The Dahls raised their children in the "Christian way," and Christmas homecoming celebrated by food and song is a great family tradition. But as adults the four offspring have deviated from the parents' hopes - among them a lesbian, a pathological believer, a recovering addict, and a lost sheep. When singing together, they seem the idyllic family, but when the music stops, the fractures appear. Despite the holiday setting, this is not a Christmas play.

The young Suzanne Valadon was the favorite model and lover of Renoir. She learned much in his studio and for some 40 years pursued her own work. One of which is a gem which we encountered at Norton Gallery in Palm Beach.

Doomed by progeria, a condition that ages the carrier at 4 1/2 times the normal rate, Kimberly turns 16. Her chronological age corresponds to age 72 given this condition, meaning that she probably has little time left in her life. Nonetheless, she attends to daily activities like any other school kid. But her working class parents are loose cannons, and a grifter aunt who insinuates herself into the household develops a get-rich-quick scheme that is anything but normal.

Opening night of Jean-Paul Sartre's "Die Schmutzigen Hände" (Dirty Hands) on January 26th, 2024 at the famed Berliner Ensemble in Berlin, Germany was sold out.

Pembroke Pines Theatre of the Performing Arts mounted a comical and believable production of Neil Simon's "Barefoot in the Park." The production ran through Jan. 28. "Barefoot in the Park" takes place in New York City during the 1960s.

Foraging through the belongings of their recently deceased mother, two middle-aged, somewhat estranged sisters learn more about their birth father and stepfather from a trove of letters and other documents. They also learn more about each other as they clash and bond over historical events that they either did not share or had seen from different perspectives.

Elle, a shallow but genuine and smart fashionista obsessed with the color pink, is dumped by her status seeking boyfriend who is off to Harvard Law School. Surprisingly (and true, except the law school was Stanford in real life), Elle insinuates an acceptance as well. Her presence provides humorous contrast to the staid environment.

Beth Morrison is an important leader in the development of new opera with new alliances and venues. She is a force that the future of classical music depends on. The Prototype Festival she created is now in its 11th season in New York.

While Jeff Weaver is among America’s elite realist painters his work is not widely known beyond Gloucester. During Gloucester 400th Plus an exhibition, This Unique Place: Paintings and Drawings of Jeff Weaver, was featured at the Cape Ann Museum. His remarkable work preceded the blockbuster show of Josephine and Edward Hopper who met in Gloucester during the summer of 1923.

Plagiarism has been very much in the news.  Even the recent president of Harvard has been under the gun. And yet there seems to be no firm guidelines to instruct non-academics and even academics as to how to spot evidence of plagiarism.  What follows is a meditation on plagiarism and how to avoid it.

“Museums are not simply repositories of art. They humanize the landscape of human events. They connect us to life’s most enduring themes. I have long felt this way about the Gardner, and feel it particularly keenly about a work that will be specially presented at the Museum January 20–February 4, 2024.”

Pandering to the public continues at the ever more accessible Museum of Fine Arts. It follows a blockbuster show of Sargent portraits of white supremacists with an in depth view of the ultimate charlatan Salvador Dali. He has been described as the greatest modernist from the wrist down. Dalí: Disruption and Devotion, opens in July with 30 works by Dali compared to European masterpieces from the museum's collection. The Dalis are on loan from the St Petersburg, Florida museum. The project is both cost effective and crowd pleasing.

I don’t do a ten-best list; instead, I like to recall some of my favorite shows of the past year.

Carlos Caicedo, a native of Colombia, is an award winning photographer and graphic designer. With his daughter Sandra, who also creates colorful fabric designs, they recently moved to the Eclipse Mill in North Adams. During a studio visit we discussed his process and how what he calls abstract photography is more accurately defined as non objective.

Highlights include residency with new Jazz Studies co-chair Anna Webber; concert of music by David Bowie; celebrations of Duke Ellington, Max Roach, Wayne Shorter, Mahalia Jackson, and Chris Connor; and a special appearance by the NEC Jazz Orchestra at Cambridge's Regattabar

On the cusp of WWII David Smith created a series of fifteen, dinner plate scaled, bronze relief sculptures. A gift from his estate fourteen bronzes and one on extended loan have been donated to the Harvard Art Museums. There is irony that Medals of Dishonor are displayed on a campus engulfed in responses to inappropriate remarks by its President, Dr Claudine Gay, before Congress. Under pressure she has resigned. Because of war, and atrocities on both sides in Israel and Gaza, both Jewish and Islamic students proclaim that they do not feel safe on college campuses.

Huang Ruo, who searches for the Asian American voice and translates it for an audience of Asian Americans and all other Americans too, will present the New York premiere of his vocal theater work, Angel Island, at the Harvey Theater at BAM on January 11, 12 and 13.  It is part of the Protopype Festival, now celebrating its 11th anniversary. 

This exhibition embodies the notion of uniting diverse artistic styles and techniques to honor the abundance and variety of creative expression within the Galatea membership.

The film Maestro reminds us that classical music can be accessible to a wide audience. This is not because the film makes the music accessible. In fact, Bradley Cooper conducting is a bad joke. You wonder what Yannick  Nezet-Seguin, credited with teaching the actor to conduct, was doing.

The Prisoners, a riveting play, entertains and shines a necessary light on unhealthy obsessions. While four performances remain, one of them is sold out. The theater is located in the Ft. Lauderdale suburb of Wilton Manors.

Rose Art Museum names Mexican artist Noé Martínez the 2024 Ruth Ann and Nathan Perlmutter Artist-in-Residence.Since 2002, the Perlmutter Residency has been part of the Rose Art Museum’s longstanding tradition of promoting emerging artists of extraordinary talent whose work addresses contemporary issues of vital urgenc

The continuing evolution of Esther Solondz’s fascination with portraits and transformative materials is expressed in her new work. For the past 20 years, she’s worked with suggestive half-here, half-there images made with substances that evolve over time. In her current exhibition, Solondz is using ink, which she drops onto wet paper. This allows for a certain amount of control but also happy accidents as the ink moves and pools in unforeseen ways. 

50 Years and Forward: Works on Paper Acquisitions (through March 10, 2024) marks the 50th anniversary of the Manton Research Center — the home of the works on paper collection — with a selection of prints, drawings, and photographs acquired between 1973 and 2023. The Clark has free admission from January through March.

Paintings by Mark Rothko, with evaluations reaching $80 million, are out of range for museums to borrow and insure. Currently there are two, once-in-a lifetime exhibitions of his work. Through April 2, 2024, more than a hundred paintings are on display at the Fondation Louis Vuitton, Paris.  Through March the National Galley has Mark Rothko: Paintings on Paper with a hundred works drawn from all phases of his career.

The new year begins with Boston Symphony Orchestra Music Director Andris Nelsons conducting the orchestra in two blockbuster programs that spotlight the BSO’s enduring creative partnerships and major recording projects. Both programs will first be performed in Boston: works by Maurice Ravel, Tania León, and Igor Stravinsky with acclaimed pianist Seong-Jin Cho on January 11–13, followed by a concert version of the landmark 1934 Dmitri Shostakovich opera Lady Macbeth of Mtsensk on January 25 and 27. Performances of the two complete programs will be repeated at New York’s Carnegie Hall on January 29 and 30, respectively.