While many during the Golden Age of WBCN had their heads in the clouds former station manager, Al Perry, had his feet on the ground. Somebody had to stay straight and pay the bills. He is a talking head in Bill Lichtenstein's documentary film WBCN: The American Revolution.

William Christie and his Arts Florissant created two dance/opera entertainments by Jean-Philippe Rameau at the Brooklyn Academy of Music. As usual, this group sells out in New York and it is easy to see why. Christie conducts with poise and precision. He enlists a first rate ensemble of musicians to perform period music. To this is added stylized dance and gorgeous operatic voices. In the second one act dance/opera, La Naissance d'Osiris, we saw and heard a divertissement of dances, the gavotte, sarabande and minuet among them.

Bridget Kibbey is a superb musician on her instrument of choice, the harp. She was joined by two friends on violin and flute/recorder to perform J.S. Bach, C.P.E. Bach, Orlando de Lassus and Tarquinio Merula in Merkin Hall at the Kaufman Center in New York. The event was hosted by Terrance McKnight of WQXR.

The production mounted at the Met thirty years ago is to be replaced, under the injunction: if it's not broken, break it. Sonja Friseli's Aida is perfect and satisfies audience members of all ages and all hues. Why should a new one be created? If you are having financial troubles, spend more in the wrong place?

“GLORY: A Life Among Legends” is a testament to “the power of art, to the power of commitment, to the power of education, and how taken together they can change a culture.”

Chimpanzee is a delightful and superlatively moving account of memories and dreams re-captured in captivity by a primate. Nick Lehane has created this compelling portrait. From the moment lighting director Marika Kent takes us from blackness into the light on the Chimpanzee, graceful light gestures, and some searing white light suggest the chimp's changing moods as does the soundscape by Kate Marvin.

La Jolla Playhouse presents a new musical about Diana and Charles who as heir to the British throne, at 70, is still waiting. For global fans she was a fairybook princess in real life.

Boston Lyric Opera’s production and interpretation of Benjamin Britten’s contemporary tragic opera “The Rape of Lucretia” is once again an example of a willingness and commitment to perform dramatically intense and socially relevant subject matter.

Sean O’Casey’s play, The Shadow of a Gunman, now on stage at Irish Repertory Theatre, tricks us into thinking this might be a comedy about drunken and verbose Irishmen.

Crossing Delancey is heartwarming and life-affirming at the Levis JCC Sandler Center Theater at the J. The stage version of this well-known story is the source material for the 1988 movie starring Amy Irving. The play is faithful to the film, but different. Cast members and behind-the-scenes folks excel in their work on the production in Boca Raton.

Mother Road by Octavio Solis is produced by Oregon Shakespeare Festival and plays in repertory at its August Bowmer Theatre in Ashland, Oregon through October 26, 2019. The tone of Mother Road successfully drifts between realism and dream state, between drama and comedy.

Hairspray challenges prejudices against women who lack an idealized body type and pushes for racial integration and acceptance of non-binary genders. It slyly and adroitly conveys its message even to conservative audiences through an entertaining package of sympathetic characters and shared enjoyment.

Man of La Mancha acted and sung with all the passion it can arouse, is revived by the Compass Rose Theater in Annapolis, Maryland. It is a treat. While its score may be Broadway- lite, a reminder that there is hope for humans who dream is a welcome.

Recently, WBCN: The American Revolution had its first public screening at DC Independent Film Festival. It was judged Winner Best Documentary 2019. Bill Lichtenstein launched the project in 2009. There was at the time no archive dedicated to the legendary alternative rock station. Now there is as the film conflates talking heads, images, sound tracks and vintage footage. More than a radio station, WBCN provided the sound track and social media platform for the coming of age of 250,000 college students during an era of war, protest, and a dynamic counterculture.

“CHESS,” is a musical written by three giants of the Broadway stage: librettist Richard Nelson, lyricist Tim Rice, and a musical score composed by two members of the world-famous Swedish pop music group ABBA: Bjorn Ulvaeus and Benny Andersson. It was a glorious evening several years in the making, but the result is a stunning Broadway-like venue of comfortable 208 seats to please even the fussiest of theatre-goers.

Founded shortly after World War I in Germany, the Bauhaus was the most famous and influential avant-garde art and design school in the 20th Century. Its artists, architects, designers craftpersons and students generated a creative, all-encompassing conversation about the nature of architecture, art and design in the modern era. Over the course of its relatively short, 14-year history, Bauhaus was at first located at Weimar, then Dessau, and finally Berlin (closed by order of Nazi Party, 1932). Outside of Germany, Harvard University became the center for all things Bauhaus

Memphis the Musical sizzles in South Florida. Cast and crew shine in mounting by Actors' Playhouse at the Miracle Theatre. The show's themes resonate powerfully. This production features a mix of local and regional talent, as well as a member of the Broadway national tour of Memphis.

Although the first conductors were themselves composers, the wearing of both hats at the helm of a symphony orchestra is always cause for comment. On Wednesday night, the British composer Thomas Adès, who is currently in the new role of "Artistic Partner" with the Boston Symphony Orchestra, led that band at Carnegie Hall in a program featuring the New York debut of his Piano Concerto.

DeSotelle Studios is committed to doing staged readings of eight Shakespeare plays in eight months. Richard II seems perfect for this form. Perhaps no Shakespeare play rests more securely in its lyric laurels. Rhymed couplets and parallel constructions abound for listening pleasure. The cast took full advantage under Katrin Hilbe's direction.

Nantucket Sleigh Ride by John Guare is a revised version of an earlier play, Are You There, McPhee?, produced at McCarter Theatre at Princeton in 2012. It’s a farce, a puzzle and a jumble of pop culture references with a lot of laughs, and may leave you feeling unglued.

Now retired, professor John Hochheimer of Southern Illinois University, recalls undergraduate years at Boston University’s then progressive station WBUR. He started as a high school volunteer in New York at WBAI. During sophomore year at BU, in 1968, he started at WBUR. He was influenced by the free form programming of Tom Gamache, AKA Uncle T. Rock archivist, David Bieber, was a friend and flat mate. He once spent five hours on air with David Bowie and became friends with B.B. King and Elton John. The programming staff was fired not long after John Silber took over at BU in 1971.

Huntington Theatre Company announces the lineup of the 2019-2020 season, featuring three world premieres, a Pulitzer Prize-winning play, a classic Tony Award-winning comedy by one of the world’s most celebrated playwrights, and two adaptations of powerful literary works.

The current exhibition at Gallery 51 “Reconnecting: MCLA Alumni Show” is eclectic, fun, and here and there, somewhat whimsical

Concerts at Saint Thomas continue their 2018-19 season with a guest performance by the acclaimed Choir of King’s College, Cambridge at Saint Thomas Church Fifth Avenue. This marks the choir’s final North American tour with current Director of Music Stephen Cleobury, who will retire after 37 years in September. His position will be filled by current Saint Thomas Organist and Director of Music Daniel Hyde.

Start with a shipwreck and twins tossed up far apart on a beach. Each assumes the other to have drowned. Add a bit of gender bending and a gaggle of outlandish characters and fools. Stage a bit of slapstic and add a welter of romantic subplots. Set it in New Orleans and serve Twelth Night as a spicy hot gumbo. From now to April 28 at Boston's Lyric Stage.