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Fine Arts

  • Robert Rauschenberg Combines

    Metropolitan Musseum of Art

    By: Charles Giuliano - Sep 23rd, 2013

    The Combines of Robert Rauschenberg, as presented in this traveling exhibition., were among the most powerful and influential works of his generation. This articles is reported from Maverick Arts Magazine.

  • Realist Collection for the Museum of Fine Arts

    A Singular Vision: The Melvin Blake and Frank Purnell Legacy

    By: Charles Giuliano - Sep 23rd, 2013

    In 2003 the Museum of Fine Arts unveiled a major acquisition of European and American figurative/ realism paintings ans sculptures A Singular Vision: The Melvin Blake and Frank Purnell Legacy. This report is reposted from Maverick Arts Magazine.

  • 2004 DeCordova Annual Exhibition

    Evoking Perennial Questions

    By: Charles Giuliano - Sep 22nd, 2013

    The artists in he 2004 DeCordova Annual included Leslie Bostrom, Sean Foley, Beth Galston, William Hosie, Henry Kaufman, Brian Knep, Mary Lang, Sandy Litchfield, Toru Nakanishi, Gil Scullion, Al Souza, Sandy Winters. This review is reposted from Maverick Arts Magazine.

  • Artist/ Musician Paul Shapiro

    Guitarist in Boston Band Hallucinations

    By: Charles Giuliano - Sep 22nd, 2013

    During a 2005 drive through the South West we connected with former Boston artist and musician Paul Shapiro in Santa Fe. He played guitar in the 1960s Boston rock band the Hallucinations which featured lead singer Peter Wolf. In the studio he was working on a new direction from his best selling abstracted desert landscapes. This piece is reposted from Maverick Arts Magazine.

  • The Gates in Central Park

    Project by Christo and Jeanne-Claude

    By: Charles Giuliano - Sep 22nd, 2013

    For the unique opportunity to view The Gates project by Christo and Jeanne-Claude we made a round trip bus visit to New York. At the end of the day we were exhausted but exhilarated. This reort is reposted from Maverick Arts Magazine.

  • Studio Visit with Duane Slick

    RISD Faculty Member

    By: Charles Giuliano - Sep 22nd, 2013

    As a part of ongoing research of Native American artists we visited the studio of Duane Slick. He is a member of the faculty of the renowned Rhode Island School of Art & Design. This report was posted to Maverick Arts Magazine in 2006.

  • Aldrich Museum Curator Richard Klein

    No Reservations Combined Native and Non Native Artists

    By: Charles Giuliano - Sep 21st, 2013

    In a 2006 exhibition No Reservations the curator Richard Klein combined Native American and non Native artists. We visited the Aldrich Museum and this report is reposted from Maverick Arts Magazine.

  • Former Met Curator Lowery Sims

    Discusses African American Art and Jaune Quick To See Smith

    By: Charles Giuliano - Sep 21st, 2013

    Lowery Siums was the first African American curator of the Metropolitan Museum of Art. Later she was the director of the Studio Museum in Harlem. We met for lunch in Chelsea followed by a visit to the exhibition of our mutual friend Jaune Quick To See Smith at Flomenhaft Gallery. This article was posted to Maverick Arts Magazine in 2005.

  • Yinka Shonibare at Kunsthalle Wien

    Double Dutch

    By: Charles Giuliano - Sep 21st, 2013

    Yinka Shonibare: Double Dutch was shown at the Kunsthalle Wien in 2004. He was one of the most interesting artists included in the controversial 2000 exhibition of the Charles Saatchi collection Sensation at the Brooklyn Museum. This article is reposted from Maverick Arts Magazine.

  • Made in Mexico at the ICA

    Twenty Mexican and International Artists

    By: Charles Giuliano - Sep 21st, 2013

    Made in Mexico presented the work of 20 Mexican and international artists whose work references Mexico through iconographic, architectural, and conceptual means as a way of addressing the increasingly complex relationship between globalism and national identity. This 2004 review was posted to Maverick Arts Magazine.

  • Boston Artist Thad Beal: Beer and Burgers

    From Law to Fine Arts

    By: Charles Giuliano - Sep 21st, 2013

    Thaddeus "Thad" Beal is included in the Chawky Frenn book 100 Boston Artists. Actually I have long regarded him as one of the top ten Boston painters. It was a privilege to curate an exhibition of his work at the Gallery of the New England School of Art & Design at Suffolk University. In 2006 we met for a Beer and Burger as reported in Maverick Arts Magazine.

  • Yaqui Artist Mario Martinez

    Native New Yorker

    By: Charles Giuliano - Sep 21st, 2013

    In 2006 as part of the research for the exhibition Native New Yorkers at New England School of Art & Design/ I visited the studio of Mario Martinez. On a park bench in Union Square we discussed his Yaqui heritage. This article was originally posted on Maverick Arts Magazine .

  • 2013 Conference by TransCultural Exchange

    Engaging Minds Worldwide in Boston, October 10 – 13

    By: Astrid Hiemer - Sep 21st, 2013

    This will be the fourth biannual conference presented by TransCultural Exchange. Always dynamic programming will offer again a slew of options to participate, connect with people from around the globe, get energized and enthusiastic about career and the State of the Arts.

  • Ric Haynes No Beer But Burgers

    As the Crow Flies

    By: Charles Giuliano - Sep 21st, 2013

    We met during a Suffolk University tour of Spain. Of mutual interest Ric Haynes has had an ongoing relationship with Native American art and culture. This has primarily entailed regular visits to the Crow Nation. This article reposted from 2005 in Maverick Arts Magazine entailed a studio visit and lunch in Quincy, Mass.

  • James Rosenquist: A Retrospective

    Solomon R. Guggenheim Museum

    By: Charles Giuliano - Sep 20th, 2013

    As a young artist in New York James Rosenquist supported himself by painting billboards. That informed his approach as a Pop artist. For a time in the 1960s I worked for him as a studio assistant. This review of the Guggenheim retrospective is reposted from a 2004 article in Maverick Arts Magazine.

  • Kazimir Malevich: Suprematism

    Solomon R. Guggenheim Museum

    By: Charles Giuliano - Sep 20th, 2013

    By 1913, as the leader of the Russian movement of Suprematism, Kazimir Malevich pushed abstract art to the limit. During the initial liberation of the Russian Revolution he held a position of authority over the fine arts. That Utopia ended with the rise of Joseph Stalin after which the fine arts retreated to the conservative, agit-prop movement of Social Realism. This review is reposted from 2004 article in Maverick Arts Magazine.

  • Roth Time: a Dieter Roth Retrospective

    MoMA and P.S. 1 Contemporary Art Center

    By: Charles Giuliano - Sep 20th, 2013

    The retrospective of Dieter Roth begged the question of the difference between treasure and trash. One waded through an enormous amount of stuff created by an amazingly original and prolific artist. This article was posted in Maverick Arts Magazine on April 6, 2004.

  • John Currin at the Whitney Museum

    A Bra Busting Exhibition

    By: Charles Giuliano - Sep 20th, 2013

    The illustrative realist painter has explored the old master techniques of Caravaggio as well as smarmy soft and hard core porn. At the eyebrow raising age of 41 he was given a retrospective by the Whitney Museum of American Art. This review is resposted from a 2003 article in Maverick Arts Magazie.

  • Jaune Quick-to-See Smith at Suffolk University

    New Works at New Engand School of Art & Design Gallery

    By: Charles Giuliano - Sep 20th, 2013

    During a studio visit in New Mexico Jaune Quick To See Smith agreed to create new works for a special exhibition at the Gallery of New England School of Arts and Design. She presented a lecture to a large audience of students and faculty and also spoke intimately in the gallery. The artist Ric Haynes, who works extensively with the Crow Nation participated in the informal discussion. This is reposted from a 2006 article in Maverick Arts Magazine.

  • German Artist Blinky Palermo

    London's Serpentine Gallery

    By: Charles Giuliano - Sep 20th, 2013

    Blinky Palermo a name adapted by a German artist from the genre of American boxing was a student of Joseph Beuys. But, in a brief career, he went in a different direction. In the relatively small Serpentine Gallery in London we had the rare opportunity to see his work in depth. This report was posted to Maverick Arts Magazine on May 29, 2003.

  • Williams College Exhibition of Hitler the Artist

    Prelude to a Nightmare: Art Politics, and Hitler’s Early Years in Vienna 1906- 1913

    By: Charles Giuliano - Sep 19th, 2013

    In 2002 Deborah Rothschild curated "Prelude to a Nightmare: Art Politics, and Hitler’s Early Years in Vienna 1906- 1913" for the Williams College Museum of Art. We repost a dialogue with her from Maverick Arts Magazine.

  • Eva Hesse Retrospective

    Curated by Elisabeth Sussman and Renate Petzinger

    By: Charles Giuliano - Sep 19th, 2013

    During a 2002 tour of the Rhine we visited Wiesbaden to view the special exhibition of work by the American artist Eva Hesse. This review is reposted from Maverick Arts Magazine.

  • Rethinking Landmark 9 Evenings

    9 Evenings Reconsidered: Art, Theatre and Engineering, 1966

    By: Charles Giuliano - Sep 19th, 2013

    The series 9 Evenings which were presented in a vast Armory in New York in 1966 impacted the emergence of performance art conflated with art/science/ technology. This is a reposting of an exhibition at the List MIT Visual Arts Center for Maverick Arts Magazine from 2006.

  • Documenta XI

    International Exhibition in Kassel Germany

    By: Charles Giuliano - Sep 18th, 2013

    Documenta, in Kassel Germany is the largest and one of the formative biennials. Actually it is held every five years. This is a report on Documenta 11 which is reposted from a September 11, 2002 article in Maverick Arts Magazine. It was organized by the African curator Okwui Enwezer.

  • Okwui Enwezer on Documenta XI

    Part One

    By: Charles Giuliano - Sep 18th, 2013

    Jane Farver invited the director of Documenta XI, Okwui Enwezer, to speak at MIT. Following the extensive lecture we met for a conversation. This is part one of a dialogue reposted from Maverick Arts, December 18, 2000.

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