The Irish Rep has mounted a superb production of Samuel Beckett's difficult and riveting Endgame. It features Bill Irwin, know for his Beckett interpretations, and renowned Shakespearean actor John Douglas Thompson. The hit show will be live streamed for its final performances,

 Pixies’ concerts are well-known for being “one-of-a-kind,” as the band has no pre-determined set lists, the “next song” is the one that “feels right," so you’ll never see the same show twice. And the song choices go deep.

Those familiar with 42nd Street Moon will see how this offering fits the company’s modus operandi. Obviously, it is a musical, and one that calls for a large ensemble, but with limited orchestration and minimal staging, all of which suit the company. But for that, you get Sondheim – witty, and sometimes searing lyrics, creative rhythms, often delivered in patter style, and great music. The music, however, is a little off the composer’s beaten path – a bit more conventional Broadway and a bit less dissonance.

Images Cinema presents its 14th annual farming and food film festival: Fresh Fest. Fresh Fest seeks to connect local farmers and food producers with the community around important conversations that impact all of us.

Rafael Mahdavi, is a global artist who lives and works in France and Greece. Some years ago he commuted from Wellesley to Paris. At that time I curated an exhibition simultaneously for New England School of Art/ Suffolk University and Boston's French Library. We have been in touch ever since. This is an update on the latest work.

In Bold Ventures: Thirteen Tales of Architectural Tragedy (Other Press), author Charlotte Van den Broeck asks some interesting questions: When is a mistake so all-encompassing that an individual feels he or she can’t go on? What is the line between creator and creation? If the art deconstructs, should the artist as well?

MASS MoCA announces Summer 2023 programming including the exhibitions Joseph Grigely: In What Way Wham? (White Noise and Other Works, 1996-2023), on view beginning May 28, Anne Samat: Love, on view beginning June 24, and Elle Pérez: Intimacies, on view beginning July 22

The Velvet Underground & Nico: Scepter Studio Sessions highlights the Velvet Underground and the music from their first recording sessions in April 1966 at Scepter Studios in New York City. The exhibition centers on the original tapes of the nine initial tracks recorded by the band, recently identified while processing Andy Warhol’s archive at The Warhol, which became the bedrock of their debut album The Velvet Underground & Nico (1967, Verve Records), one of the most jarring and influential albums in rock music.

Haskell Free Library and Opera House straddles the border between the U.S. and Quebec Province in Canada as a result of a surveying error that occurred before the library was built.  A line on the floor designates the border.  The playwright has deftly used this real-life anomaly as the crucible for the play’s conflicts. After the Muslim Travel Ban of 2017, a kerfuffle arises as a result of a social media posting which suggests that the library is a good crossborder meeting place.  The message is not lost on Muslims, particularly families with members on both sides of the divide.

The Boston Modern Opera project is making its Carnegie Hall debut this weekend (April 15).  Bostonians have had the privilege of hearing and seeing this company for many years.  The program at Carnegie is enticing

Barrington Stage Company announces that Founding Artistic Director Julianne Boyd will be honored with The Berkshire Nonprofit Awards Lifetime Achievement Award from The Nonprofit Center of the Berkshires, in partnership with The Berkshire Eagle on May 23.

With his highly successful “Vietgone,” playwright Qui Nguyen, told the beginning of his family’s immigrant story, following the fall of Saigon in the Vietnam War.  His equally thoughtful and humorous sequel, “Poor Yella Rednecks,” continues the family’s saga.  Amusingly, he writes himself in as a character in the play and facetiously disavows to the audience that its characters are real.

BMOP continues its extended 25th Anniversary celebrations with a trip to Carnegie Hall. Featuring three works originally commissioned, premiered, and recorded by BMOP, "Play It Again" provides the capstone to the first 25 years of BMOP's mission. Andrew Norman's Play, Lei Liang's A Thousand Mountains, A Million Streams, and Lisa Bielawa's In medias res all receive their New York premieres on the historic Stern Auditorium/Perelman Stage in Carnegie Hall.

Death of Classical, the brilliant music series conceived and curated by Andrew Ousley, was embedded in a Town Hall celebration of Minimalism.  It was a spiritual lift of a special order, lighting the path to classical music’s future in neon reds and greens. The lush curtains draped at the back of the stage were bathed alternately in greens and blues and purples. 

Pembroke Pines Theatre of the Performing Arts near Ft. Lauderdale has mounted an entertaining and energetic production of "Pippin." The 1972 musical is timely more than 50 years after it premiered on Broadway. PPTOPA's production takes place during the 1960's. Setting the show during that time period makes sense.

Now 82, at long last the Native American artist, Jaune Quick-to-See Smith, is the subject of a retrospective at a major New York Museum. Jaune Quick-to-See Smith: Memory Map will be on view at the Whitney Museum of American Art from April 19 to August 13, 202

Aside from their earth tones, this footwear has nothing to do with Frank Lloyd Wright. As a branding strategy, it is an extremely strange choice for a contemporary sports shoe design.

Hoosic River Watershed Association (HooRWA) invites poets and musicians in the Hoosic River Watershed to find inspiration and craft a poem, song, or instrumental piece about and for the Hoosic River and/or its tributaries.

The 2023 Harold and Mimi Steinberg/American Theatre Critics Association (ATCA) New Play Award goes to "the ripple, the wave that carried me home." The 2023 M. Elizabeth Osborn Award goes to Madison Fiedler for her play, "Spay." ATCA also presents citations to Suzan-Lori Parks for her play, "Sally & Tom," and Rebecca Gilman for her piece, "Swing State."

Flynn has made hundreds, perhaps thousands of drawings over the last 50 years. Choosing just 50 (really 61) drawings is nearly an impossible task. William Flynn is an artist that spends days drawing. He finds ways to express the beauty in mundane objects; an old baseball mitt, ski boots, a bicycle that was run over and flattened, cars at junkyards, an old arm chair, pop-up books, whirly-gigs.

Live from the Edge by Universes has moments that will reach you emotionally. But the question remains, “What is it?” – Theater? A performance piece? A poetry slam?  They describe themselves as a theater company, but I would describe it as being closer to a performance piece/poetry slam than theater.

Yes, there are some funny moments and some touching ones, but overall, it is hard to become engaged with the characters. Except for Janice, they appear only in short scenes that allow for little depth of character.

The Season opens May 26 with Ken Ludwig's Dear Jack, Dear Louise, with David Gow and Zoya Martin, outdoors in The Roman Garden Theatre.

This exhibition in North Adams ends on May 29 and so we also introduce the Old Stone Mill Center in Adams, MA, on Rt. 8, outside of downtown, direction to S. Adams. Both are worth a visit!

As a painter Jeff Weaver is a man for all seasons. Some of the most engaging works are winter scenes. It’s the Gloucester that tourists never see. He creates meticulous paintings of weathered, storm battered, Gloucester commercial and residential landmarks. The works document vintage images of a working port and fishing community undergoing a change to an economy based on tourism and a glut of generic condos.