The headline concerts include two striking vocalists: Roberta Donnay with the Prohibition Mob Band, and the first pairing of vocalist Alexis Cole with the Amherst Jazz Orchestra. Free “jazz-al-fresco” takes place on Saturday, June 10, and there will be two jazz brunches.

Yes, there are some funny moments and some touching ones, but overall, it is hard to become engaged with the characters. Except for Janice, they appear only in short scenes that allow for little depth of character.

Edward Hopper (1882-1967) visited Cape Ann initially at the invitation of his friend and fellow painter, Leon Kroll (1884-1974), and produced his first oil painting outdoors in the United States during that trip. The Whitney Museum is lending Hopper’s five oils painted in Gloucester in 1912, including Briar (sic) Neck, Gloucester (1912); Tall Masts (1912); Italian Quarter (1912); and Gloucester Harbor (1912). The exhibition will mark the first time these works have ever been shown together on Cape Ann.

Chad Smith is a visionary credited with advancing the orchestral music tradition through cutting-edge programming and cultivating industry-defining partnerships. Smith brings strategic expertise, commitment to musical excellence, and a tested ability to expand audiences and generate revenue.

Fat Ham turns Shakespeare’s Hamlet upside down without minimizing the issues the original raises or the brilliance. The play by James IJames won the 2022 Pulitzer Prize for Drama, and it is easy to see why.

Elizabeth Yilmaz and Mara Driscoll, two dancers from the Metropolitan Opera troupe, have created a performance series that’s as wonderful as it is unique.  The final performance of the spring season, and the 9th produced by this team with associate Cesar Abreu, was in the spirit of a happening.

Coinciding with the fiftieth anniversary of Picasso’s death, Young Picasso in Paris highlights a significant work, Le Moulin de la Galette (ca. November 1900), from the Guggenheim collection. The famous dance hall—formerly a mill engaged in the production of a brown bread, or galette—had also been depicted by such avant-gardists as Ramón Casas, Pierre-Auguste Renoir, Henri de Toulouse-Lautrec, and Vincent van Gogh.

Live from the Edge by Universes has moments that will reach you emotionally. But the question remains, “What is it?” – Theater? A performance piece? A poetry slam?  They describe themselves as a theater company, but I would describe it as being closer to a performance piece/poetry slam than theater.

Rembrandt, the play at TheaterWorks Hartford through Sunday, May 14, is part meditation on art and part a very human exploration of love, dying and grieving

Flynn has made hundreds, perhaps thousands of drawings over the last 50 years. Choosing just 50 (really 61) drawings is nearly an impossible task. William Flynn is an artist that spends days drawing. He finds ways to express the beauty in mundane objects; an old baseball mitt, ski boots, a bicycle that was run over and flattened, cars at junkyards, an old arm chair, pop-up books, whirly-gigs.

Opera Philadelphia is ahead of the curve in keeping the operatic form alive and relevant. New operas and altered operas inevitably raise the question: What is opera?  Music drives a story or an idea. That is at opera’s heart.  La Boheme in Philadelphia meets the standard and then some.

The 2023 Harold and Mimi Steinberg/American Theatre Critics Association (ATCA) New Play Award goes to "the ripple, the wave that carried me home." The 2023 M. Elizabeth Osborn Award goes to Madison Fiedler for her play, "Spay." ATCA also presents citations to Suzan-Lori Parks for her play, "Sally & Tom," and Rebecca Gilman for her piece, "Swing State."

The Metropolitan Opera’s heavily promoted Champion is concluding its run in New York. The first opera by Terrence Blanchard, which succeeds his Fire in My Bones at the Met, has a weaker score than its successor.  One feels that Blanchard as composer of film scores (he is well-known as a colleague of Spike Lee), may have succumbed to the notion that music should lie under the visual track.  

When booking our trip, we didn't know of Feria, a one-week celebration of community and Seville's history with livestock markets and flamenco that began in 1846. But when our new friend Carlos invited us to join him in going to the fair, we jumped on it. Feria takes place one week in April each year on 25 urban blocks that lie mostly barren except for preparation and celebration of Feria. Imagine the value of the property designated for this one event!

Versatile theater artist Ronnie Larsen's new musical, "One More Yesterday," is running through May 14 in a fine professional world premiere production. "One More Yesterday" is an upbeat show about an aging live theater performer yearning for the spotlight one more time. "One More Yesterday" is a layered show covering many themes.

Aside from their earth tones, this footwear has nothing to do with Frank Lloyd Wright. As a branding strategy, it is an extremely strange choice for a contemporary sports shoe design.

Lynn Nottage's drama, "Sweat" serves as a cautionary play about what can happen when unrestrained, explosive emotions flow during especially tense, sensitive times. Main Street Players in Miami Lakes, a professional, nonprofit company, is presenting a stellar production through May 14. "Sweat" takes place during the turbulent 2000s in a blue-collar community in Pennsylvania.

Four women writers of the Harlem Renaissance meet in "Telling Tales Out of School" by Wesley Brown, directed by Woodie King, Jr.

Hoosic River Watershed Association (HooRWA) invites poets and musicians in the Hoosic River Watershed to find inspiration and craft a poem, song, or instrumental piece about and for the Hoosic River and/or its tributaries.

The Winter’s Tale can be a confusing play. Written late in Shakespeare’s career, it is usually grouped with The Tempest, Pericles, and Cymbeline, as one of the “romance” plays.

The old Freighthouse has been converted into a nightclub in downtown Ypsilanti. A lifetime resident of Ypsilanti,  guitarist and jazz composer John E. Lawrence has been in residence for a week.  The final evening is a concert, sold out, with hopefuls hovering at the door.

Now 82, at long last the Native American artist, Jaune Quick-to-See Smith, is the subject of a retrospective at a major New York Museum. Jaune Quick-to-See Smith: Memory Map will be on view at the Whitney Museum of American Art from April 19 to August 13, 202

Some may quibble, but I would see this production of Sweeney Todd anytime. It is changing my mind about the show.

Barrington Stage Company (BSC) announces full casting for the world premiere of Mark St. Germain’s new play The Happiest Man on Earth (May 24-June 17) and a new production of the legendary Kander & Ebb musical Cabaret (June 14-July 8).

A decade ago, Andris Nelsons was conducting Tchaikovsky at the Metropolitan Opera, when the Boston Symphony arrived in town and their conductor, James Levine, fell ill.  Nelsons stepped in and the rest is history.  Shostakovich is the Russian composer Nelsons has adopted as his own.  Rachmaninoff, whose Second Symphony was on the program on Monday night, may not be as close a soulmate for the young Latvian conductor, but new music is. He introduced Thierry Escaich's latest work.