The 2017 vintage from Bila-Haut is a very good value. Maybe its the Euro exchange rate,but, these two wines, especially the white are people and party friendly. Michael Chapoutier has a knack for growing the right grapes at the perfect slope. These wines illustrate his mastery.

Playwrights Jeremy Kareken & David Murrell and Gordon Farrell have balanced the piece carefully. This is based on the essay and book by John D’Agata and Jim Fingal. They are the John and Jim of the story. But I suspect details have been changed, in fact it is billed as “a new play based on a true-ish story.” It is a tight 85 minutes enhanced by fine performances.

Jeremy Foss taught painting at Massachusetts College of Art and Design during the 1970s and 80s. It was during the 70s, while Robert Ferrandini was a student at Mass Art, that he and Foss formed a friendship that has lasted to this day. Their exibition Foss & Ferrandini: A Fruitful Friendship will be on view January 4 to 26 at Boston's Gallery NAGA.

What is remarkable about this production directed by Peter Rothstein with music direction by Erick Lichte is both the simplicity and the complexity of the production. There is no set; the stage is a black box. No orchestra or piano accompanies the actors as they sing; it is a capella. The harmonies arranged by Lichte and Timothy C Takach are wonderful.

In flagrant violation of the will of Isabella Stewart Gardner the museum's greatest masterpiece Titian's "The Rape of Europa" has been cleaned for the first time and is about to be loaned for up to two years. She stipulated that “[I]f [the trustees] shall at any time change the general disposition or arrangement of any articles which shall have been placed in the first, second and third stories of said Museum at my death,” then the entire collection, the museum building and property would be given to Harvard University to be sold.

John Adams and his frequent collaborator, Peter Sellars, focused on the Nativity when they created El Nino, a Christmas Oratorio. Handel's Messiah, the most frequently performed music for Christmas, sprawls into Easter. Now we have marvelous seasonal music for our time.

Adriana Lecouvreur was brought to New York most recently in a Carnegie Hall concert by Eve Queller’s Opera Orchestra of New York. Angela Gheorghiu came to sing the diva role and was delicious, both touching and full of haughty allure. When Anna Netrebko expressed interest in the Adriana role, The Metropolitan Opera joined with five partners and hired the stalwart Sir David McVicar to produce.

Despite some apparent opening night issues, Main Street Players delivers a well-done production of Superior Donuts. Tracy Letts' play is sweet, but also has some meat to it. Superior Donuts was a finalist for the 2009 2009 Harold and Mimi Steinberg/ATCA (American Theatre Critics Association) New Play Award.

4:48 Psychosis, an opera by Philip Venables, had its North American premier as part of the Prototype Festival in New York. It feels like exploding moments of Ophelia’s descent into madness. Based on a play by Sarah Kane, and often called her suicide note, musical moments of both beauty and anguish depict emotions leading to death by hanging.

Audience response to The Haunting of Lin-Manuel Miranda, a new entertaining, witty and historically incisive play was unusually enthusiastic. Ismael Reed's work was still in street clothes with scripts in hand. The actors, despite the trappings, delivered their lines with pathos and conviction, and Reed's vision shown through the bare-bones milieu.

Phil and Chris Rose and their five siblings and extended family run and manage this rare family estate in the Marlborough region of the South Island of New Zealand. Besides bottling amazing wines, the winery is hailed as a mecca for local foods, all served in their Cellar Door restaurant. The food was so exquisite that a recipe is included in this article.

A mysterious figure hidden in a huge poke bonnet parades onto the rear of the Mainstage Theater at HERE. She is trailed by figures bearing jeans, an icon of the American West. These are dropped to form a trail, like Hansel and Gretel's candies, leading to the pioneer, Leah Coloff's, seat on stage. Coloff with Ellie Heyman has created a lament modeled on a traditional cowboy ballad.

An older man decides he will read Marcel Proust’s iconic novel. As he reads all six volumes over the course of a year, he responds to Proust and reflects on his own life. And his audience may gain insights into their own too.That’s the sum total of an engaging solo production titled Charlie Johnson Reads All of Proust, now on stage at Chicago's Den Theatre

The Prototype Festival rolls on with a big production at Irondale, a Brooklyn venue which offers a large space and unusual opportunities for audience viewing. The Infinite Hotel by Michael Joseph McQuilken is having its world premiere. This is a rollicking, joyful and often touching production. It is full of surprises.

Death hangs over the exuberant music/drama The Infinite Hotel. Jib sings of the pain of loss from beginning to end. Her music is lifeful, as is the music of Amanda Palmer and Jason Webley who gave new work to this production.

An uneven South Florida mounting of Romeo and Juliet needs more energy. The Bard's poetry mostly fails to land in Florida Shakespeare Theatre's production. Miami-area based troupe finds the humanity of the characters in Shakespeare's tragedy of star-crossed lovers.

Broadway and cabaret star Carol Elaine Channing passed away today at the remarkable age of 97. She originated the iconic lead on the 1964 production of Jerry Herman's Hello,Dolly! It earned her a Tony award for which she was nominated three other times. She was still glamorous and forever young, but pushing 60, when I saw her in the late 1970s at Boston's jazz and cabaret club Lulu White's. That spectacular night evokes many fond memories.

Claude Debussy only wrote one opera. Pélleas et Mélisande (based on a symbolist play by Maurice Maeterlinck) succeeds by destroying many of the conventions of the genre to which it belongs. On Tuesday night, the Met unveiled its revival of Pélleas, another acid test for its new music director Yannick Nézet-Séguin and a younger generation of singers wandering through the hazy, maze-y woods of the mythical kingdom of Allemonde.

Playwright Theresa Rebeck is a master of dialogue and never hesitates to portray the bad manners of her contemporaries. Her 2011 play, What We’re Up Against, just opened as the inaugural production of Compass Theatre, a new Chicago Equity company.

In Awake, K. Lorrel Manning has created a triumphant piece which shakes sensibilities, upturns stereotypes and makes us smile at the sheer conundrum of being human. This is an entertaining , smoothly written and directed script . Nine skits with fifteen players are like leaves in the book of everyday America's s social and political issues as they inhabit our lives.

Dramas such as Frost/Nixon – modern history as theater – present challenges. Those who lived through whatever subject at hand may feel they remember the facts well enough that a rehash will offer little interest. Those who sense there will be a political tilt to the play that doesn’t conform with their own may resist attending. In the case of Frost/Nixon relatively little time is dedicated to the interviews that were on television as part of the public history.

Each year, Piper-Heidsieck, the official Champagne of the Oscars, throws a party to celebrate the nominations. Attending the party is lots of fun. The highlight is always the Champagne.

Brothers Andrew and Tim Davis' appearance as siblings in True West inspired a film-making collaboration. Work is under way on a second feature film even while the first has experienced multiple showings. The Davis brothers have big plans for their One County Film Company.

It’s pure Judith Chapman totally immersed and completely in command within the skin, body movement, quirks, and tics of Tallulah Bankhead that reaches out and grabs the audience turning them into acolytes of an actor who knows how to take the stage and perform her special magic.

In 1955 with funding from select patrons The American Shakespeare Theatre in Stratford, Connecticut was launched. It was the third major Shakespeare festival conflated with the name Stratford, the home of the Bard. Initially there was less competition in the region for its season of summer and student oriented productions. Relying on a few with deep pockets the company failed to seek a broad base of support for its 1600 seat venue and lavish productions. When founding donors died in the 1970s decline set in with the company ceasing operations in 1989. The property was abandoned and decrepit when recently it went up in smoke.