Graves are marked with sticks crossed. They seem to bend in the movement of the professional mourner and his followers. Light is spotted from the ceiling, sometimes two spots and at others six. The lights rhythmic entrances and exits fit perfectly with incessant beats of the feet. The brilliant South African choreographer Gregory Vuyani Maqoma has adapted Zakes Mda’s novel Cion.

Steven Dietz was among the five most produced playwrights in America during 2019. And now his latest play “Bloomsday,” is on stage at North Coast Repertory Theatre (NCRT), making its Southern California debut.

A national equity tour of Aladdin features spectacle and substance. Aladdin continues to enthrall with its magic and visuals. The Disney show is making stops in Florida.

Jennifer Zetlan gets a full opportunity to display her extreme force of nature in voice and acting in Ricky Ian Gordon’s Ellen West. The work premiered at Opera Saratoga last summer. Cast changes have been made. The distinguished Nathan Gunn takes on multiple roles. He is featured as the doctor, based on Ludwig Binswanger who wrote the classic case study of his patient whose pseudonym was Ellen West.

This year another Dutch film is in the Oscar hunt. It is a powerful, psychological, provocative thriller called “Instinct”. It’s set in a prison where a newly arrived, experienced psychologist Nicoline, (rivetingly played by Carice van Houten) is assigned to the case file of serial sex offender Idris (a clever psychopath scarily portrayed by Marwan Kenzari).

Jo Sandman: The Photographic Work on view February 8–June 7, 2020 at the Fitchburg Art Museum explores Sandman’s turn to photography in the 1990s.

Noura constitutes playwright Heather Raffo’s admirable contribution to the confrontation between assimilation and tradition faced by foreign born in American life. The title character and her husband immigrated to the U.S. eight years before the time of the play.

The Palm Springs International Film Festival (PSIFF), the third-largest film festival in America, began in 1989 as the dream of then Hollywood celebrity turned politician and former Mayor Sonny Bono, who had a dream of making his city a focal point for the motion picture industry by launching an annual film festival.

We look forward to theatre in the coming months. This is what is scheduled for Connecticut.

Barrington Stage Company will present two World Premiere musicals and new productions of a Tony Award and Pulitzer Prize-winning musical classic, a Tony Award-winning musical revue, and a Pulitzer Prize-winning play. BSC will also perform outdoors for the first time with free performances of one of the company’s World Premiere musicals and featuring the company’s popular Youth Theatre.

Danielle Birrittella, the co-creator of Magadalene, has a rich, inventive lyrical delivery of the poet Marie Howe's words. She dares to explore the divide between feminine and erotic in Magdalene, a work having its world premiere at HERE in New York.

Iron & Coal is a live rock show presented as part of the Prototype Festival at the Gerald Lynch Theater in New York. The title refers to an iron will to survive, but also to the charred emotions that remain after a concentration camp incarceration. The songwriter Jeremy Schonfeld tells the story of his father’s arrival in America at 11. He searched for his place in our sun, and especially to answer the question: for what purpose did I survive when so many others did not.

American Son is a gripping tragedy about race in America today. Chistopher Demos-Brown's piece is a multi-faceted play in which marital, paternal and racial conflicts collide. A quartet of actors present impressively natural performances. American Son runs through Jan. 26 in Miami's Adrienne Arsht Center.

Blood Moon is a chamber opera created with consummate sensitivity and skill by a team of artists, including the composer, a passionate appreciator of Noh theater, and the prize-winning playwright, Ellen McLaughlin. One of McLaughlin’s specialties is the adaptation of classic dramas for our time. The composer also likes to jump off from the past, and react to a work created many moons ago in the present now.

The documentary filmmaker, David Sutherland, describes his approach as making portraits. The issues derive from the persona of his subjects which range from farmers, to teenagers coming of age in Appalachia, a battered Native American mother, to the artists Jack Levine and Paul Camus. In the past 20 years he has created 21 hours of film for long form documentaries featured on Frontline for PBS. His three-part series “The Farmer’s Wife” was a PBS hit with 18 million viewers.

In this two part play, that runs more than six hours, Matthew Lopez focuses on the modern generation of gay men whose current acceptance is built on the backs of earlier generations.

“But why did he come to Copenhagen? What was he trying to tell you?” This opening line by the deceased Margrethe Bohr is the entry point of Michael Frayn’s multilayered delight of a Tony-winning Best Play – equal parts science lesson, mystery, biographical drama, and morality play.

Clare Barron’s play is about a crew of 13-year-old girls (and a token boy) from Liverpool, Ohio, who are competing in regional dance contests that could culminate in a trip to YAY! Tampa Bay, Florida!!!! YAAAAAYYYY!

The conventional wisdom is that everyone is a critic. Which is an insult to those of us who pursue the difficult and complex craft. Why on earth would I give a fig about the year end movie list of former president Obama? I don't dabble in politics or take up brain surgery as a hobby. Having an opinion, and posting on social media, does not make you a critic.

Leon Botstein, the polymath conductor, has taken on a delightful series, Sight & Sound, at the Metropolitan Museum of Art. With The Now Orchestra (TON) he offers a musical program which is related to a current exhibit at the Museum.

Representative works from the Rubell Family collection are on view at the Barnes Foundation in Philadelphia. This is the 10th anniversary presentation of 30 Americans which has travelled the country, but have been seen only once before in the eastern United States. The Barnes presentation is striking. The art even more so.

Despite some elements that don’t hold as well as one would like, this play offers worthy ideas, and the production exceeds expectations.

Boca Raton-based Primal Forces presents a riveting production of Villainous Company. Three actresses thrive in their roles. The characters aren't quite whom they claim to be in Victor L. Cahn's suspensful play.

Jack Quartet is in residence at the Mannes School of Music, the New School. They opened their program with Clara Iannotta’s “Dead Wasps in the Jam-Jar." The title is rich with suggestion. Wasps are not bees, but the buzzing was reminiscent of Nikolai Rimsky-Korsakov’s orchestral interlude from "The Tale of Tsar Sultan."

Lucas Hnath is a master storyteller, weaving threads from seemingly odd places into a seamless whole, which always intrigues. Playwrights Horizons has mounted his The Thin Place, in which shifting forms ask deep questions. Some suggested answers are novel.