The beloved neighborhood tradition of shaping our stories in light returns, in person for the first time since 2019. Starting on September 17, Miller Theatre opens its doors for a week of free lantern-building workshops, culminating in a magical illuminated procession through Morningside Park. The theme of the 11th Morningside Lights is centered around how we memorialize.

Marcus Gardley’s “Lear” is phenomenal in conception and breathtaking in execution.

The fall theater scene in Connecticut is starting. It will include everything from hard-hitting comedy/drama such as Who’s Afraid of Virginia Woolf? to Tony-winning musicals – 42nd Street, Fun Home and Sunset Blvd and everything in between. In fact, two shows – the Great Gatsby and Who’s Afraid of Virginia Woolf? are getting two productions each.

The opera is set in the 1930s, offering shades of the Hollywood glamor and fascist depravity of that time.  This conceit does allow for the visual appeal of period newsreels projections and a more varied look in Constance Hoffman’s appealing and fashionable costumery, but the conceptual rationale for the time shift is unclear. 

The director, Luk Perceval, turned L. Feuchtwanger's book EXIL into a 3 1/2 hour long journey for audiences and ensemble.

Jasper, a new play by Grant MacDermott, playwright in residence at Yonder Window Theatre Company, pack a deep punch. Giving birth to a child who is damaged is a blow to parents, who seldom have the skills to deal with cystic fibrosis, cerebral palsy and autism. In Jasper, MacDermott  choses not to name the disease. He does not present us with their child. 

The Gorki Theater in Berlin, the most socially engaged stage in Berlin, has opened its season with 'Mother Tongue,' a work by the Argentinian playwright Lola Arias. 

Jeanne Renaud the Montreal artist, dancer and choreographer has passed away at 94. She created choreography for the film Brèves histoires de pierres muettes (2018) and le Projet Feldman/Renaud à la Salle Bourgie in 2021, with the dancers Louise Bédard and Marc Boivin.

Close encounters with music is an innovative and captivating presenter of music. Sublime chamber music concerts are enhanced by entertaining, erudite, and lively commentary by artistic director Yehuda Hanani. Programs include international soloists, and intriguing themes.

Perhaps more than any other, “Marriage” is considered to be the finest comic opera ever written, if not the finest opera altogether. 

Renowned playwright Ronnie Larsen's latest play, The Actors, is wholesome enough for most ages. Many people know Larsen for his gay-themed, risque pieces. A fine production of The Actors is playing through Oct. 2 in an intimate theater in Southeast Florida, near Ft. Lauderdale.

The Ancram Opera House, in collaboration with Playhouse Creatures Theatre Company, presents STILL LIFE,  by internationally renowned playwright, director and producer Emily Mann, and directed by Mann’s good friend and protegee, Jade King Carroll. The play is a searing and revealing documentary play about the immediate aftermath of the Vietnam conflict on a former marine, his wife, and mistress.

The ’62 Center for Theatre and Dance unveiled its live, in-person performances celebrating diverse and challenging theatre, music, and dance programming for the Williams College community and beyond.

The appeal of the show draws on the naughty titillation of the fin de siècle cabarets that emerged in the steamy Montmartre district of Paris, where the working set, bohemians, and the demi-monde (the upper class who go slumming), sat side-by-side.  The Moulin Rouge marked the spiritual epicenter, where the can-can was originated and danced by courtesans. 

Some observers of Jonathan Spector’s brilliant new play on cognitive illusion will unconsciously tap into the allegory of the persistence of Trumpism. Kudos to Director Josh Costello for the masterful orchestration of the many moving parts of this complex production.  It is remarkable that a world premiere night could go off so smoothly with such a multitude of ways it could go wrong. 

The historical drama, "Bent" has stirred controversy for suggesting that Jewish people received less harsh treatment than homosexuals at the Dachau concentration camp. A solid co-production between Empire Stage and ArtBuzz Theatrics is playing in South Florida.

Death of Classical keeps classical music alive in unusual and inviting locations and attracts the curious who often are unfamiliar with this form of music. Collaborating with the Green-Wood Cemetery in the Angel’s Share series, the audience walked through the beautiful Brooklyn graveyard to its Catacombs for a mesmerizing presentation of songs by a twelfth century composer, herbalist and politician, Hildegard Von Bingen.

Mark Anthony Turnage was very young when composer Hans Werner Henze asked him to create an opera for the first Munich Biennale Summer Festival. Turnage, already attracting attention for his musical language which draws on Miles Davis, Janácek and Stravinsky, had caught Henze’s ear.  Henze’s own work ranges in reference from serialism, atonality, Stravinsky, Italian music, Arabic music and jazz, as well as traditional schools of German composition. 

Co-Directors Jeffrey Mousseau and Paul Ricciardi are proud to announce the 2022 fall season at the Ancram Opera House in Ancram, NY. “We are excited to welcome audiences back to the Opera House for our fall season which includes a highly anticipated revival of Emily Mann’s Obie Award-winning documentary play, Still Life,” says Paul Ricciardi; with Jeffrey Mousseau adding, “the project extends an examination of war and its impact on all of us which we initiated last season with our acclaimed production of An Iliad.”

Sunday, September 11, the Clark Art Institute continues its Locals at the Lunder Center series with a free concert by two-guitar duo Elkhorn, followed by local musical group Sound For. Presented in partnership with Belltower Records (North Adams, Massachusetts), the performance kicks off an upcoming series of live music events that feature new experimentations in sound, in conjunction with the changing of the seasons. The concert takes place at 4:15 pm on the Lunder Center’s Moltz Terrace. In the event of inclement weather, the event moves to the Clark’s auditorium.

Celia Smith and her sister-in-law Charity Smith had been sending letters to the Arnold Print Works requesting a meeting for their New Idea – Printed Cloth Dolls.  They never received a reply, so with a Sample Doll in hand, they made the trip to North Adams in 1890, but were turned away at the door. Initially the dolls were hand made with cloth scraps. They caught on and sold well. Arnold Print Works agreed to Buy the Partners’ Patented Designs. Royalties were10 Cents per Printed Fabric Yard.  In the 1892 Holiday Season, 200,000 Doll Sheets were Sold.

The group comprised 16 artists of whom nine were men and seven women. They were Magdeleine Arbour, Marcel Barbeau, Paul-Émile Borduas, Bruno Cormier, Marcelle Ferron, Claude Gauvreau, Pierre Gauvreau, Muriel Guilbault, Fernand Leduc, Françoise Lespérance-Riopelle, Jean-Paul Mousseau, Maurice Perron, Louise Renaud, Thérèse Renaud, Jean Paul Riopelle, and Françoise Sullivan.

Charles Giuliano's sister Pip's youthful travels in Asia bring back memories of France in the 70's and my interface with Weltschmer

What makes “Xanadu” fun is its light-heartedness and tongue-in-cheek humor based on ridiculously unrealistic happenings.  It’s camp.  It’s kitschy.  It’ll make you smile a lot and laugh out loud

 Ed Stitt lives close to Larz Anderson Park, a landscaped and wooded 64-acre parkland in Brookline and it has lately become his personal playground.  Stitt’s new painting exhibition trumpets the exquisite sweeping slopes, expansive lawns, and magnificent trees that comprise the park.  As if this weren’t enough, it also offers expansive views of downtown Boston.