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Charles Giuliano

Bio:

Publisher & Editor. Charles was the director of exhibitions for the New England School of Art & Design at Suffolk University where he taught art history and the humanities. He taugh tModern Art and the Avant-garde for Metropolitan College of Boston University. After many years as a contributor, columnist and editor for a range of print publications from Art New England, Art News, the Boston Phoenix, the Boston Herald Traveler and Patriot Ledger, to mention a few, he went on line with Maverick Arts which evolved into a website.

Recent Articles:

  • Boston Globe Shrinks Fine Arts Coverage Front Page

    Eliminating Cate McQuaid's Weekly Gallery Column

    By: Charles Giuliano - Sep 21st, 2016

    Bad news continues for the arts community. The Boston Globe has announced that it is elminating Cate McQuaid's weekly gallery column. Kington Gallery is circulating a petition to have the vital coverage reinstated.

  • Life Sucks by Aaron Posner Front Page

    Chicago's Lookingglass Theatre

    By: Nancy Bishop - Sep 21st, 2016

    Life Sucks is Aaron Posner’s sort-of adaptation of Anton Chekhov’s Uncle Vanya, that often-performed masterpiece in which members of the rural bourgeoisie loll about, falling in love with the wrong people and longing to change their miserable lives. What is the play about? Love, longing and loss, as the characters tell us in their prologue. The basic elements of the human condition.

  • St. Germain at Barrington and Theatre Works Front Page

    Revival in Pittsfield and New Einstein Play with Richard Dreyfuss in Hartford

    By: Charles Giuliano - Sep 20th, 2016

    Since 2009 when Freud's Last Session opened at Barrington Stage there have been annual meetings and numerous e mails with playwright Mark St. Germain. We met recently at Dottie's for brunch to talk about current projects. In Pittsfield there is a revival of Camping with Henry and Tom. At TheatreWorks in Hartford is a production of Relativity about Albert Einstein that stars Richard Dreyfuss. He is also adapting Freud, which has had 200 plus global productions, as a screenplay. He ranks at 14 on the 2016 list of most produced American Playwrights. That does not include his global productions.

  • Circle Mirror Transformation Front Page

    Annie Baker Play at Florida's Area Stage Company

    By: Aaron Krause - Sep 20th, 2016

    The plays by the 35-year-old Pulitzer Prize winner, Annie Baker, can be long, and with their pregnant silences, exasperating for audiences. Patience, however, is rewarded by enduring Circle Mirror Transformation which is having its regional premiere at the renowned Area Stage Company in Coral Gables, Florida.

  • Puppy Word

    Mondo Cane

    By: Melissa Cummings - Sep 20th, 2016

    Puddle hopping with puppy at the market.

  • Squat Word

    Assume the Position

    By: Melissa Cummings - Sep 19th, 2016

    Visiting the frog pond.

  • Northeast for Three Days Word

    Autumn Sonata

    By: Melissa Cummings - Sep 19th, 2016

    An autumn sonata.

  • Gutenberg the Musical Front Page

    Florida's Sol Theatre

    By: Aaron Krause - Sep 19th, 2016

    Audience members play a pivotal role in any show, but especially this one. That’s because the fate of a musical by characters Doug and Bud rests in the pocketbooks and banks of the producers.

  • Charles Giuliano Podcast Front Page

    Reading at Gloucester Writers Center

    By: Charles Giuliano - Sep 18th, 2016

    As a part of a week-long residence at Gloucester Writers Center there was a well attended reading. Introduced by multi-media artist, Jay Jaroslav, Charles Giuliano launched his third book of poetry Ultra Cosmic Gonzology. The reading was recorded by Center dirtector and filmmaker Henry Ferrini. We have a link to the reading which is archived by the Center.

  • What Of It Word

    Well You Might Ask

    By: Charles Giuliano - Sep 17th, 2016

    No longer afraid of Edward Albee.

  • Fortune's Ire by Ramon Guillermo Front Page

    At Miami's Storycrafter Studio

    By: Aaron Krause - Sep 17th, 2016

    The captivating play Fortune's Ire by Ramon Guillermo is on stage in North Miami’s intimate Storycrafter Studio space, through September 25. It is a finely acted and directed production. It begins with an interesting but seemingly harmless premise: A woman who claims to be suffering from amnesia steps into a psychologist’s office to receive help in figuring out her identity.

  • '62 Center at Williams Announces Its Program Front Page

    Launching Twelth Season

    By: Williams - Sep 16th, 2016

    The ’62 Center for Theatre and Dance unveiled its twelfth season of diverse and challenging theatre and dance programming for the Williams College community and beyond.

  • Lean Harvest Word

    Corn Ending Early

    By: Charles Giuliano - Sep 15th, 2016

    Local corn comes in early August and runs through frost. Not this year. Heat and drought nixed it. Local farmer is closing down early and calling it quits.

  • Sam Shepard's True West Front Page

    Chicago's Shattered Globe Theatre

    By: Nancy Bishop - Sep 15th, 2016

    In Sam Shepard's True West the duality of emotion lies in wait in every aspect of our tense two hours with brothers Lee (Joseph Wiens) and Austin (Kevin Viol). They compete and collaborate, love and hate, drink and work, reminisce and prevaricate.

  • Susan Erony: Scribe as Artist Front Page

    Transcribing Text Into Images

    By: Charles Giuliano - Sep 13th, 2016

    Working in sessions of four hours, word by word, days turned into months as Susan Erony transcribed the 635 page text of The Maximus Poems by Charles Olson. The resultant work has been exhibited in Gloucester but deserves to be more widely known. She is preparing for an exhibition at Gloucster's Trident Gallery. She took a break to discuss the role of text in her practice as a visual artist.

  • The Lion, the Witch, and the Wardrobe Front Page

    By C.S. Lewis; Adapted by Adrian Mitchell, at Stratford Festival

    By: Herbert M. Simpson - Sep 13th, 2016

    Stratford’s lovely production is enormously imaginative. The stage-creature that is Aslan, the holy lion, is inhabited by three men and made up of five separate segments which move fascinatingly together.

  • Two Lennys Word

    Bruce and Bernstein

    By: Charles Giuliano - Sep 12th, 2016

    During the post war era conservative America struggled to establish a vibrant culture. Two Lennys, Bruce and Bernstein, were in the thick of it but with enormous differences. Both, however, proved to have direct impact on my formative teenage years.

  • Sondheim's A Little Night Music Front Page

    Stratford Festival of Canada to October 23

    By: Herbert M. Simpson - Sep 12th, 2016

    Gary Griffin has established himself internationally as an exciting director and re-thinker of staging musicals and has created a streamlined but very elegant production with Stratford’s great ensemble. This is really a wonderful revival.

  • Invasion of Privacy by Larry Parr Front Page

    Florida's The Abyss Stage

    By: Aaron Krause - Sep 12th, 2016

    Pigs Do Fly Productions is a small theater company that has, until this point, produced short plays featuring characters over age 50. “Invasion of Privacy” is its “first foray” into a full-length play, founder and artistic director Ellen Wacher announced before Saturday evening’s performance.

  • Globe and Times Shrink Arts Coverage Front Page

    Direct Impact on the Berkshires

    By: William Marx. - Sep 11th, 2016

    In the ever eroding realm of print journalism yet again the deep cuts are to the arts. Berkshire theatre companies, Tanglewood, Jacob's Pillow, and museums have long relied on reviews by the New York Times and Boston Globe. As of now the Times is eliminating "regional" coverage which includes the Berkshires. In the western part of the state the arts in the Berkshires are likely to get far less attention from the Boston Globe. With its emphasis on "national" coverage the Williamstown Theatre Festival this season moved opening night from Thursday to Saturday in a perceived snub to "local" reviews including timely blogs. Other than the Eagle they also diminished access for interviews and elminated press conferences. Those polices may come back to haunt arts organizations next summer.

  • Gloucester's Song of Milarepa Word

    Excavating Cultural Legacy

    By: Charles Giuliano - Sep 10th, 2016

    Seeking enlightenment Milarepa was tasked by his master to tunnel through a mountain. Elightenment would be revealed at its other side. Digging is actually its own reward. This describes the process of probing deeply into the richness of Gloucester an endangered polis by the sea.

  • Boston’s The Verb Hotel Front Page

    Displays Bieber Collection of Rock Memorabelia

    By: Charles Giuliano - Sep 10th, 2016

    After graduation from the BU School of Journalism David Bieber found that the only way to research and promote rock music was to collect the material. Soon his apartment was cluttered with thousands of albums and related detritus. It is the foremost archive of a formative era when Boston emerged as a major matrix for contemporary music. Now highlights of the Bieber Collection have been installed at Boston's The Verb Hotel.

  • Love’s Labor’s Lost Front Page

    Old Globe’s Lowell Davies Outdoor Festival Theatre

    By: Jack Lyons - Sep 10th, 2016

    Director Marshall nicely controls the on stage silliness that frothy, light Shakespearean rom-coms deliver to audiences while at the same time providing the actors the opportunity to enjoy themselves. When they have a good time we have a good time.

  • Vincent's Crib Word

    Retreat by the Sea

    By: Charles Giuliano - Sep 09th, 2016

    It was a productive week at the Gloucester Writer's Center. Astrid completed four new artist's books assembled from cutouts of her photographs. Surrounded by the unique library I read deeply into Gloucster and wrote related poems.

  • Gregorian by Matthew Greene at Walkerspace Theatre Front Page

    Armenian Genocide Based Drama

    By: Edward Rubin - Sep 09th, 2016

    Gregorian, Matthew Greene’s latest play, produced by Working Artists Theatre Project at the Walkerspace Theater, digs deep into the painful history of the Armenian people, examining the century long effects of the 1915 genocide on four generations of the Gregorian family, in which the Ottoman Empire slaughtered 1.5 million Armenians.

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