Tanglewood

The Boston Symphony Orchestra begins its 2014 Tanglewood season on Saturday, July 5, at 8:30 p.m. in the Shed, with an all-American Opening Night at Tanglewood program featuring superstar soprano Renée Fleming.

There is an uncomfortable duality about Audra McDonald's performance of Lady Day at Emerson’s Bar & Grill. The script presents an over the top, improbable take on the sordid life of jazz legend Billie Holiday. But when she sings the result is so real and authentic that it feels like a documentary. While the play is a cliche ridden jumble of a truly sad life the music is simply magnificent.

The audience and the Chicago Symphony Orchestra worked hard at a dress rehearsal for a program that included the Beethoven Piano Concerto No. 3. Christoph von Dohnányi is a sought after conductor the world over and it is easy to understand why. Instrumentalists respect and enjoy working with him, even though a flautist in the CSO turned a bright red in the face trying to execute a passage to the Maestro’s taste.

This week representatives of the Clark Art Institute, Williams College Museum of Art, Williamstown Theatre Festival and Mass MoCA met with the media to promote plans for a spectacular Northern Berkshires season. The Clark reopens following extensive expansion and renovation. Mass MoCA offers the first full season of its Anselm Kiefer building. Jenny Gersten has planned a blockbuster program for WTF. WCMA plans special events like a Think and Drink series. In high season it may be hard to book a hotel or dine at the best restaurants.

Massachusetts funded Mass MoCA initially, and now again, as an economic development to drive the creative economy of cultural tourism in the depressed Northern Berkshire County. In addition to the Clark Art Institute expanded and coming back on line this summer, in a few years, Mass MoCA plans to double its exhibition space. A key result of that expansion will be a shift of visitors from day trips to weekends. In this next phase more involvement with the local community, particularly its artists, will be crucial.

The new music director of the Boston Symphony announced the 2014-15 season and the air was crackling with excitement. In addition to the full schedule we offer a sidebar for what this portends for the orchestra immediately and in the future. Our critic, Susan Hall, had lunch with him well before the appointment. Be still dear heart.

The Boston Symphony Orchestra’s 2014-15 season shines a welcoming spotlight on Andris Nelsons as he makes hihighly anticipated debut as BSO Music Director, leading performances that feature an eclectic offering of music and an impressive lineup of guest artists, and presenting programs that illuminate touchstone moments in his life as a musician, from his youngest days as a child in Riga, to his present-day stature as one of the world’s most sought-after conductors. When Mr. Nelsons takes on the title of BSO Music Director in September 2014, at age 35, he will be the youngest conductor to hold that title with the orchestra in over 100 years. The fifteenth music director since the Boston Symphony Orchestra’s founding in 1881, Mr. Nelsons is also the first Latvian-born conductor to assume the post.

Eagle eyed columnist, John Seven, observed that 67-year-old Liza Minnelli didn't wear panties under her blue pantsuit at the Oscars. Seems he never thought much of her anyway. Her mother, Judy Garland, makes him break out in hives. Stating that he never watches the Oscars or even knows what films are nominated he wrote about it anyway. This from the columnist who urges readers to boycott artistic creeps like Woody Allen. It must have sent him to the emergency room that Cate Blanchett won an Oscar for one of Woody's films.

For the first time Shakespeare & Company in partnership with Long Wharf is sending a production to New York. Satchmo at the Waldorf, starring John Douglas Thompson, a member of the S&Co theatrical family, appears as Louis Armstrong in the first play written by Wall Street Journal drama critic Terry Teachout.

Yesterday there was a late afternoon media scramble when a Barrington Stage Company press conference announcing the 2014 season was followed within minutes by an unanticipated release by Williamstown Theatre Festival. It's taken some sorting but we now have an unusually early and clear picture of the summer season. We have a fairly complete clip and save rundown. Berkshire Theatre Group has yet to announce and WTF will soon post its program of the Nikos Stage.

Tickets to the 2014 Tanglewood season, priced from $10 to $121, go on sale, Sunday, January 26, at www.tanglewood.org, through SymphonyCharge at 888-266-1200, and at the Symphony Hall Box Office (301 Massachusetts Avenue, Boston, MA). The 2014 Tanglewood season, June 27-August 30, features more than 100 performances, including concerts by the Boston Symphony Orchestra, Boston Pops, and Tanglewood Music Center (the BSO’s prestigious summer music academy); chamber music, recital, and concert opera presentations in Ozawa Hall; and a series of Popular Artist concerts.

The Solid Sound Festival of Wilco has been a shot in the arm for the Northern Berkshire County tourism and hospitality industry. They will return to North Adams in 2015 but not this summer. This will be fourth festival organized by the band for Mass MoCA.

The 2014 Boston Pops spring season will introduce audiences to debut appearances by Warren Haynes (5/13 & 14), Tony award-winning Billy Porter (5/20 &21), and conductor Sarah Hicks (5/23 & 24), as well as first-time collaborations with the New York-based jazz band sensation The Hot Sardines (5/28-30) and Cirque de la Symphonie (5/16 & 17),the wildly unique circus act that brings its aerial flyers, acrobats, dancers, and jugglers to orchestral stages throughout the country. Opening night features comic Jason Alexander.

Although its mid-century Freudianism is dated, "Lizzie Borden" still packs a wallop as a work of music-drama. The recent Boston Lyric Opera production was a preview for a performance at Tanglewood this summer.

The Boston Symphony Orchestra announces the schedule for its 2014 Tanglewood program. Aftar a hiatus last year, as has become traditional, James Taylor returns for the Fourth of July Weekend. On July 5 Renee Fleming will appear on the opening night of the classical program. Popular artists will be announced as they are booked.

Page 73 Productions, now in its 16th year premiering the next generation of American playwrights – who have included Pulitzer Prize winner Quiara Alegría Hudes, Drama Desk Award winner Sam Hunter, New York Times Outstanding Playwright Award recipient Dan LeFranc, and more – will present the New York premiere of George Brant’s gripping new play GROUNDED, directed by two-time Obie Award-winning director Ken Rus Schmoll (TELEPHONE, A MAP OF VIRTUE) and starring Hannah Cabell (3C, A MAN FOR ALL SEASONS opposite Frank Langella). Previews begin on January 8 at Walkerspace (46 Walker Street) in Manhattan.

In 1987 Clarence Fanto moved full time to the Berkshires joining the Berkshire Eagle as editor of its then new Sunday edition. He left the paper as its managing editor and several years ago rejoined as a reporter and has now slowed down as a freelancer and columnist. For the past several years he has compiled an annual summary of budgets, attendance and box office revenues of the major Berkshire arts organizations. We got together for lunch to connect the dots. There is no dispute over the accuracy of the data he compiles but we differ on its interpretation. Our occasional meetings and e mails are always lively and this is a chance to listen in.

On Wednesday, October 16 at 8:00 p.m., in Stern Auditorium / Perelman Stage, The Silk Road Ensemble with Yo-Yo Ma returns to Carnegie Hall to celebrate the 15th anniversary of The Silk Road Project—an initiative aimed at promoting innovation and cross-cultural understanding through performance and the arts.

With several major Berkshire arts organizations now closed until next year it's time to reflect on the intense and often remarkable 2013 high season. It's impossible to be everywhere, often with conflicts on any given night, but we offer highlights of what we managed to review. In addition to the Berkshires we covered five new plays at the Contemporary American Theatre Festival in Shepherdstown, West Virginia. The busy season included a number of interviews with artistic directors, actors and playwrights.

For its gala 2012, 75th anniversary Tanglewood logged its third best attendance at 375,776. This year, despite generally favorable weather, attendance declined by 9%. Non classical programming was off by 14% largely attributed to the absence of James Taylor whose three concerts last season sold 54, 385 tickets (minus comps). Even with deep pockets and a broad base of support it has been a year of red ink for Mark Volpe and the BSO. There is no need for panic but it's time to bring in consultants to book non classical programming.

With thunder and lightning it rained cats and dogs for the Shed performance of Harry Connick, Jr. at Tanglewood. We managed to stay sky high and bone dry through the best non classical performance of the season. Connick charmed the audience with the full range of his vast musical talent. He sang several songs from the new CD Every Man Should Know his 30th and 7th that he entirely composed and arranged.

For the annual Film Night at Tanglewood for the first half of the program John Williams passed the baton to David Newman the son of the legendary Alfred Newman. There were six songs and an encore by guest artist and Tony winner Audra McDonald. One of the largest audiences of the season enjoyed the broadly appealing program.

Michael Feinstein brought his Great American Songbook to Tanglewood in what is evolving as an annual guest appearance with Keith Lockhart and Pops. His guests included Tony winner Faith Prince and Cheyenne Jackson. It was a chilly August evening with a hint of Fall and ultra cool swinging music.

For her third season as artistic director of the Williamstown Theater Festival Jenny Gersten produced an amazing three musicals in a program of seven productions. Bridges of Madison County opens on Broadway in January but Gersten insists her mandate is to create shows for Williamstown. We met to discuss the season which ends this weekend. This is part one of that dialogue.

On a day off from playing violin at Tanglewood our musician/ chef decided to tackle barbecued brisket for a family gathering. His approach proves to be quite contrarian. He resists trends for fancy equipment and exotic recipes for rubs and sauces. His approach is to just go ahead and do it. Keep the flame low and slow and all else will be just fine.