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Theatre

  • Company by Stephen Sondheim

    Stunning Revival at Barrington Stage Company

    By: Charles Giuliano - Aug 15th, 2017

    This season Julianne Boyd has taken another crack at Sondheim's Company and critics appear to be unanimous that a sensational production is on the short list of her best work. She is noted for loving musicals and this one is a corker.

  • Broken Box Mime Theater in Bennington

    Brooklyn Based Ensemble on Tap

    By: Chris Buchanan - Aug 15th, 2017

    Award-wining ensemble, Broken Box Mime Theater will host an Open Studio Share at the Bennington Center for the Arts on Sunday, August 27 at the conclusion of a week-long residency

  • Last of the Red Hot Lovers

    Neil Simon Comedy at North Coast Rep Theatre

    By: Jack Lyons - Sep 15th, 2017

    North Coast Repertory Theatre (NCRT) artistic director David Ellenstein’s selection of “The Last of the Red Hot Lovers”, is a definite winner in kicking off its 36th season. It’s one of Simon’s best comedies. Deftly directed by Christopher Williams, the four person cast takes to this play like ducks to water.

  • Lost Lake by David Auburn

    Two Hander at BTG’s Unicorn Theatre

    By: Charles Giuliano - Oct 02nd, 2017

    The shoulder season play Lost Lake, by Tony and Pulitzer winner, David Auburn, is an enthralling and richly rewarding two hander. It would be difficult to image a more finely nuanced production of a skillful and clever play.

  • An Octoroon Near Miami

    Florida Premiere of Branden Jacobs-Jenkins Play

    By: Aaron Krause - Oct 02nd, 2017

    Area stage Company shines in satire about race as An Octoroon's cast finds the right mixture of over-the-top theatricality and nuance. This unique play by an award-winning playwright is entertaining, yet disturbing.

  • Barrington Stage Announces Two Musicals for 2018

    World Premiere of The Royal Family of Broadway & West Side Story

    By: Charles Giuliano - Oct 05th, 2017

    It's not yet Holiday season and Barrington Stage is first out of the get with booking for the 2018 season It annouices. the world premiere of The Royal Family of Broadway, a new musical comedy based on The Royal Family by George S. Kaufman & Edna Ferber, by the Tony Award winning creators of The 25th Annual Putnam County Spelling Bee; and West Side Story, in honor of Leonard Bernstein and Jerome Robbin’s 100th birthdays.

  • Rome Neal as Thelonious Monk

    Laurence Holder's Play Captures the Jazz Icon

    By: Rachel de Aragon - Oct 07th, 2017

    Laurence Holder’s iconic one man show Monk brings the jazz legend life to the stage. Rome Neal, actor and director, becomes Thelonious Monk, and for 90 minutes we move through the defeats and triumph’s of the man’s work, life and artistic era.

  • Musical Redemption: Huntington's Merrily We Roll Along

    Stephen Sondheim Musical Initially Considered a Flop.

    By: Mark Favermann - Oct 07th, 2017

    One of the more obscure of Sondheim's musical, the Huntington Theatre Company's terrific production underscore's its vitality and quality. Director Maria Friedman’s stunning London production of Merrily We Roll Along received universal rave reviews – the most five star reviews in West End history as well as the Olivier Award for Best Musical. Now she has recreated it for Boston audiences. Travelling backwards in time over 20 years in the entertainment business, this musical focuses on the relationships of close friends Franklin, Charley, and Mary, and features some of Sondheim’s most memorable songs, including “Good Thing Going,” “Old Friends,” and “Not a Day Goes By." Seeing the show is like an old friend remembered.

  • Gaslight by Patrick Hamilton at Barrington Stage

    Illuminating Vintage Psychological Thriller

    By: Charles Giuliano - Oct 09th, 2017

    For community and school based fall programming Barrington Stage has revised the 1938 Patrick Hamilton play Gaslight. It's best know for its second of two film versions in 1944 which starred Ingrid Bergman, Charles Boyer, Joseph Cotton and the ingenue, Angela Lansberry as the frisky maid Nancy. The Barrington production, while well cast and crafted, given the zeitgeist and setting of the 1880s, is dark, somber and drab.

  • Crossing at BAM

    Whitman Focus of Composer Matthew Aucoin

    By: Susan Hall - Oct 08th, 2017

    Crossing premiered at ART in Cambridge, Mass. in 2015. Now it comes to BAM as part of the Next Wave Festival.

  • The Humans In Suburban Miami

    Tony Award-Winning Play at GableStage

    By: Aaron Krause - Oct 09th, 2017

    One can't overstate The Humans relevance to modern times. Stephen Karam's play is humorous, heartbreaking and creepy. The cast offers multi-dimensional performances in a first-rate production.

  • Composer Librettists Development Program

    Lawrence Edelson Celebrates Opera

    By: Susan Hall - Sep 28th, 2017

    American Lyric Theater was founded in 2005. Lawrence Edelson, a tenor and stage director, wondered how best to develop national operas. When opera was first introduced to the US was intentionally European and elitist. That formula no longer works. New works are springing up all over the country, and the ALT and its composer librettist programs has trained and launched the careers of many of this generations' composers and librettists. At the heart of their program is a kind of master's degree in opera. It is based on mentorship, which subtly differs from teaching.

  • Blank Out by Michel Van Der Aa

    Miah Persson and Roderick Williams Excel

    By: Susan Hall - Sep 26th, 2017

    Under the canopy formed by the dome of the Drill Hall in the Park Avenue Armory, Michel Van der Aa’s brilliant chamber opera, Blank Out, unfolds. In this gargantuan space, we seemed small and so did elements of the opera.

  • How I Learned to Drive by Paula Vogel

    At Custom Made Theatre in San Francisco

    By: Victor Cordell - Sep 16th, 2017

    This production that delves into molestation is a worthy realization of Paula Vogel’s Pulitzer Prize winning and otherwise highly decorated play, How I Learned to Drive. The story of Li’l Bit unfolds in a non-linear, but clearly demarcated fashion, from the character’s eleventh year until she is 35.

  • War Stories from Opera Philadelphia

    Philadelphia Museum of Art Provides Dramatic Setting

    By: Susan Hall - Sep 18th, 2017

    Inaugurating your season with a festival is setting the entertainment bar a notch higher. One after another as this festival week unfolds, dramas of high intensity, great variety set in unusual locations proceed to both jar and move. It is a mind-blowing experience.

  • God of Carnage at Shakespeare & Company

    Fall Show a Barrel of Monkeys

    By: Charles Giuliano - Sep 23rd, 2017

    For its fall foliage production Shakespeare & Company have produced a corker. Regge Life has directed four masters of the company in Yasmina Reza's 2009 Tony wnner God of Carnage. The all star ensemble includes S&Co. veterans Elizabeth Aspenlieder, Allyn Burrows, Jonathan Croy and Kristin Wold. Saving the best for last it is the most hilarious comedy of the Berkshire season.

  • The Rembrandt at Steppenwolf Theatre

    Charming Morsel of a Play by Jessica Dickey

    By: Nancy Bishop - Sep 23rd, 2017

    The best reason to see The Rembrandt by Jessica Dickey is the cast, sensitively directed by Hallie Gordon. Two of Steppenwolf’s and Chicago’s finest actors—Francis Guinan and John Mahoney—perform as museum guard, painter and poet

  • In the Next Room or The Vibrator Play

    By Sarah Ruhl at Pear Theatre

    By: Victor Cordell - Sep 23rd, 2017

    “In the Next Room” explores change, and how technology brings it about. In addition to the impact revealed by use of a newly developed personal appliance, it touches on the profound macro consequences of the coming of electricity.

  • Prince Of Broadway

    Seven Decades of a Legendary Career

    By: Edward Rubin - Sep 23rd, 2017

    Well honed actors aside, Prince Of Broadway is saturated with top-of-the-line technical talent, from his co-director and choreographer Susan Stroman, to Jason Robert Brown’s, new songs, arrangements, orchestration and music supervision, Beowulf Boritt’s scenic and production design, William Ivey Long’s Costumes, and Howell Binkley’s lighting, all multiple Tony Winners, give their all.

  • Oleanna In South Florida

    Mamet play Provokes at Boca Raton Company

    By: Aaron Krause - Sep 24th, 2017

    Boca Raton's Evening Star Productions is giving David Mamet's Oleanna a riveting production Thd company's staging is marked by tension, great acting. The bully isn't the professor.

  • Amy Herzog at New York Theatre Workshop

    Carrie Coon Stars in Mary Jane

    By: Susan Hall - Sep 25th, 2017

    Award-winning playwright Amy Herzog comes to the New York Theatre Workshop with "Mary Jane." Carrie Coon creates an unforgettable figure in the title role.

  • On Site Opera Focuses on Dinosaurs

    Natural History Museum Setting

    By: Susan Hall - Sep 24th, 2017

    If you are asked what’s the most exciting character you can think of and answer is 'dinosaurs', it’s just a short leap to the creation of an opera about them if you want a audience that says opera, next, then make an opera about dinosaurs. On Site Opera has done just this.

  • Hand to God, by Robert Askins

    At The Stage in San Jose

    By: Victor Cordell - Sep 26th, 2017

    Playwright Robert Askins draws on his small town Texas upbringing in the Lutheran Church to craft this tale of perverse adults hiding behind conservative fabric and teens ill-suited to their community.

  • The Song of the Nightingale

    Town Hall Theatre in Lafayette California

    By: Victor Cordell - Oct 10th, 2017

    The Song of the Nightingale is comprised of numerous clashes – the well being of the poor fishermen who must provide fish for the Emperor’s banquets versus the pleasure of Emperor; the needs of the Emperor’s sister who is the brains behind the administration versus the ego of the Emperor; and the young fisherman Xaio versus the girl that he loves, Mei, who aspires to higher goals and has been lifted from the fishing village to become a maid in the palace.

  • Henry IV, Part One

    Oregon Shakespeare Festival

    By: Victor Cordell - Aug 06th, 2017

    Director Lilean Blais-Cruz does well with limited resources. Actors extract whatever drama and humor that the words allow. Lighting and sound achieve expected OSF standards. This production plays in the round and with a minimum of staging – the fixed portion being a number of vertical white pipes with light wands attached to a maze of pipes above.

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