On a night that was colder than a witch's tit the faithful packed the pews of Zion Lutheran Church in Pittefield. We gathered for the fourth annual Berkshire Theatre Awards. Because the heating system failed baby it was cold inside. But an evening in honor of great theatre proved to be a stellar and heart warming occasion.

Larry Neumann Jr. is known as one of Chicago’s finest character actors. I have seen him in a wide variety of roles in the 30-plus years I’ve been a Chicago theatergoer and critic. We met at a coffee shop on Irving Park Road near his rehearsal location. It was fun to get reacquainted with Larry and talk about this new role and his career.

Manon Lescaut holds some curious distinctions within the Puccini canon. Chronologically, the third of his nine full-length operas, the first two were failures. This was his only opera lauded at its conception by critics and audiences alike.

The Lincoln Center White Lights Festival is presenting DruidShakespeare: Richard III, directed by the inimitable Garry Hynes. This play is odd for Shakespeare, who later would carefully etch the development of each character. Here we immediately meet Richard. Hynes has Aaron Monaghan rise from the grave into which all, or rather most of the people he murders or sets up for death, get dumped over the course of the evening.

Many artists and friends attended the opening of my exhbition "Then and Now: Analog to Digital" at Real Eyes Gallery in Adams, Mass. For the occasion I wore my Senegal robes. That reflected the exotic nature of the work. Music was performed on electric sitar and percussion by Nana Simopoulos and Caryn Heilman. There were lively dialogues about the work anticipating an artist's talk on Saturday, November 23 at 4 PM.

Taking the stage for a “blow-out” sold-out performance, both Massachusetts-area country singers Annie Brobst and her band and Samantha Rae with Whiskey-6 delivered an over-charged performance from the heart. Full throttle voices reminded the Hard Rock Café audience of the importance of funding research for women’s cancer.

I spent a long weekend in New York, including a meeting of the American Theater Critics Association. Busy days but time for theater at night, of course. Somehow I managed to stay on Broadway (or close) for five plays. Here are mini-reviews of the plays I saw.

An exhibition of Vietnam protest paintings by Arnold Trachtman was censored and closed by the admninistration of Harvard University. We remounted it at the Institute of Contemporary Art then on Soldier's Field Road. That formed a professional and personal relationship. He was a part of a niche of major Boston artists that existed out of the mainstream, Yesterday he passed away in Cambridge at 89.

Victoria Bond's Clara on the life of the pianist and composer who was married to Robert Schumann premiered at the Easter Festival in Baden-Baden Germany last spring. The German Forum offered a concert version in New York. It is a superb exploration of this important musician.

Located in the belly of the beast the annual Anerican Theatre Critics Association New York conferences consistently feature superb programming. The best and brightest of American theatre are as accessible as a phone call and cab ride away. This year a day of panels were held for some 60 national members and guests at the new MCC theatre complex. Where else can you encounter a Pulitzer winning playwright interviewed by a fellow Pulitzer Prize winner. The panels. convened from 9 to 5, were varied, provactive and galvanic.

The Master Illusionist, Derren Brown, currently excites audiences at the Cort Theatre on Broadway with his extra ordinary performance in SECRET. He and his show have been imported from London's West End and promise sold out performances for a very long time. Who would not like to be thoroughly entertained and perplexed at still reasonable Broadway prices?

Will Arbery’s Heroes of the Fourth Turning has more religious, personal, and political exposition (read talk) than many a mind can absorb at one sitting, The play is essentially a snapshot of the current divisive state of affairs in this country.

Queen Mary I is infatuated with the Scottish adventurer Fenimoore, who is in love with Clothilde, who in turn loves Ernesto. Romance and political intrigue are treacherous bedfellows in this opera based on Victor Hugo’s play about Mary Tudor. A remarkable and largely forgotten opera, its expressive vocal characterization paints an unforgettable portrait of a Queen and the repercussions of her indulgence in an unwise love. Presented as a fully-staged production in Italian with English subtitles. Libretto by Leopoldo Tarantini.

Several years ago, 2015 Pop Songwriter of the Year Ross Golan, who has written for Ariana Grande, Maroon 5, Michael Bublé, and many more, developed a concept album called The Wrong Man. The project morphed into a one-man theatrical show that won Ovation Awards in Los Angeles. Now, a compelling, fully-formed, dark, rock opera appears Off Broadway.

Michael/Dorothy comes alive on Broadway. The updated book by Robert Horn in the musical version of Tootsie shifts the action from the soap opera world to that of Broadway and improves the narrative and dynamics. David Yazbeck’s pop score with sparkling and penetrating lyrics adds another dimension with a sharper focus on female empowerment.

This mind-bending drama is performed by a great, almost all-British cast headed by two of contemporary theater’s most renowned artists. Jonathan Pryce is André, the father. The equally formidable Eileen Atkins plays his wife.

When Marisa Tomei developed her role in Rose Tattoo at Williamstown Theatre Festival Mandy Greenfield made sure that she was off limits to local critics. That made it all the more exciting to get up close and personal with the her during the annual ATCA lunch at Sardi's. We also enjoyed quality time with the outrageous Charles Busch. He proved to be accessible, charming and down the earth.

I was invited to a 'pop-up' John Hiatt show the Noho section of Manhattan. It was a solo rooftop performance.

Boston’s country singers Annie Brobst & Samantha Rae are behind the Country Women for Women’s Cancer Benefit at Hard Rock Café. The sold out event will occur on Saturday, November 2 at 8PM. The fundraiser will help the Susan F. Smith Center Dana-Farber Cancer Institute.

Jazz entrepreneur Fred Taylor has passed at 90. He never retired producing concerts and programming for the Cabot Theatre in Beverly. Not surprisingly his yet to be published autobiography, a collaboration with Richard Vacca, is titled What and Quit Show Business. Taylor booked Boston's Jazz Workshop/ Paul’s Mall from 1963 to 1978. From 1991 to 2017 he booked Scullers Jazz Club and produced the Tanglewood Jazz Festival from 2001 to 2007.

Some flaws exist in this production of Billy Elliot directed by Gabriel Barre and choreographed by Marc Kimelman. Barre has changed a few things from the original show and overall they work,

The play by Robin Glendinning is based on fact. Monsignor Hugh O’Flaherty, the first Irish priest to hold the title of Notary of the Holy Office, spent WWII at the Vatican, where he proved to be a man of action.

During a recent visit to the Museum of Fine Arts a school group was inappropriately treated in a blatantly racist manner. That has caught the museum, and its director Matthew Teitelbaum, in the cross hairs of media whiplash. There is a shameful legacy of racism and anti Semitism at the MFA. It will take decades to make appropriate changes.

White Lights Festival at Lincoln Center brings bunraku Puppet Theater from Japan to The Rose Theater. Hiroshi Sugmoto, an artist of many disciplines, has updated Chikamatsu Monzaemon’s Love Suicides at Sonezaki. Monzaemon was Japan’s Shakespeare and first to advance the notion that lovers whose relationship could be realized in this world could find happiness in a Buddhist paradise.

Repertorio Espanol Presents The Brief Wondrous Life of Oscar Wao based on the novel by Junot Diaz. It is written and directed by Marco Antonio Rodriquez. The Pulitzer winning novel (2008) creates a painfully socially dysfunctional character. A young Dominican man armors himself within the world of sci-fi fantasy in order to weather the difficult process of assimilation. The story is as much a tale of one man's unbearable loneliness as it is a metaphor for the scars and trauma of ruthless dictatorial oppression, social fragmentation, ultimate immigration and assimilation.