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  • In Durance Vital - Part IV

    Notable Music From Musical Notables

    By: David Wilson - Oct 28th, 2011

    Once again I have a batch of some new and some almost new goodies by real oldies almost all of whom are still putting out music worth listening to. I address these descriptions mostly to those of you who survived the ‘60s and the decades that followed, but if you were not around then, here is recent music by some of the best who may have made daily life for your parents and grandparents if not joyous, a bit more bearable.

  • Opera Boston's Beatrice et Benedict by Berlioz

    A Scintillating Production Restores Faith

    By: David Bonetti - Oct 28th, 2011

    Beautiful sets and costumes and a young and vibrant cast who sang Berlioz's enchanting music with real verve combine to create a real hit. Beatrice et Benedict, an opera-comique with spoken dialogue as well as sung arias, ensembles and choruses, was Berlioz’s last work, and you get the feeling that he was tired of the battles he had waged as a young man against the establishment to create a new, modern and identifiably French music.

  • Live from the Metropolitan Opera, Don Giovanni in HD

    Arrives in the Berkshires October 29

    By: Susan Hall - Oct 26th, 2011

    Find it at Mahaiwe in Great Barrington, the Clark in Williamstown.

  • Angela Meade's Glorious Anna Bolena at the Met Opera

    Comparisons to Joan Sutherland

    By: Susan Hall - Oct 25th, 2011

    Meade make her mark in the Berkshires singing excerpts from Norma and I Lombardi last summer. If you hear her, you will never forget her. A big, glorious voice full of all the complex detail the style requires.

  • Faust from the Royal Opera House, London

    Opera in Cinema Expands its Horizons

    By: Susan Hall - Oct 25th, 2011

    The Morgan Library in New York, and the Berkshire Museum, showed a performance of Gounod's Faust straight from Covent Garden and featuring a stellar cast. We are going to have a banquet of operas to choose from, and filming decisions made in this production felt a lot more like opera than the Metropolitan's HDs.

  • The Met Orchestra at Carnegie Hall

    Fabio Luisi Conducts a Harbison World Premier

    By: Susan Hall - Oct 17th, 2011

    Fabio Luisi conducted the Met Orchestra as the new Principal Conductor. Luisi and the Orchestra are on the same page, seeming to enjoy each other and make wonderful music. Let's hope that he is made Artistic Director soon. The post has been vacant for too long.

  • The Good Lovelies Concert in Hardwick

    Captivates Audience At Eagle Hill Cultural Center

    By: David Wilson - Oct 17th, 2011

    Sometimes, The Right Act Meets The Right Audience And It's Love At First Song. While standing O’s have become commonplace, the two that bracketed their encores seemed far more spontaneous and more enthusiastic than usual and most of the audience was clearly reluctant to let them go.

  • Grace Kelly and Phil Woods at the Colonial

    7th Annual Pittsfield City Jazz Festival

    By: Charles Giuliano - Oct 16th, 2011

    It was five years ago to the day when the prodigy alto player Grace Kelly first performed with alto master Phil Woods on stage at the Colonial Theatre in Pittsfield. As a part of the 7th Annual Pittsfield City Jazz Festival the performance was recorded for future release on CD. The evening just blew our socks off.

  • B.U.'s Fringe Festival Friend of One-Act Opera

    Two Offerings This Season, One Old, One New

    By: David Bonetti - Oct 16th, 2011

    B.U.’s Fringe Festival undoubtedly considered it a coup to produce “Three Decembers” and get Heggie to come and give master classes. But if it wants to retain its claim to being a true Fringe Festival it should strive to look for work, vintage and new, that offers more challenges to both audiences and students.

  • Gotham Opera and Nico Muhly at Le Poisson Rouge

    An Exciting Evening of Song

    By: Susan Hall - Oct 15th, 2011

    While naturally-occurring sounds of the kitchen sometimes accompany singers, Le Poisson Rouge is surely the venue of the future. Intimate venues where performance of classical music is up close and personal draw packed houses. The three dinosaurs at Lincoln Center will probably have to go.

  • Adriana Lecouvreur from Convent Garden in HD

    Direct to the Berkshires on October 23

    By: Susan Hall - Oct 12th, 2011

    The HD broadcast field expands to include wonderful opera productions from around the world. Adriana Lecouvreur from Convent Garden will be a treat with Angela Gherghiu, banned at the Met, and Jonas Kaufman.

  • David Mallet's Inch By Inch, Row By Row

    Continues To Sow at Eagle Hill Cultural Center

    By: David Wilson - Oct 12th, 2011

    In concert at Hardwick’s Eagle Hill Cultural Center, the audience welcomed him warmly and offered up two standing and extended ovations at the end.

  • Gergiev Conducts The Mariinsky at Carnegie Hall

    A Spellbinding Performance of Tchaikovsky

    By: Susan Hall - Oct 11th, 2011

    Valery Gergiev is one of the busiest conductors in the world. Last spring, he was booked in Moscow one day and at the Met in New York the next. He didn't quite make it to the second assignment, sad for us in the US. But here he is at Carnegie, thrilling a Sunday afternoon audience.

  • Tobias Picker Honored at Columbia University

    The Miller Theater Presents a Compelling Composer Portrait

    By: Susan Hall - Oct 07th, 2011

    Tobias Picker collaborates with performers. Ursula Oppens, who has been his muse and articulator for decades,was on stage to talk to the charming and witty composer. Sometimes called 'conservative' because his music is easy on the ear, challenging and beautiful are better adjectives for this important American composer.

  • Placido Domingo on a Tear

    Attacks Washington Post Critic

    By: Susan Hall - Oct 04th, 2011

    We have noted in the past that Domingo is a wonderful singer who deserves to sing forever. But, as a conductor, the great Metropolitan Orchestra and the Met's singers deserve better. Now he fights back.

  • Maria Muldaur At The Bull Run In Shirley

    Weaving New and Old

    By: David Wilson - Oct 02nd, 2011

    Sometimes leading the beat, sometimes following, her voice gliding up and down the scales, stroking, stretching, bending and twisting the notes. For close to two hours, Maria Muldaur without a break performed blues, gospel, r&b, funk and folk.

  • Alan Gilbert Triumphs with the New York Philharmonic

    Stephanie Blythe Sings a Gorgeous World Premiere by John Corigliano

    By: Susan Hall - Oct 01st, 2011

    A dark and elegiac tone pervaded Avery Fisher Hall last night but the sheer beauty of the music performed, and the moving music Alan Gilbert drew from the orchestra and Stephanie Blythe riveted and stunned the audience.

  • Anna Bolena at the Metropolitan Opera

    Live in HD on October 15

    By: Susan Hall - Sep 28th, 2011

    Don't worry about the glitches and problem pitches in the Met's new production by David McVicar. HD transmission covers a multitude of sins.

  • I Feel So Good

    The Life and Times of Big Bill Broonzy

    By: David Wilson - Sep 14th, 2011

    Bob Riesman tracks the life of William Lee Conley Broonzy through murky early years to his death in 1958.For devotees of the Blues, the evaluations of this book voiced in the foreword by genre sage, Peter Guralnick, and echoed in an appreciation by blues performer, Peter Townshend, voice my thoughts about this biography of Big Bill Broonzy, his life and his contributions to an iconic musical form.

  • Manahan Conducts Mahler at Baryshnikov Arts Center

    Jennifer Johnson Cano and Paul Groves Shine

    By: Susan Hall - Sep 10th, 2011

    With 9/11 looming in the background, Mahler's gorgeous tribute to the joys of life and also its perils was a perfect prelude to commemorations. Maestro Manahan conducted the Mahler’s Das Lied von der Erde at the Baryshnikov Arts Center in New York. It is the 100th anniversary of the premier of the song symphony.

  • Gunther Schuller and Jimmy Cobb on Miles Davis

    Birth of the Cool and Kind of Blue

    By: Charles Giuliano - Sep 09th, 2011

    In 1949 Gunther Schuller played horn as a part of the Miles Davis nonet in sessions originally released as 78 rpm singles. Several years later in the early days of LPs the singles were reissued as the album Birth of the Cool. Jimmy Cobb was the drummer of the classic Davis album, a continuing best seller, Kind of Blue. During a session with critic and historian, Bob Blumenthal, during the Tanglewood Jazz Festival they recalled those now historic recordings.

  • Cavalli Comes to Le Poisson Rouge

    Opera Omnia Presents a Ribald Myth

    By: Susan Hall - Sep 08th, 2011

    Under the same constraints that the original production had, Wesley Chinn re-iamgined this opera, the I Love Lucy of its time, with great singers and a charming staging.

  • Tanglewood Jazz Festival Two

    Sing the Truth, Mingus/ Schuller, Cobb

    By: Charles Giuliano - Sep 07th, 2011

    The Sunday afternoon program featured the Jazz Masters, drummer Jimmy Cobb fronting Coast to Coast All Stars. Followed by The Mingus Orchestra conducted by Gunther Schuller. The evening program Sing the Truth featured Angelique Kidjo, Dianne Reeves, and Lizz Wright. With that the season ended for Tanglewood in the Berkshires. Such sweet music.

  • Tanglewood Jazz Festival 2011 One

    Cachao Tribute Judy Carmichael Blythe Danner

    By: Charles Giuliano - Sep 05th, 2011

    The annual Tanglewood Jazz Festival was a three day slam dunk. There was a superbly balanced program that introduced emerging artists as well as performances by jazz masters. A nice addition this year featured scull sessions with jazz critic and historian Bob Blumenthal. It was everything you would hope for in a great jazz festival. This is part one of our coverage.

  • Porgy Gets His Bess at ART

    Gershwin's Opera Is Moving Musical Theater

    By: David Bonetti - Sep 03rd, 2011

    Fears that ART's Diane Paulus would trash George Gershwin's folk-opera "Porgy and Bess" prove unfounded in vibrant production. Opera or musical theater? Who cares.

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