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Theatre

  • Disney's Frozen

    Magical Winter Wonderland

    By: Anne Siegel - Nov 24th, 2018

    Despite some critical pans, Frozen has a strong enough pre-sale to guarantee many weeks on Broadway’s turf. Thanks are due to all the little girls who can’t get enough of the tale of Elsa and Anna, two Scandinavian sisters who yearn to be close despite mysterious magic separating them.

  • American Son by Christopher Demos-Brown

    Kerry Washington and Steve Pasquale Star

    By: Karen Isaacs - Nov 25th, 2018

    American Son by Christopher Demos-Brown won Berkies for its premiere at Barrington Stage Company. It has transferred to Broadway starring Kerry Washington and Steve Pasquale. Kenny Leon, credited with many August Wilson plays, has done a fine job directing this.

  • Il Trittico at the Metropolitan Opera

    Placido Domingo Celebrates 50 years at the Met

    By: Paul J. Pelkonen - Nov 28th, 2018

    No work by Puccini has suffered more neglect and critical ignorance than Il Trittico, his "triptych" of three single act operas that premiered at the Metropolitan Opera one hundred years ago. Part of what has hurt the reputation of this work- comprised of three operas designed to be performed together and in a certain sequence- is the unfortunate habit producers have of playing these works individually, or pairing them "Cav-Pag" style with operas by other composers.

  • Chelsea Opera's Josephine Baker, Gertrude Stein and Picasso

    Tom Cipullo's Opera Featured

    By: Susan Hall - Nov 27th, 2018

    Chelsea Opera is a vibrant company committed to presenting new opera as well as the classics. On 1 December they will mount two one act New York premiers by the gifted composer, Tom Cipullo. Cipullo is rightly known as a composer for the voice, as well as a dramatist who creates a sound world of apt harmonies and melodies which reveal deep character and emotion. Opportunities to hear his work in New York are eagerly anticipated.

  • Eve's Song at Public Theater

    Patricia Ione Lloyd Is Playwright in Residence

    By: Rachel de Aragon - Nov 26th, 2018

    The invulnerability of middle-class achievement is haunted. Spooked by the present staccato-like news flashes from the television tell of black men shot, killed, dead . “We” don't discuss that sort of thing at dinner. Dark phantoms, shadows of women slide along the corridor where fear is a weakness which is not part of who 'we' are.

  • Hello, Dolly!

    National Equity Tour of Iconic Musical

    By: Aaron Krause - Nov 26th, 2018

    An equity national touring production the recent Tony-winning revival of Hello, Dolly! is splendid. A superb Betty Buckley stars in the tour, which recently played in Miami and is marching its way north. Buckley's Dolly is modest, patient, friendly, joyful and vulnerable. .

  • Brian Dennehy at LA's Geffen Playhouse

    Masterful One Acts by O'Neill and Beckett

    By: Jack Lyons - Nov 29th, 2018

    Actor Brian Dennehy is currently presenting a Master Class in acting with his one-man presentation of two One Acts: Eugene O’Neill’s “Hughie” and Samuel Beckett’s obtuse “Krapp’s Last Tape”.

  • Understudy by Theresa Rebeck

    At Coyote StageWorks

    By: Jack Lyons - Nov 29th, 2018

    Chuck Yates is one of the finest actors in the Coachella Valley winning many Desert Theatre League (DTL) Award trophies for excellence in theatre. In Rebeck's masterful The Understudy we have two male actor-candidates and one avenging female stage manager from Hell named Roxanne. She puts two male actors Harry and Jake auditioning for the role of the ‘understudy’ through their paces before giving them the okay to join the performing cast.

  • Elaine May in Waverly Gallery

    Back on Broadway

    By: Karen Isaacs - Nov 29th, 2018

    In Kenneth Lonergan’s The Waverly Gallery, Gladys is the center of the story as her grandson, her daughter and son-in-law and a young artist she has befriended deal with this decline over a two year period. Elaine May is making a rare stage appearance.

  • The Revolutionists by Lauren Gunderson

    Liberté, égalité, sororité at Strawdog Theatre

    By: Nancy Bishop - Nov 29th, 2018

    Lauren M. Gunderson has been the most produced playwright in America for the last two years, and her work has won several awards, including the Steinberg/American Theatre Critics New Play Award for I and You. Gunderson’s conceit about four women ready for revolution is clever, and in act one, a bit too mannered, even coyly cute. But act two becomes more serious.

  • Shakespeare & Company Mourns Dennis Krausnick

    A Founder of the Lenox Company

    By: S&Co - Nov 29th, 2018

    Dennis Krausnick was a leader of Shakespeare & Compan, in Lenox, since its inception. In 1976 he was awarded an M.F.A. in Acting from New York University. It was at N.Y.U. where he met Tina Packer. They married in 1998. In 1978 Dennis helped found Shakespeare & Company with Tina and Kristin Linklater.

  • Hello Girls at 59E59 Theaters

    Over There is Brought Here

    By: Rachel de Aragon and Susan Hall - Dec 01st, 2018

    Hello Girls takes a most serious context, the fate of the troops in the trenches of WWI, and tackles the still relevant issue of women's rights and equality. The play harvests an engaging, upbeat and energized performance. Interesting and visually meaningful use of overhead projections (Lacey Ebb) provides both context and mood. The set plays with use of wire and lines, telephone lines, stringed instruments, rail lines battle-lines, and lines of march, which work together remarkably well.

  • HeLa by J. Nicole Brooks

    Major Tom to Ground Control

    By: Nancy Bishop - Dec 06th, 2018

    Sideshow Theatre accomplishes a lot on a small stage in its world premiere production of HeLa by J. Nicole Brooks at the Greenhouse Theater Center. The scenes in HeLa go back and forth in time from 1951 to 1981-84 and finally 2001 when Suhaila, now an aerospace engineer, visits her Aunt Bird, who is suffering from cancer.

  • Kentridge at Park Avenue Armory

    African Carriers in World War I

    By: Susan Hall - Dec 05th, 2018

    The Head and The Load by William Kentridge was prepared at Mass MOCA and arrives full-blown at the Park Avenue Armory in New York. We come, if not to know, to appreciate the contributions of hundreds of thousands of Africans to the Western effort in World War I. Who knew that African men were forced into service?

  • Annie In South Florida

    Beloved Musical in Boca Raton's Wick Theatre

    By: Aaron Krause - Dec 07th, 2018

    Renowned performer Sally Struthers stars and shines as Miss Hannigan in regional production of Annie. The cast excels in a touching, but not overly cute mounting. Annie plays Boca Raton's The Wick Theatre through Dec. 23.

  • The Apple Boys by Jonothon Lyons and Ben Bonnema

    A Barbershop Quartet Offers Joy at HERE

    By: Susan Hall - Dec 07th, 2018

    Apple Boys bring the Barbershop Quartet into the 21st century. This musical form my have started as early as Beaumarchais in Barber of Seville in the 18th century. Both black and white musicians claim ownership. Every culture which discovered “harmony” in combined voices has used the four singer form.

  • Onsite Opera Follows Menotti's Star

    Amahl and the Night Visitors Reimagined

    By: Susan Hall - Dec 08th, 2018

    Amahl and the Night Visitors was commissioned as a Christmas television special a half century ago. The composer, Gian Carlo Menotti, would appear often at its live presentations. He often pointed out that this is a story of a boy who has problems with his mother. He would ask members of the audience to raise their hands if they did. Most of the audience held their hands up high. That is not the only reason to enjoy this Christmas classic to which OnSite Opera has brought a new vision for today.

  • Arcadia by Tom Stoppard

    Shotgun Players at Ashby Stage

    By: Victor Cordell - Dec 11th, 2018

    As expected from any Stoppard work, Arcadia is highly literate and entertaining. It is also full of passionate characters, crammed with information, and plays like a grand detective story as the moderns unravel the mysteries of the past while entwining themselves in amusing interactions

  • The Prisoner by Peter Brook and Marie-Hélène Estienne

    Large Questions at Theatre for a New Audience

    By: Susan Hall - Dec 09th, 2018

    We are in a neutral country, anywhere in the world where crimes are committed and people are punished. The question that pervades the quiet space of The Prisoner by Peter Brook and Marie-Hélène Estienne concerns appropriate retribution.

  • The Wiz In South Florida

    Classic Musical At Stage Door Theatre

    By: Aaron Krause - Dec 14th, 2018

    Stage Door Theatre's mounting of The Wiz is uneven. The production largely lacks magic and sound is a problem. However, the production improves in the second act, with strong singing and acting. Actress Nayomi Braaf makes a refreshingly bright-eyed, optimistic Dorothy.

  • Strange Window at Next Wave, BAM

    Marianne Weems Re-invents Henry James

    By: Susan Hall - Dec 16th, 2018

    The Builder’s Association re-invented Henry James’ Turn of the Screw for today. Strange Window takes its title from a story James heard from the Archbishop of Canterbury. A woman was so fearful of strange figures who appeared in the windows of her home that she moved to protect her children.

  • Actor/Director Charles Weldon at 78

    Was Artistic Director of The Negro Ensemble Company

    By: Charles Giuliano - Dec 18th, 2018

    During the recent NY conference of American Theatre Critics Association Charles Weldon was a lively participant on a panel focused on diversity. He was Artistic Director of The Negro Ensemble Company (NEC) since 2005. He joined the Negro Ensemble Company in 1970 and acted in many of its classic plays including "A Soldier's Play," "The Great McDaddy," "The Offering," "The Brownsville Raid" and the Company's Broadway production of "The River Niger."

  • Riffing on Ibsen

    A Doll’s House, Part 2 in San Diego

    By: Jack Lyons - Dec 20th, 2018

    “A Doll’s House, Part 2”, premiered in 2017- garnering 8 Tony Nominations – is a perfect example of how an iconic classic play coupled with talent, and a sense of curiosity from an original thinking playwright can become a fresh, smart, new work, that’s been dazzling audiences wherever it performs. (Lucas Hnath’s 2016 play “The Christians”, received a Tony nomination for his insightful story of a Pastor who questions his belief in God and The Bible).

  • The Year to Come by Lindsey Ferrentino

    At the La Jolla Playhouse

    By: Jack Lyons - Dec 20th, 2018

    Playwright Lindsey Ferrentino apparently felt the urge to inform audiences just how disparate are families and their need to share their ubiquitous stories with the world at large. Television has been the delivery system that best gets the comedy job done. Sitcoms have mastered the medium for more than 70 years. . But I’m not quite sure that Ferrentino’s comedy play “The Year to Come” is the vehicle to bridge so many gaps facing our ever changing society.

  • The Lifespan of a Fact at Studio 54

    By Playwrights Jeremy Kareken & David Murrell and Gordon Farrell

    By: Karen Isaacs - Dec 21st, 2018

    Playwrights Jeremy Kareken & David Murrell and Gordon Farrell have balanced the piece carefully. This is based on the essay and book by John D’Agata and Jim Fingal. They are the John and Jim of the story. But I suspect details have been changed, in fact it is billed as “a new play based on a true-ish story.” It is a tight 85 minutes enhanced by fine performances.

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