Barrington Stage Company (BSC),announced today two of its 2015 Boyd-Quinson Mainstage productions – Neil Simon’s Lost in Yonkers and Man of La Mancha.

With holiday gift giving approaching consider this book for your ski enthusiast friends. Wake Forest professor emerita Margaret Supplee Smith combined two loves, skiing and architecture in ten years of research. This has resulted in a lavishly illustrated, beautifully designed book American Ski Resort: Architecture, Style, Experience. It will be an absorbing read both for skiers and armchair enthusiasts. Her overview from the Depression to the current era goes beyond a chronicle of the sport to address social, economic, envirnomental aspects of architetural and design issues of resort development.

From February to May we invited participants to submit photographs and words via email and Face Book representing passages in any way real or imagined. Collaborators expanded the project in amazing and unexpected directions. Here is the resulting digital exhibition:

Sigmar Polke (1941-2010) was one of the most important Post War German artists. He is the subject of a dense, sprawling and and messy retrospective at the Museum of Modern Art through August 3. It would be a folly and conceit to attempt to review such diverse and eclectic, mind boggling work. For that we refer you to mainstream critics all of whom fail, to varying degrees, to nail down the work of one of the most fascinating and daunting artists of our time.

The Christians by Lucas Hnath was the most successful and provocative new play of the Humana Festival in Louisville, Kentucky. There is now a well received New York production. We are reposting the original review.

Huntington Theatre Company announces six productions of its 2014-2015 Season plus one additional title. Continuing its 32-year tradition, the Huntington will present world-class productions of new works and classics made current created by the finest local and national talent. The varied lineup includes a Tony Award-winning Broadway comedy, a thrilling new play set in Boston, a new play by a celebrated local writer that riffs on a beloved classic, a revival of a provocative comedy, a classic American drama, and a topical new play directed by Huntington Artistic Director Peter DuBois, plus the return of visionary director David Cromer (Our Town).

Several months ago we spoke in depth with Joe Thompson about a bill pending on Beacon Hill to grant $25 million toward the final phase of developing the North Adams campus of Mass MoCA. This week, early August, 2014 the bill has been signed by outgoing Governor Deval Patrick a Berkshire neighbor of the museum. Thompson, as he discusses here, must raise an additional $30 million for the project which will take several years.

The Boston Symphony Orchestra’s 2014-15 season shines a welcoming spotlight on Andris Nelsons as he makes hihighly anticipated debut as BSO Music Director, leading performances that feature an eclectic offering of music and an impressive lineup of guest artists, and presenting programs that illuminate touchstone moments in his life as a musician, from his youngest days as a child in Riga, to his present-day stature as one of the world’s most sought-after conductors. When Mr. Nelsons takes on the title of BSO Music Director in September 2014, at age 35, he will be the youngest conductor to hold that title with the orchestra in over 100 years. The fifteenth music director since the Boston Symphony Orchestra’s founding in 1881, Mr. Nelsons is also the first Latvian-born conductor to assume the post.

In collaboration with the Hall Art Foundation a building dedicated to works by the German artist, Anselm Kiefer, will be on view at Mass MoCA for the next 15 years. Combined with the 25 year agreement for the Sol LeWitt building this greatly enhances the museum as America's foremost destination for contemporary art.

The venerable Ufizzi Museum in Florence has tarnished its reputation by packaging works from storage and sending them to four out of the mainstream American museums. We viewed the final destination of the revenue generating tour at the Jepson Center for the Arts in Savannah, Georgia.