issues? Imaginatively in Pforzheim. The curtain which at first appears to be a rich taffeta, drawn back with ropes, decorated with ribbons and bows is painted on a moveable backdrop. Regal is presented with non-imperial efficiency. The costumes, when they are worn, are delightful. Arnalta looks a bit like a nun in stark black in white, in contrast to the brilliant orange feathers of Ottavia. When she ascends with her mistress at the opera’s end, she strips and dresses as the lady-in-waiting of the Empress. This strip is a fun and amusing touch.

  • Freihofer’s Saratoga Jazz Festival

    2016 Headliners Smokey Robinson and Chick Corea

    By: SPAC - Jan 12th, 2016

    The 39th annual Freihofer’s Saratoga Jazz Festival, one of the world’s longest-running major jazz events, will be held on Saturday, June 25 and Sunday, June 26 at the Saratoga Performing Arts Center (SPAC). This year’s festival will feature headliner Smokey Robinson; Chick Corea Trilogy; Joey Alexander; Steps Ahead Reunion; Pieces of a Dream; Pat Martino Organ Trio plus Horns; and Christian Scott, among many others.

  • Die Fledermaus at the Bavarian State Opera

    Frothy, Beautiful Strauss in High Spirits

    By: Susan Hall - Jan 11th, 2016

    Opera is so engaging when it is done with perfect casting, conducting, and singing. The opera in Munich is sold out every night. No audience problems when the productions are first-rate. It is hard to believe that Strauss resisted opera until his wife and a Viennese theatre director conspired to set some of his music as songs. Strauss himself was bowled over. Fledermaus is his third operetta. Fledermaus tempts the listener with sweet melody, bouncy rhythms, and thrilling scoring. The music hints at the mistaken identity, gala ball, and humorous plot twists that are to come.

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