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Susan Hall

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  • Nelsons Exodus from the BSO Front Page

    Is a New Directorial Model Being Created

    By: Susan Hall - Apr 14th, 2026

    Andris Nelsons will leave the Boston Symphonhy in 2027.  Everything about his departure is guesswork until Chad Smith, President and CEO, and the Boston Symphony Orchestra board speak publicly.

  • Barbara Hannigan Returns to the NY Phil Front Page

    Hannigan sings Poulen's Human Voice

    By: Susan Hall - Apr 13th, 2026

    Barbara Hannigan arrives at the New York Philharmonic on April 23.  Her memorable debut was  in Grigor Ligetti’s opera Le Grand Macabre under conductor Alan Gilbert  fifteen years ago. It sold out. The production was the Philharmonic's first opera, directed by Doug Fitch with a multimedia set and backdrop. Hannigan will sing and conduct Poulenc's Human Voice.

  • Saariaho's Innocence Beautiful at the Met Opera Front Page

    The Composer's final opera is a Masterpeice

    By: Susan Hall - Apr 07th, 2026

    Innocence, Kaija Saariaho’s searing meditation on collective guilt, received its New York premiere at the Metropolitan Opera. Many of the artists from its world premiere at the Aix-en-Provence Festival five years ago are present here: Susanna Mälkki conducts, bringing  her close collaboration with Saariaho to bear, alongside the brilliant director Simon Stone. Stone makes a work live in the moment, a powerful invitational tool for audiences.

  • Dimitri Krymov at La Mama Front Page

    A Russian's Interpretation of the New Play

    By: Viktor Raykin - Apr 06th, 2026

    Dimitri Krymov's Play on the Chekov play, Uncle Vanya, is a trickster's reckoning and wonderfully inventive.

  • Krymov Lab NYC at LaMama Front Page

    Uncle Vanya Turned on Its Head

    By: Susan Hall - Apr 03rd, 2026

    The Krymov Lab NYC is presenting its unique, lively version of Uncle Vanya by Anton Chekhov at La MaMa in New York. Krymov had more than five plays running in Moscow when he planned a visit to New York in 2022. Putin invaded Ukraine just as he left, and Krymov decided not to return to Russia. New York is fortunate to have him staging work here. There is much to learn from his gift for drawing in an audience and helping them live within his productions.

  • Saariaho's Innocence Arrives at the Metropolitan Opera Front Page

    Will the 21st century Masterpiece Succeed in New York

    By: Susan Hall - Apr 02nd, 2026

    Innocence, a twenty-first century masterpiece, has its Metropolitan Opera debut on April 6.  Many of the artists attached to the world premiere in Aix five years ago come with this production,   first and foremost, the composer Kaija Saariaho.  

  • Jazz at Carnegie Hall with Gerald Clayton Front Page

    Langree Conducts the Orchestra of St. Luke's

    By: Susan Hall - Mar 28th, 2026

    St. Luke’s Orchestra under the baton of Louis Langree  gave a splendid performance of classic American music on March 26.  Starting with Charles Ives’ Unanswered Question (on the solo trumpet that begins  the work   and is answered indefinitely by flutes)  Duke Ellington’s iconic works which had their premieres at Carnegie Hall over a half century ago followed. They still feel fresh.  

  • Mannes Opera Presents a Korngold Premiere Front Page

    A Silent Serenade Given its Delicious US Debut

    By: Susan Hall - Mar 14th, 2026

    Mannes Opera mounted the United States premiere of Erich Korngold’s The Silent Serenade at the Gerald Lynch Theater in New York. Korngold set the standard for film scoring during his decade in Hollywood, and the insights he gained while scoring Robin Hood are evident in this charming blend of Johann Strauss and Jack Warner.

  • Christian Petzold at Lincoln Center Front Page

    FLC Presents Iconic Filmmaker's Signatre Works

    By: Susan Hall - Mar 12th, 2026

    Film at Lincoln Center announces “Christian Petzold In Person,” a seven-film showcase of the German director’s signature works, with most films presented on 35mm. Christian Petzold has said that he always wants to work in Kodak color, the only film stock that can convey his concepts. March 16-19 in advance of the US premiere of Petzhold's Miroirs No. 3.

  • Tristan and Isolde at the Met Opera Front Page

    A Musical and Visual Treat

    By: Susan Hall - Mar 10th, 2026

    The Metropolitan Opera is proposing a future with its new production of Tristan und Isolde. Directed by the now middle-aged enfant terrible Yuval Sharon, it is in part a test of his suitability for the Der Ring des Nibelungen, which will follow in 2027. Do we imbibe Richard Wagner’s musical potion in Sharon’s new take on the mythic love story?

  • Everyone Digs Bill Evans in Berlin Front Page

    Grant Gee Wins Silver Bear for Best Direction

    By: Susan Hall - Feb 25th, 2026

    Bill Evans, as portrayed in the film Everybody Digs Bill Evans—which earned Grant Gee a Silver Bear for Best Director at the Berlin International Film Festival in 2026—is inarguably one of the greatest jazz pianists of the last century.

  • The Recipe at La Jolla Playhouse Front Page

    The Magic of Julia Child

    By: Sharon Eubanks - Feb 23rd, 2026

    Julia Child was one of America’s most beloved chefs.  Her cooking show, The French Chef, which aired originally on PBS can still be found on the internet.  Who was Juia Child? How did she come to be this exalted personality?

  • Yo, or Love Is a Rebellious Bird, by Anna Fitch and Banker White Front Page

    Silver Bear for Documentary In Berlin International Film Festuval

    By: Susan Hall - Feb 21st, 2026

    Yo, the only documentary in the main competition at the Berlin International Film Festival, was shown at the Berlin Palast with "the team" in attendance. Banker White, co-director, cradled a puppet rendition of  Yo, the film’s lead character, in his arms as he helped her “sign” a poster hung above the red carpet. Winner Silver Bear for Artistic Achievement

  • The Red Hangar at the Berlin International Film Festival Front Page

    A Resonating Story

    By: Susan Hall - Feb 19th, 2026

    The Red Hangar (Hangar Rojo), a 2026 Chilean historical thriller directed by Juan Pablo Sallato, is being shown in the Perspectives section at the Berlin International Film Festival. Captain Jorge Silva is forced to choose between obeying orders and listening to his conscience. This uncomfortable dilemma does not arise only in the present moment of the 1973 Chilean military coup, but also from his past.

  • A Prayer for the Dying Premieres in Berlin Film

    Dara Van Dusen is a Superb Filmmaker

    By: Susan Hall - Feb 19th, 2026

    A film adaptation of Stewart O’Nan’s novel A Prayer for the Dying premiered at the Berlin Film Festival. The director, Dara Van Dusen—Hollywood royalty as the granddaughter of Baby Doll’s Carroll Baker—is a creature of the world, countering America’s current image of backsliding into the past. Van Dusen studied film in Poland and now lives in Norway.

  • Weinberg's Passenger at Opera Frankfurt Front Page

    We Must Not Forget

    By: Susan Hall - Feb 10th, 2026

    Opera Frankfurt gives a commanding and deeply engaging performance of The Passenger by Mieczysaw Weinberg, with a libretto by Alexander Medvedev. Dmitri Shostakovich, a close friend of the composer, read Zofia Posmysz’s novel and immediately saw its potential as an opera. Weinberg agreed and went on to write what he considered the best of his seven operas. The Soviet government suppressed it

  • Love is Destiny at Frankfurt Opera Front Page

    R.R.Schlater Directs Agostino Steffani

    By: Susan Hall - Feb 08th, 2026

    Opera Frankfurt is mounting Amor Vien dal Destino (Love Is Destiny) by the late 17th-century composer Agostino Steffani. An Italian who masterfully blended bel canto lyricism with the German counterpoint tradition, Steffani was a major influence on Handel, who frequently glommed onto his work, sometimes quoting it directly.

  • Heartbeat Opera Gives Us Manon Front Page

    Opera Lives in New York

    By: Susan Hall - Feb 02nd, 2026

    Heartbeat Opera is offering a striking new Manon, cut and shaped into a taut hundred minutes, restoring much of the original wit and allowing it to sharpen—rather than soften—the opera’s tragic ending. This one-act chamber adaptation features a new English translation by Jacob Ashworth and Rory Pelsue. Directed by Pelsue with meticulous attention to detail and an unerring sense of pace. Conducted by the inimitable Dan Schlosberg, the production is terrific from start to finish

  • Woodie King, Jr. of New Federal Theatre Front Page

    King's Death Announced

    By: Susan Hall - Jan 31st, 2026

    Woodie King, Jr., founder of New Federal Theatre and a prolific producer and director who dedicated more than five decades to providing opportunities for minorities and women in the performing arts, died January 29 at Weill Cornell Medical Center of complications from emergency heart surgery. He was 88.

  • The Cleveland Orchestra Delivers Verdi's Requiem Front Page

    Welser-Most Conducts at Carnegie Hall

    By: Susan Hall - Jan 21st, 2026

    Franz Welser-Möst arrived at Carnegie Hall on January 20 with the Cleveland Orchestra and Verdi’s Requiem. Asmik Grigorian, well known for her dramatic operatic singing, took the soprano solo role. She was joined by Deniz Uzun (mezzo-soprano), Joshua Guerrero (tenor), and Tareq Nazmi (bass), all of whom added vocal pleasures. Lisa Wong directed the chorus.

  • Tiergarten, a Cabaret at Prototype Front Page

    Andrew Ousley Gives Decadent and Provocative Evening

    By: Susan Hall - Jan 19th, 2026

    The Prototype Festival, founded by Beth Morrison and the producers of HERE twenty years ago, has been at the forefront of new opera since its inception. This season, a cabaret evening created by another new-performance impresario, Andrew Ousley, took a special place in Prototype.

  • Met Opera Chamber Ensemble at Weill Hall Front Page

    Carnegie Hosts Erin Morley and Lawrence Brownlee

    By: Susan Hall - Jan 13th, 2026

    A chamber ensemble, comprised of members of the Metropolitan Opera Orchestra, performed a Brahms Trio and accompanied premiere singers in Schubert Lieder and a Donizetti duet. The intimate Weill Concert Hall, seating around 250 people, gave the audience a taste of the individual talents that come together in the grand opera house and rarely get a chance to display their solo skills. James Levine cooked up this idea, and it makes for an exciting and inviting evening.

  • One Battle After Another, Best Picture Front Page

    Paul Thomas Anderson's Take on Pynchon's Vineland

    By: Susan Hall - Jan 05th, 2026

    One Battle After Another comes out of the starting gate in first place, a position it deserves to keep. It has just won the Critics’ Choice Best Picture Award, along with Best Director and Best Adapted Screenplay.

  • Timothee Chalamet as Marty Supreme Front Page

    Josh Safdie's Film Enthralls and Sucks

    By: Susan Hall - Dec 19th, 2025

    Marty Supreme starring Timothee Chalamet goes into wide release on Christmas Day.  It is the Safdie Brothers  “Uncut Gems"  redux.  Shot by the fabulous Darius Khondji  in zoom close up, with the camera moving with the figures and placing us right beside characters we may not want to know so well, we are gripped for two and a half hours.

  • Ginny Williams, Art Whisperer Front Page

    A Moving Film

    By: Susan Hall - Dec 10th, 2025

    Director Flemming Fynsk's moving film The Art Whisperer is in contention for awards this year. Its subject, Ginny Williams, was an art collector and gallery owner of remarkable instinct and vision.

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