Norman Rockwell Museum

Participating cultural organizations include Barrington Stage Company, Berkshire Botanical Garden, Berkshire International Film Festival, Berkshire Theatre Group, Community Access to the Arts, The Clark, Hancock Shaker Village, Jacob’s Pillow, Mahaiwe Performing Arts Center, MASS MoCA, The Mount, Norman Rockwell Museum, Shakespeare & Company, The Trustees and Williamstown Theatre Festival. 

Artists everywhere are communicating and presenting work virtually that was conceived and created or executed this year during the COVID-19 pandemic. Life and art had mostly moved from our physical to our virtual world. Artists at the Eclipse Mill have done the same. Here we present three projects, two 'real' and one online, just a slice of artistic work that's being created in 40 studios. 'IMPROMPTU' has become a virtual exhibition on August 15 and 'Airborne Transmission' has been installed as described below.

The Boston Symphony Orchestra announces Tanglewood’s first-ever fall/winter/spring schedule of performances and activities to take place on the grounds of the famed music festival, October 2019 through June 2020.

Women Artists in Paris, 1850-1900, is an ambitious, scholarly but problematic exhibition at the Clark Art Institute. It has been drawing large crowds and ends on 3 September.

A great day trip that enlightens and enriches the soul is as close as Berkshire county, home of Hancock Shaker Village. Spending a day learning about the Shakers, sharing dinner and thought with Peter Jennings son, Chris Jennings, and attending a concert with members of WILCO and transplanted local troubadour, Johnny Irion, can turn any day into sunshine.

The Norman Rockwell Museum in Stockbridge has just launched “Keepers of the Flame: Parrish, Wyeth, Rockwell and the Narrative Tradition.” During a recent press preview we enjoyed an unencumbered view of the scholarly and superbly installed exhibition. Founding director, Laurie Norton Moffatt, discussed what the Rockwell legacy means in light of the controversy of the sale of two of his works by the Berkshire Museum. One of those works "Shuffleton's Barber Shop" was acquired by George Lucas who is loaning it to the Norman Rockwell Museum for the next 18 months.

Pittsfield used to have a small, charming, eclectic regional museum. As of today that's no longer true.

The news of a "compromise" that really wasn't on Friday sent shock waves through the local, national and global art world. Other than the sale of Rockwell's "Shuffleton's Barber Shop" to an undisclosed museum, the Berkshire Museum got a green light to sell the 39 other works at Sotheby's. While morally and ethically flawed director, Van Shields, and board chair, Elizabeth McGraw, will proceed with catastrophic plans to gut the collection to raise $50 million. They will trash and rebuilid the museum creating its populist/ vulgarian New Vision.

A compromise is a deal that neither side is happy with. Other than a few hard fought concessions the Berkshire Museum will now gut the museum and its collection in pursuit of its vulgarian, populist New Vision. It's tarnished leadership, including director, Van Shields and board president, Elizabeth McGraw, will have a tough job earning back the trust and support of a community which they so adroitly alienated.

A decision on an appeal by Attorney General of Massachusetts, Maura Healey, to halt the sale of 40 key works of art at Sothebys on behalf of the Berkshire Museum will be decided by the end of January. Van Shields, now on medical leave as director of the museum, and board president, Elizabeth "Buzz" McGraw, announced their $60 million plans for a New Vision in July. What started as a local story has morphed into national and global coverage. The outcome of this unethical attempt at deaccessioning by a pariah museum may have a game changing impact on the mandate of all American museums' commitment to preserve and conserve collections for future generations.

“This is a classic case of confronting a well-organized, well-financed, misguided inside group, hoping to lead them to their better angels,” said Leslie Ferrin, founder of Save the Art. “That’s why we’re crowd-sourcing Save the Art’s legal action fund. We want to invite people to step up at whatever level they can, and say, “we support finding a better solution.”

The artists Norman Rockwell and Andy Warhol became rich and famous for giving the public what it wanted. It is this shared populism which is explored in an evocative exhibition at the Norman Rockwell Museum. Not surprisingly the exhibition has been mobbed with visitors.

Relying primarily on published sources Felix Salmon in the New Yorker has reported on the deaccessioning and New Vision of the Berkshire Museum. As Solomon states “The story of the Berkshire Museum is more than one about a second-tier local institution selling off some art. It’s a story about how fragile museum-industry norms are, how unaccountable a museum director can be, and how much destruction can be wrought during a single secret trustee meeting. (The museum’s new P.R. representative, Carol Bosco Baumann, declined repeated requests to make anyone from the museum available for an interview.)” This is consistent with the museum's bunker mentality of playing hard ball with the media.

Barring intervention by the Attorney General, at best a long shot, plans to sell 40 works of art with two paintings by Norman Rockwell worth as much as the remaining 38 lots, the fall auctions by Sotheby’s in New York appears to be a done deal .For the second time protestors will picket in front of the Berkshire Museum in Pittsfield from 10 am to 2 pmon Saturday, September 9. This past week Sotheby’s announced a presale estimate of “thirty pieces of silver.”

In a key op-ed piece for the Berkshire Eagle, Laurie Norton Moffatt the director of the Norman Rockwell Museum, called on the Berkshire Museum to "pause" its plans to sell 40 works including two by Rockwell. Largely based on her position the story broke in the national media. In the process the rhetoric escalated. In this opinion piece she asks for a wider understanding of the commmitment and responsibilites of serving on boards of non profits. With so many cultural institutions looking for funding from the same small pool of donors there are parfticular and extreme pressures for boards in the Berkshires. She calls for a focus on issues and not individuals.

From 9 AM to noon there was an ordely and peaceful demonstration in front of the Berkshire Museum in Pittsfield. Pickets came and went with between 40 and 80 individuals linuing the sidewalk at any given time. Most passing cars honked their support. There was a media presence. While museum director, Van Shields, remained hunkered down in the bunker, board president Elizabeth "Buzz" Hayes McGraw delivered her boilplate message to a TV crew from Albany.

When Laurie Norton Moffett, director of the Norman Rockwell Museum, in a Berkshire Eagle op-ed piece asked the Berkshire Museum to "pause" in its plan to sell 40 works the story broke as national news. In daily coverage since then the pro and con has rocked back and forth. I seemed like game over when Joe Thompson, director of MASS MoCA, endorsed the sale and radical plans urging readers to "get real." Then lawyers waded in questioning that the works may or may not be "unrestricted." The controversy went into extra innings when the Rockwell family, in an Eagle letter, stated that the artist never intended for his works to be sold as a last ditch bailout for the poorly managed and curatorially aenemic museum.

When ethical concerns and second guessing of its "reboot" plans surfaced the Berkshire Museum has spent money it doesn't have for expensive PR and marketing. Heavy hitters have been hired to deflect tough questions from the media and flack the museum's strategy to sell 40 works of art and change its mandate.

In compiling a list of 40 works to deaccession the Berkshire Museum opted to sell no works given by living artists or donors. When Norman Rockwell gave two works to the museum the letter, which is referred to in media coverage, states his wish to share them with the people of the Berkshires. In selling the works is the museum in legal violation of that trust? GIven the sensitivity of what is at stake we demand that the museum make public the artist's letter.

Initially the Berkshire Museum disclosed plans to sell two paintings by Norman Rockwell but declined to reveal the other works. Under intensive media scrutiny and concerns from the community the museum has posted responses to frequently asked questions on the website and has released the full list of deaccessioned works. The lot has a pre auction estmate of $50 million toward a goal to "reboot" with $20 milion in renovation and $40 million for endowment. The remaining $10 millions will be raised apart from the sale of works of art.

Works by Stephen Hannock are in global museum collections. His Oxbow painting in the Metropolitan Museum of Art will be included in a survey of Hudson River artist Thomas Cole. Hannock's mate Sting will also be involved in the project. When he created paintings for his friend's hometown of Newscastle the studies were shown at the Berkshire Museum. He gave one of the studies to the museum to honor philanthropist Nancy Fitzgerald. The fact of that work and the entire fine arts collection of the museum is unknown. We talked at length with the Berkshire based global artist about the impact of the museum's strategy to sell its fine arts collection with a radical makeover as an interactive educational museum for history and science.

When the Berkshire Museum announced plans to focus on science and history there was initial euphoria. To reach a goal of $60 millon, $20 for renoivation, and $40 million for endowment it will sell 40 works of art including two paintings by Norman Rockwell which the artist gave to the museum and his Berkshire neighbors. In so doing it violates deaccession restrictions for art museums. In a shuffle Van Shields, the director of BM, has stated that he does not run an art musuem and is not bound by ethical guidelines. That may change as coverage evolves from local to national news.

Located in the hamlet of Housatonic, is Pleasant & Main, a restaurant with charm, character and wonderful food at reasonable prices.

In Norman Rockwell's 1961 Saturday Evening Post illustration "The Connoisseur" a dignified gentleman gazes on a simulacrum of a Jackson Pollock painting. It provided the impetus for a mishegos attempt to locate the representational populist illustrator as responding to the avant-garde art of that formative era.

The Mount in Lenox announces its schedule of events for the 2016 season.