Berkshire Eagle

At 93 Eric 'Enrico' Lumet lived a long and remarkable life. Brilliant. witty and talented he would belt out arias. Born in Austria and interned in Mussolini's Italy he wrote two books about that childhood experience with his mother. Denied education by the Nazis he was home schooled and tutored. He spoke five languages which he used when he and his wife "Cookie" traveled extensively. He was a much admired member of the Berkshire International Club.

We announce the lineup for our popular Berkshire Jazz Showcase, a free event on Pittsfield’s First Street Common Saturday, July 8, 1-5pm.  

In The Memoir of a Female Soldier, a novel by Jan Lewis Nelson, Deborah takes quill pen in hand to tell her story. A wife and mother disabled by her war wound, her petition for a veteran’s pension ignored by Congress, and the victim of media misinformation, she became the first American woman to do a lecture tour. She won respect as the man she wasn’t, but sought respect for the woman she was.

Barrington Stage Company announces that Founding Artistic Director Julianne Boyd will be honored with The Berkshire Nonprofit Awards Lifetime Achievement Award from The Nonprofit Center of the Berkshires, in partnership with The Berkshire Eagle on May 23.

The jazz scene is alive and well in the Berkshires, as the Berkshire Eagle points out in this deep-dive by Bob Luhmann. Some history and a good look at the current scene combine to provide context for the Pittsfield CityJazz Festival, April 23-May 1

Iphigenia, an opera is a cross generational collaboration between 88-year-old jazz legend, Wayne Shorter and the much younger and widely acclaimed performer/ composer esperanza spalding. It was an eight year project that was particularly intensive this past year. After a residence it was presented as "an open rehearsal and work in progress" at MASS MoCA over two nights. It's debut will occur in Boston at ArtsEmerson on November 12 and 13. It will travel from there.

A special concert will cap this weekend on Sunday, Oct. 24, when pianist Ted Rosenthal performs his unique interpretations of George Gershwin compositions. Highlighted by his innovative treatment of the legendary Rhapsody in Blue, Ted’s repertoire for this first “tea time jazz special,” is collectively known as Rhapsody in Gershwin.

As an institution that seeks to unite people and communities by celebrating cultural diversity in dance, Jacob’s Pillow has an ongoing responsibility to challenge white supremacy and to disrupt systems of bias and oppression. For the Pillow, this includes bringing under-recognized artists and stories to our stages, including Black, Indigenous, and people of color (BIPOC), people with disabilities, and LGBTQIA+ artists, as well as increasing support to women choreographers and leaders of companies, and ensuring that people of color who have historically had limited or restricted access have robust opportunities to present, study, and develop work. 

In a normal season the Hancock Shaker Village, which was founded sixty years ago near Pittsfield, is open from April through December. With spring planting and the birth of livestock this is a busy time of year. The annual Baby Animals Festival draws some 20% of annual visitation and 15% of earned revenue. We spoke with director Jennifer Trainer Thompson about strategies to function during the pandemic.

The conventional wisdom is that everyone is a critic. Which is an insult to those of us who pursue the difficult and complex craft. Why on earth would I give a fig about the year end movie list of former president Obama? I don't dabble in politics or take up brain surgery as a hobby. Having an opinion, and posting on social media, does not make you a critic.

Many artists and friends attended the opening of my exhbition "Then and Now: Analog to Digital" at Real Eyes Gallery in Adams, Mass. For the occasion I wore my Senegal robes. That reflected the exotic nature of the work. Music was performed on electric sitar and percussion by Nana Simopoulos and Caryn Heilman. There were lively dialogues about the work anticipating an artist's talk on Saturday, November 23 at 4 PM.

In 1967-68 Steve Nelson was the manager of the legendary rock and blues club The Boston Tea Party, and later ran The Woodrose Ballroom in western Mass. In his memoir Gettin’ Home: An Odyssey Through the ‘60s, he recalls the long and winding journey which took him from high in the Andes to become the foremost producer/promoter of concerts by The Velvet Underground. He will read from his book and chat about those times on Thursday, June 20 at 5:30.

The Oldcastle Theatre season in Bennington, Vermont starts on June 7 with Red by John Logan. The 48th season features four plays through October 20.

The current exhibition at Gallery 51 “Reconnecting: MCLA Alumni Show” is eclectic, fun, and here and there, somewhat whimsical

Several years ago The Fenway Motor Inn, morphed into the boutique, rock themed, Verb Hotel. David Bieber was commissioned to provide vintage memorabelia from his vast archive. Since then, with a small staff, he has been unpacking and cataloguing the collection. He also worked with the late Stephen Mindich to archive The Phoenix material at Northeastern University. Bieber discusses an era in the counterculture of Boston when there was a community of music makers, promo men, writers and DJs. Rent was cheap compared to now and we were living large on other people's money.

Brian Coleman has published several successful books on hip-hop. The latest of which is a picture book “Buy Me Boston: Local Ads and Flyers, 1960s – 1980s, Volume 1.” It is compiled from thousands of scans of pages of vintage publications.

Recent IRS filing reveals that when former Berkshire Museum director, Van Shields, abruptly departed he was given $92,000 in two payments. The second is due in January. There are also figures for the costly legal battles that resulted in selling 22 works of art to raise $53.25 million. From July 1 to Dec. 31, 2017, the museum incurred $1.6 million in legal costs. In April it paid off the full $1,852,426 outstanding balance on a $2 million line of credit.

Since April, 2017 the superstar pianist, Lang Lang, has been recovering from an injury to his left arm. In a scheduling coup he returned to performing last night during Opening Night of the BSO's 2018 season at Tanglewood., He was adored by the audience which was rewarded by sublime encore of Copin. Andris Nelsons conducted an evening of Mozart and Tchaikovsky.

The Barrington Stage world premiere of the musical Royal Family of Broadway has earned mostly positive reviews. It has been treated as a work in progress potentially bound for Broadway. The team assembled for this production have been there before. Because of a devastating review by Jesse Green in the New York Times that may not happen. While Green is an established, and well qualified critic, is it the role of the Times to nip in the bud regional productions being developed for a run in New York?

In a tersely worded press release, offering no explanation, the Berkshire Museum announces parting ways with its controversial director, Van Shields. He was hired in 2011 and presided over the decline and potential extincton of the museum. His strategy to sell key works from the permanent collection and launch his New Vision was met with protest and global media attention. Some will praise him for "saving" the museum and endowing its future. For others he leaves behind a pariah shunned by other museums. His departure and potenial board restructuring are essential as the museum mends fences and fine tunes drastic plans for renovations and gimmicky reinstallatons.

The Norman Rockwell Museum in Stockbridge has just launched “Keepers of the Flame: Parrish, Wyeth, Rockwell and the Narrative Tradition.” During a recent press preview we enjoyed an unencumbered view of the scholarly and superbly installed exhibition. Founding director, Laurie Norton Moffatt, discussed what the Rockwell legacy means in light of the controversy of the sale of two of his works by the Berkshire Museum. One of those works "Shuffleton's Barber Shop" was acquired by George Lucas who is loaning it to the Norman Rockwell Museum for the next 18 months.

A compromise is a deal that neither side is happy with. Other than a few hard fought concessions the Berkshire Museum will now gut the museum and its collection in pursuit of its vulgarian, populist New Vision. It's tarnished leadership, including director, Van Shields and board president, Elizabeth McGraw, will have a tough job earning back the trust and support of a community which they so adroitly alienated.

Celebrating the 100th anniversary of the birth of Leonard Bernstein there will be extensive programming of his music during the 2018 Tanglewood season. As has been the case in recent years James Taylor returns. There is extensive programming of popular artists in the shoulder seasons before and after the residence of the Boston Symphony Orchestra. Highlights include Roger Daltry and Tommy, Steve Miller, Peter Frampton, Judy Collins, Steve Stills, Bela Fleck, Andy Grammer, Steve Martin and Martin Short among others.

A decision on an appeal by Attorney General of Massachusetts, Maura Healey, to halt the sale of 40 key works of art at Sothebys on behalf of the Berkshire Museum will be decided by the end of January. Van Shields, now on medical leave as director of the museum, and board president, Elizabeth "Buzz" McGraw, announced their $60 million plans for a New Vision in July. What started as a local story has morphed into national and global coverage. The outcome of this unethical attempt at deaccessioning by a pariah museum may have a game changing impact on the mandate of all American museums' commitment to preserve and conserve collections for future generations.

Relying primarily on published sources Felix Salmon in the New Yorker has reported on the deaccessioning and New Vision of the Berkshire Museum. As Solomon states “The story of the Berkshire Museum is more than one about a second-tier local institution selling off some art. It’s a story about how fragile museum-industry norms are, how unaccountable a museum director can be, and how much destruction can be wrought during a single secret trustee meeting. (The museum’s new P.R. representative, Carol Bosco Baumann, declined repeated requests to make anyone from the museum available for an interview.)” This is consistent with the museum's bunker mentality of playing hard ball with the media.