Once the show actually began, I was engaged.  While it is just making its Broadway debut, Here Lies Love, with concept, music, and lyrics by David Byrne, music by Fatboy Slim, and additional music by Tom Gandey and Jose Luis Pardo, began as a concept album in 2010. From there, it ran at off-Broadway’s Public Theater (2013, 2014-15) and London (2014-15), both times garnering multiple awards.

Tippet Rise is the passionate expression of Cathy Halstead, a painter, and Peter Halstead, a polymath (poet, pianist, photographer, and novelist) who met when they were very young and have lived like two peas in a pod ever since.  Having assembled about 12,500 acres in southern Montana not far from Yellowstone National Park, they have taken cues from the natural surroundings to build concert halls, place site-specific architecture and sculptures and produce an annual summer music festival which is a model for the future.

On Cedar Street is an intimate, compact musical compressed into one long act on a busy, cluttered set. On Cedar Street which entails the late life romance of widow and widower in rural Colorado is having its world premiere at the Unicorn Theatre of Berkshire Theatre Group.

These paintings, inspired by the Major Arcana cards in the traditional Rider-Waite tarot deck, are also the inspiration for a Major Arcana-specific 22-card tarot deck released by Jane Hudson this summer with WIld Soul River.  

Jacob’s Pillow today announced the artists who will participate in 10 onsite residencies this fall through next summer, as part of the Pillow Lab residency program. Artists participating in this series, in chronological order, are: Ilya Vidrin, Sekou McMiller, LaJuné McMillian, Minty Fresh Circus, Aakash Odedra, Kyle Marshall Choreography, CONTRA-TIEMPO Activist Dance Theater, Hari Krishnan/inDANCE, Theresa Ruth Howard, and Miguel Gutierrez.

Berkshire Art Center’s 2023 Artists-In-Residence, Noah Beauregard and Kelly Potter, are celebrating the end of their residencies this summer with virtual artist talks and in-person exhibition openings at The Red Lion Inn and Chesterwood.  

Entering Goodspeed’s Terris Theater in Chester to see Here You Come Again, you view a cluttered living space with decorations for multiple holidays, a disco ball, things hanging from the ceiling, etc. Is this a hoarding situation?

Perhaps, it’s not accidental that 'Complexions' followed the 'Hip Hop Festival.'The performance started with an excerpt of 'Hissy Fits, 2006,' to ongoing very loud percussion, sounding like drum beats to, as per program, J.S. Bach music. And the music mostly continued at a high decimal, just like hip hop.

Recently, Jason Travers an artist in the Providence area and a former student from AIB sent me an image of the kind of “drawing” he sees in the asphalt fillings that are ubiquitous on New England roads: an effort to fill in the cracks formed on roads due to frost heaves. The cracks left unattended only speed up the deterioration of the road.

The Mahabharata is regarded by many to be the fifth veda, or sacred Hindu religious text. Appropriately, the storyteller in this production, J Jha, is transgender, as the stories are told from both male and female perspectives, and sexual ambiguity plays an appreciable role. Jha gives an inspired solo performance in delivering a narrative that centers on a war between competing bands of cousins fighting for control of BCE Bharat, which would become India.

This fall, beginning after Labor Day, I will be offering a new course entitled "Living a Daoist Life In Today's World."  The course will be 20 classes long and will include study of the Dao de Ching, The Law Of The Heart, and The 49 Barriers To Spiritual Growth.

Strong Women in Renaissance Italy features approximately 100 works of art—sculpture, paintings, ceramics, textiles, illustrated books and prints—largely drawn from the MFA’s collection, alongside eight key loans from the British Library, the Dayton Art Institute, the Bowdoin College Museum of Art, the Jewish Museum, the Boston Athenaeum and a private collection. Women became artists, writers, poets, musicians and singers. They acted as patrons and commissioned works of art.

Summer Stock is a new old-fashioned musical bringing joy to audiences at Goodspeed. It is unabashedly old-fashioned.

Hip Hop Across The Pillow was curated by Melanie George and Ali Rosa-Salas. We were fortunate enough to catch the very last totally engrossing performance yesterday.

Julianne Boyd, the founding artistic director of Barrington Stage Company, retired last year. Unburdened by administrative responsibilities, she has been lured back to direct a dark, moody masterpiece, Faith Healer by Brian Friel (1929-2015) the greatest Irish playwright of his Generation. For this triumphant return she cherry picked a dream team trio of Christopher Innvar (Frank), the faith healer, Gretchen Eglof his long abused wife Grace, and Mark Dold as the whimsical roadie Teddy.

Tippet Rise Art Center welcomes musicians and concertgoers for its eighth concert season, beginning August 18 and running through September 17. With more than 15 indoor and outdoor performances planned over five weekends, the season features a wide range of repertoire performed by artists who can be young trailblazers or legendary musicians. A highlight of this summer’s season is the debut of the new Wander series, which moves musicians and audiences between different works of art installed at the art center

Stravinsky's "The NIghtingale" sets a simple but thoughtful Hans Christian Anderson tale to music. Production values sizzle. With Schoenberg's "Erwartung," the setting of the psychologically-driven soliloquy is switched from forest to hospital. The use of dancers as mute characters adds depth and diversity to the narrative.

“Rusalka” ranks as Dvorák’s most popular opera and with good reason.  Applying Wagnerian principles with leitmotifs and in sung-through fashion, it also draws from Czech folk music.  The thoroughly romantic, luxuriant music possesses extractable set pieces of compelling melody and emotion.  The fairy tale story draws on several sources, mixing light and dark, with a resulting dramatic outcome.

In his first season as artistic director Alan Paul has selected the 1995 play by Pearl Cleage. Set during the Harlem Renaissance its a good but not great play given a flawed production directed by Candis C. Jones for Barrington Stage Company.

The Law Of The Heart, an ancient scroll, speaks of the Three Treasures:  The Way, The Teacher, and The Scripture. Each plays an important role along the spiritual path we walk.

Claude Debussy sought a prospective opera libretto in which characters seemed out of place, out of time, and only half disclosed. For “Pelléas et Mélisande,” he found his soulmate in future Nobel Prize winner Maurice Maeterlinck, whose opaqueness suited Debussy so well that he adapted the playwright’s work almost verbatim. The result was a turn-of-the-century landmark - Debussy’s only completed opera.

The power of Fences derives from the mastery with which August Wilson conflated the mojo of the blues with the paradigms of Greek tragedy. This play is as intricately structured as works by Sophocles and Aeschylus. While rooted in the African American culture of Pittsburgh, Wilson was at heart every bit a classicist.

The beauty of art and the tragedy of the climate crisis live side by side in a stunning new exhibit at the Design Museum of Chicago. Some 30 pieces ranging in size from framed art to wall-length tell the story of why we are “At the Precipice” in this record-breaking hot and stormy summer of 2023.

The uniqueness of Santa Fe Opera's facility and setting make for a stunning visualization of Monteverdi's early masterpiece. With the back stagewall initially open to nature, the scenario begins in literal and figurative brightness; followed by a threatening storm in the mesas behind; leading to brutal darkness on stage with deliciously harsh lighting effects. Modern orchestration smooths the Baroque edges of the music.

 Margaret Swan’s solo exhibition Flow investigates the duality of free-flowing forms versus structures of containment, choreographing an elegant dance between the two. The fluid, curving planes of her polychrome aluminum sculpture suggest movement, while contrasting latticed frameworks create tension and a sense of restraint. The final effect is that of water passing through nets or vessels—triumphantly finding its own way.