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Theatre

  • Free For All by Megan Cohen

    Cutting Ball Theater in San Francisco

    By: Victor Cordell - Sep 27th, 2019

    Isn’t Free Fall supposed to be an adaptation of Strindberg’s masterpiece Miss Julie? Many adaptations of plays update the timeline and shift the locale to one that is familiar to the audience, but playwright Megan Cohen adds a new plot layer of climate change and turns the original play’s dark humor and sharp edges into farce.

  • What the Jews Believe at Berkshire Theatre Group

    Written and directed by Mark Harelik

    By: Charles Giuliano - Sep 29th, 2019

    The only Jewish family in a rural Texas town struggles with issues of illness and faith. How can the Jewish Yaweh allow the young and innocent to die of cancer while Jesus Christ offers cure and redemptio. Written and directed by Mark Harelik What the Jews Believe asks questions for which there are no answers.

  • Oedipus an Opera by Elli Papapakonstantinou

    Classic Myth Brought to Life at BAM

    By: Susan Hall - Oct 01st, 2019

    Elli Papapakonstantinou has created a masterful and absorbing re-telling of the Oedipus story at the Fisher Theater, BAM. Elements of the story we know are central to the production. The sense Papapakonstantinou conveys is the randomness of life. The gruesome drama of the events we hear sung and see danced are horrific. Presented with strong videos, smoke and mirrors, with live video-ing of the principal characters, the piece is larger than life.

  • Eugene Onegin by Tchaikovsky

    California's Livermore Valley Opera

    By: Victor Cordell - Oct 01st, 2019

    Eugene Onegin represents all that can be despicable in the idle rich. Baritone Morgan Smith captures the arrogant, unempathetic nature of the character to the extent that one wonders why Tatiana would be so taken by him.

  • Wittengenstein and Russell Revealed

    Douglas Lackey Play at Theater for the New City

    By: Rachel de Aragon - Oct 01st, 2019

    Lackey is a master at bringing philosophy out of the dusty corners of academia and putting them on a very passion filled center stage. As with his previous works produced at Theater for a New City Daylight Precision (2014) and Arendt/ Heidegger; a love story (2018) Ludwig and Bertie is a victory for smart theater.

  • Ruggero Leoncavallo’s Pagliacci

    Unique Setting for Boston Lyric Opera Production

    By: Doug Hall - Oct 04th, 2019

    Boston Lyric Opera’s season opener Ruggero Leoncavallo’s “Pagliacci” brings inventive staging and design to their production. It promotes a carnival-like atmosphere that invigorates the storyline and engages the audience.

  • Why by Peter Brook and Marie-Hélène Estienne

    Theater for a New Audience Gives A Crucial Answer

    By: Susan Hall - Oct 04th, 2019

    Peter Brook andMarie-Hélène Estienne’s Why is playing at the Theater for A New Audience. The co-director-writer Brook’s work spans a century. Yet, as he starts this work, we are surprised and delighted by the answer to the question of the play’s title. The question is tucked away in a little box, on a little scrap of paper, like a note launched in a bottle on an ocean. It has landed at last in Brooklyn.

  • The Height of the Storm on Broadway

    Eileen Atkins and Jonathan Pryce Are Masterful

    By: Karen Isaacs - Oct 06th, 2019

    Seeing Eileen Atkins and Jonathan Pryce on stage together in The Height of the Storm by Florian Zeller is watching master craftsmen work. I wouldn’t care what the play was about; I want to marvel at their skills.

  • American Underground By Brent Askari

    Social Justice Drama at Barrington Stage Company

    By: Charles Giuliano - Oct 07th, 2019

    As the final production of the 25th season, artistic director, Julianne Boyd, is directing the world premiere of a timely social justice play American Underground by Brent Askari. It postulates a future when all American Muslims are treated as enemies of the state.

  • Laurie Anderson at the Kaplan Penthouse

    The Sound of Music and the Music of Language Mix

    By: Susan Hall - Oct 06th, 2019

    Laurie Anderson curated the New York Philharmonic NightCap at the Stanley Kaplan Penthouse on October 5. This nightclub event followed a performance of Hector Berlioz’ Symphonie Fantastique in David Geffen Hall. The host, Nadia Sirota, pointed out that connection between Berlioz’ and Anderson’s work. Both use narrative but that by Anderson and her friends tests the boundaries of sound.

  • The Jazz Singer at Henry Street Settlement

    By Joshua Gelb

    By: Rachel de Aragon - Oct 06th, 2019

    Joshua Gelb and Nehemiah Luckett do more than put on a good show. They ask us to look within the iconography and stereotypes of The Jazz Singer as props for the American story. The Henry Street Settlement's Abrons Art Center is the quintessential stage for this piece. A theatrical venue that reforms and reshapes itself to respond to an ever changing neighborhood demographic it is both old and new. The old playhouse in which the play was performed was built in 1915. It stands a block away from the historic Bialystoker Synagogue which opened in 1905 in a building originally built in 1826. The building was reputedly a stop on the underground railroad.

  • Mark Twain’s River of Song

    At TheatreWorks Silicon Valley

    By: Victor Cordell - Oct 08th, 2019

    LeKae, a black woman, plays the white boy Huck, and the viewer happily suspends disbelief, as she thoroughly convinces playing the role of the youth as he breaks away from the constraints of convention. They reproduce the escape from the fictitious town of St. Petersburg, Missouri, rafting down the Mississippi, wide-eyed and reveling in the beauty of the world and of freedom.

  • Wiesenthal Performed Near Miami

    GableStage Mounts Play About Renowned Nazi Hunter

    By: Aaron Krause - Oct 08th, 2019

    Actor shines as Wiesenthal in GableStage production of one-character play. Tom Dugan's piece is laser focused, touching and funny. The play centers on the end of the humanitarian's "career" bringing former Nazis to justice.

  • Barrington Stage Looks to 2020

    South Pacific, Assembled Parties and Anna in the Tropics

    By: Barrington - Oct 09th, 2019

    Barrington Stage Company has announced three productions for its upcoming 2020 season – the musical masterpiece South Pacific by Richard Rodgers, Oscar Hammerstein II and Joshua Logan and The Assembled Parties by Richard Greenberg on the Boyd-Quinson Mainstage, and Anna in the Tropics, the Pulitzer Prize winning play by Nilo Cruz, on the St. Germain Stage.

  • Harold Pinter's Betrayal

    Revival on Broadway

    By: Edward Rubin - Oct 11th, 2019

    “I have often been asked how my plays come about. I cannot say. Nor can I ever sum up my plays, except to say that this is what happened. That is what they said. That is what they did.”– Harold Pinter, taken from his 2005 Nobel Prize Lecture

  • Marriage of Figaro

    At San Francisco Opera

    By: Victor Cordell - Oct 13th, 2019

    San Francisco Opera’s new production of Marriage of Figaro retains the time frame of the original (late 18th century) but moves the action from Spain to post-Revolutionary America. The shift in venue carries no significance for this opera.

  • Les Miz Remains A Winner

    New Production Stops In Florida

    By: Aaron Krause - Oct 17th, 2019

    New Production of Les Miserables immerses us in the dark, yet hopeful tale of redemption and the capacity for change. An equity U.S. touring production is docked in the Sunshine State. Jean Valjean is unrecognizable following his transformation, thanks to deft acting by Nick Cartell

  • A Streetcar Named Desire

    Tennessee Williams in South Florida

    By: Aaron Krause - Oct 14th, 2019

    Palm Beach Dramaworks presents a shattering 'Streetcar.' Actors, design team shine in South Florida nonprofit, professional theater company's vivid mounting of Tennessee Williams' masterpiece.

  • The Thanksgiving Play By Larissa FastHorse

    Holiday Hilarity at Lyric Stage Company of Boston

    By: Charles Giuliano - Oct 21st, 2019

    The Thanksgiving Play by Larissa FastHorse at Lyric Stage Company is not the usual family oriented family entertainment. This hilarious satire comments that some 50 million turkeys are slaughtered to feed the occasion. The only juveniles suited for this production are delinquents.

  • Falling In South Florida

    New City Players Presents Deanna Jent's Dramady

    By: Aaron Krause - Oct 21st, 2019

    Falling is a touching, honest look at a family caring for an autistic young man. New City Players' production presents a master class is naturalistic acting. The production runs through Sunday.

  • The Chinese Lady by Lloyd Suh

    Recalling 19th Century Sideshow

    By: Victor Cordell - Oct 22nd, 2019

    This fictional account tells of the life of the real Afong Moy, who in 1834 at age 14, became the first Chinese female to step foot in the United States. Unique to her era, only in the 20th century did Chinese women begin to trickle into this country. The Chinese Lady is a two person play by Lloyd Suh.

  • Verdi's Nabucco

    Produced by West Bay Opera

    By: Victor Cordell - Oct 22nd, 2019

    Nabucco evidences the Verdi sound and style associated with the masterpieces of his rich middle period. The music is melodious throughout, with demanding arias and complex ensembles, though none are among his more memorable. However, the overture, which includes many of the opera’s themes, captivates and is often performed on its own in concert halls.

  • Off Off Braodway's Lively Fall Season

    Duck by Tom Block and Quiet Enjoyment by Richard Curtis

    By: Susan Hall - Oct 22nd, 2019

    Inside common experiences, one financial and the other political, are revealed in a broad slapstick comedy, Quiet Enjoyment and Duck, darkly humorous explorations of Snowden's dilemma and ours.

  • Wondrous Oscar Wao at Repertorio Espanol

    Written and Directed by Marco Antonio Rodriquez

    By: Rachel de Aragon - Oct 23rd, 2019

    Repertorio Espanol Presents The Brief Wondrous Life of Oscar Wao based on the novel by Junot Diaz. It is written and directed by Marco Antonio Rodriquez. The Pulitzer winning novel (2008) creates a painfully socially dysfunctional character. A young Dominican man armors himself within the world of sci-fi fantasy in order to weather the difficult process of assimilation. The story is as much a tale of one man's unbearable loneliness as it is a metaphor for the scars and trauma of ruthless dictatorial oppression, social fragmentation, ultimate immigration and assimilation.

  • Bunkaru Theater at the White Lights Festival

    Sugimoto's The Love Suicides at Sonezaki

    By: Susan Hall - Oct 24th, 2019

    White Lights Festival at Lincoln Center brings bunraku Puppet Theater from Japan to The Rose Theater. Hiroshi Sugmoto, an artist of many disciplines, has updated Chikamatsu Monzaemon’s Love Suicides at Sonezaki. Monzaemon was Japan’s Shakespeare and first to advance the notion that lovers whose relationship could be realized in this world could find happiness in a Buddhist paradise.

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