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Charles Giuliano

Bio:

Publisher & Editor. Charles was the director of exhibitions for the New England School of Art & Design at Suffolk University where he taught art history and the humanities. He taugh tModern Art and the Avant-garde for Metropolitan College of Boston University. After many years as a contributor, columnist and editor for a range of print publications from Art New England, Art News, the Boston Phoenix, the Boston Herald Traveler and Patriot Ledger, to mention a few, he went on line with Maverick Arts which evolved into a website.

Recent Articles:

  • The Waverly Gallery by Kenneth Lonergan Front Page

    Harrowing Launch of Shakespeare & Company Season

    By: Charles Giuliano - May 27th, 2019

    The Waverly Gallery by Kenneth Lonergan conveys how families are torn apart coping with and caring for elders with dementia. In a downward spiral Gladys Green, in another stunning performance by Annette Miller, is struggling to hold on. A small Greenwich Village vanity gallery gives her something to do. In a bold move Shakespeare & Company has launched its season with a slow and demanding drama.

  • MASS MoCA Launches Summer Season Front Page

    Annie Lennox Life of the Party

    By: Charles Giuliano - May 26th, 2019

    For the Saturday of Memorial Day weekend general admission to MASS MoCA was free. For the launch of it's 20th summer season the museum was mobbed. There were food and drink stands as well as many family oriented activities. For tickets ranging from $100 to $1000 there was a performance by British rock star Annie Lennox. There was also an installation of her memorabelia and legacy which will be on view for the coming months. The museum launched many new temporary exhibitions. There are also long term displays of contemporary masters.

  • Tootsie the Musical Front Page

    On Broadway at Marquis Theatre

    By: Karen Isaacs - May 25th, 2019

    Tootsie may not be the perfect adaptation of a hit movie, but it is very good and very enjoyable

  • Lucia’s Latin Kitchen Food

    Relocating to a Lee Mass Landmark.

    By: Pit Bulls - May 24th, 2019

    Latino.

  • Spring Awakening at Hancock Shaker Village Front Page

    Borrowed Light Watercolors by Barbara Ernst Prey

    By: Charles Giuliano - May 24th, 2019

    Working "24/7" over several months the renowned, Williamstown-based artist, Barbara Ernst Prey, created Borrowed Light. The suite of watercolor renderings of interiors is on view in a converted chicken coop of Hancock Shaker Village. It is a part of expanded contemporary programming under the director Jennifer Trainer Thompson. She was a founding member of the MASS MoCA team. They have been neighbors and friends for many years. It was intuitive for them to undertake this remarkable project.

  • Green River Festival Front Page

    Good Vibes on Tap for Greenfield Mass

    By: Matt Robinson - May 22nd, 2019

    This year, Green River will host over 30 bands on three stages that will ensure a constant groove and plenty of options for music lovers of every stripe. While many come for a particular artist, many more recall finding new favorites throughout the weekend. So whether you think you are a dyed-in-the-wool Americana, Blues, Cajun, Country, Jazz, or Soul fan, by the end of the weekend, you might just change your (i)tune. Regardless, you are sure to find plenty to like and do.

  • Sister Act – the Musical Front Page

    Produced by Theatre Rhinoceros

    By: Victor Cordell - May 22nd, 2019

    As “the longest running LGBT theatre anywhere,” Theatre Rhinoceros’s mission is to “enlighten, enrich, and explore . . . aspects of our queer community.” So what connection would prompt Rhino to produce this musical? By convincing the license holder to allow a first – gender switching the key roles – Rhino made it fit.

  • Music Man Front Page

    Opening Goodspeed's Season

    By: Karen Isaacs - May 21st, 2019

    It’s amazing that this classic musical by Meredith Willson is having its first production at Goodspeed. It seems perfectly suited to the theater.

  • Kathleen Jacobs’ Natural Abstraction Front Page

    Echos at TurnPark Art Space in West Stockbridge

    By: Charles Giuliano - May 19th, 2019

    During four years in China Kathleen Jacobs learned calligraphy from a master. That entailed rubbing ancient reliefs and copying the inscriptions. Several years ago she developed a technique of making paintings by attaching canvas to trees. The surfaces are rubbed and the canvases left outside to endure a year of seasons. The paintings are finished in the studio. Through Echos finished paintings and works in progress are on view at TurnPark Art Space in West Stockbridge, in the Berkshires.

  • Cadillac Crew by Tori Sampson Front Page

    At Yale Rep

    By: Karen Isaacs - May 18th, 2019

    The play opens in the early 1960s in a civil rights office in Virginia. The leader – Rachel Helen Christopher has arranged for Rosa Parks to come and to speak to a group; it is the big day. But will it actually happen?

  • The Victorian Ladies’ Detective Collective Front Page

    Patricia Milton World Premiere at Berkeley City Club

    By: Victor Cordell - May 18th, 2019

    Central Works’ world premiere of Patricia Milton’s The Victorian Ladies’ Detective Collective is a brisk and bright crime procedural. It is a feminist cry. Taking place in London at the end of the 19th century, we are reminded that the misogynism of that day has been diminished but not extinguished.

  • Anne Bogart Directs Boston Lyric Opera Front Page

    Vivid production of The Handmaid’s Tale

    By: Doug Hall - May 17th, 2019

    Boston Lyric Opera has surpassed their charge to “translate this story in the moment for the audience” as stated by renowned theater and opera director Anne Bogart, who joined the creative team at the helm of “The Handmaid’s Tale” production.

  • The Power Plant Front Page

    Toronto’s Renowned Contemporary Art Kunsthalle

    By: Charles Giuliano - May 16th, 2019

    Occupying a former municipal structure, since 1987, The Power Plant in Toronto has been a renowned presenter of Canadian and global contemporary art. We visited during the final days of three solo exhibitions: “Same Dream” by Omar Ba a Senegalese artist who divides time between Dakar and Geneva, Switzland. Shuvinai Ashoona, a member of a renowned family of Inuit artists, presented “Mapping Worlds.” For twenty years, Alicia Henry, a graduate of Yale, has resided in Nashville, Tennessee where she teaches at Fisk University. Her show was titled "Witnessing."

  • Albright-Knox Art Gallery Plans AK360 Front Page

    Buffalo’s Great Museum Gets Even Better

    By: Charles Giuliano - May 15th, 2019

    Founded in 1862 as Buffalo Fine Arts Academy today Buffalo's Albright-Knox Art Gallery is regarded as one of America's foremost small, regional museums. Its first building opened in 1906. In 1962 a wing was added and a new 30,000 square foot structure will begin construction at the end of this year. It will double space for the permanent collection and special exhibitions.

  • Refus Global to Intersectionality Front Page

    Rethinking Paradigms for Canadian Art

    By: Charles Giuliano - May 14th, 2019

    In a complex reconfiguration of permanent collections of Canadian museums there is a mandate for integration of First Nations work with galleries of post war abstraction. While change is welcome and necessary, for now, the juxtapositions are complex and disorienting. There is more contrast than confluence.

  • Henry Moore Sculpture Centre Front Page

    900 Works at Art Gallery of Ontario

    By: Charles Giuliano - May 13th, 2019

    The Art Gallery of Ontario owns 900 works by Henry Moore including large plasters for bronzes, maquettes, drawings and related materials. The 1,200 square foot gallery and its ancillary displays comprise the largest public collection of the artist's work. Simply put, it is one of the most magnificent experiences of 20th century sculpture on a global level.

  • Social Commentary by Canadian Kent Monkman Front Page

    Shame and Prejudice: A Story of Resilience

    By: Charles Giuliano - May 12th, 2019

    The special exhibition "Shame and Prejudice: A Story of Resilience" by the First Nations artist Kent Monkman is a game changer. With ferocious wit the artist deconstructs horrific aspects of Canadian history through a series of narrative, social realist paintings. We viewed the work at the McCord Museum in Montreal where the traveling exhibition closed on May 5.

  • Life Sucks by Aaron Posner Front Page

    Deconstructing Uncle Vanya for the Umpteenth Time

    By: Victor Cordell - May 12th, 2019

    Here we go again messing with Chekov. This time Aaron Posner has his way with the Russian master. Uncle Vanya is a comedy in the sense that it is full of pitiable, laughable characters in awkward situations, and nobody dies (but one almost does!). In Life Sucks, Posner makes the characters more ridiculous and more expressive to add energy and bolder humor. Vanya is shlepier. Aster is more passionate for his causes. Ella is a stronger magnet.

  • The Diary of Anne Frank Front Page

    Palm Canyon Theatre

    By: Jack Lyons - May 11th, 2019

    “The Diary of Anne Frank”, at the Palm Canyon Theatre (PCT) in Palm Springs, is a must-see production no matter wherever and/or whenever it is staged. It’s a poignantly dramatized play written 76 years ago by Frances Goodrich and Albert Hackett, that unfortunately is very relevant today.

  • Significant Other by Joshua Harmon Front Page

    At San Francisco Playhouse

    By: Victor Cordell - May 11th, 2019

    The very title Significant Other is poignant and of our time. Its abstractness as a term contrasts with the more intimate traditional words it represents. The topic matter is also relevant and the treatment authentic.

  • The Resurrection of Son House Front Page

    Legendary Mississippi Blues Singer

    By: Herbert Simpson - May 11th, 2019

    The show is emotional, bewitching, and always entertaining. It is based on the biography of Son House by Rochester native Daniel Beaumont. But ultimately it is a celebration.

  • Summer at MASS MoCA Front Page

    Complete Schedule of Exhibitions, Festivals, and Events

    By: MoCA - Apr 28th, 2019

    On May 25, come for MASS MoCA’s 20th birthday blowout that spreads across the museum campus to encompass new exhibitions, art-infused versions of your favorite games, live music by performers from both near and far, great food, and a world of fun. The day’s events kick off with An Afternoon of Conversation & Song with Annie Lennox at 4pm, a rare solo-acoustic performance to benefit the Annie Lennox Foundation (as well as MASS MoCA’s Fund for New Music).

  • All in the Timing by David Ives Front Page

    Comedy by Tony Winner at North West Rep

    By: Jack Lyons - Apr 28th, 2019

    David Ives won a Tony for the sado/masochistic, dark comedy "Venus in Fur." Although written twenty-six ago, "All in the Timing" features six comedy vignettes that are highly relevant to audiences of 2019. There is no dated material in this cleverly written and sensationally performed production.

  • The Niceties by Eleanor Burgess Front Page

    Directed by Kimberly Senior at LA's Geffen Playhouse

    By: Jack Lyons - Apr 27th, 2019

    “The Niceties”, a sharp, intelligently written drama by playwright Eleanor Burgess that is smartly and seamlessly directed by seasoned director Kimberly Senior, is currently on stage at the Geffen Playhouse, in Los Angeles. What begins as a polite clash in perspectives in age and place explodes into an urgent debate about race.

  • You Me and Art: Artists in the 21st Century Front Page

    A Book of Interviews by Marta Gynp

    By: Charles Giuliano - Apr 27th, 2019

    A book of interviews by Dutch art historian Marta Gynp "You Me and Art: Artists in the 21st Century" is lively, eclectic and informative. Of the twenty individuals she interacts with some are well known and others less so. In several instances what artists had to say about their work changed how I respond to it. In an engaging and familiar manner she was able to get behind the facade to probe intimate thoughts and insecurities. That approach reveals a humanistic view of how work evolves from studios to galleries and museums.

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