Huntington Theatre

Playwright Lloyd Suh won the Harold and Mimi Steinberg/American Theatre Critics Association New Play Award for his piece, "The Heart Sellers." Jennifer Vosters received the 2024 M. Elizabeth Osborn Award for her play, "Songs Without Words." ATCA presents the honors annually.

Six play finalists are in the running for a major national annual award presented by theater critics. The American Theatre Critics Association annually presents the 2024 Harold and Mimi Steinberg/ATCA New play Award. The winner will be announced in May.

The power of Fences derives from the mastery with which August Wilson conflated the mojo of the blues with the paradigms of Greek tragedy. This play is as intricately structured as works by Sophocles and Aeschylus. While rooted in the African American culture of Pittsburgh, Wilson was at heart every bit a classicist.

The Huntington announces its complete lineup for the 23/24 season, featuring an eclectic mix of 7 highly acclaimed shows by a wide variety of diverse artists, the first full season completely programmed by new Huntington Artistic Director Loretta Greco. 

The Boston Modern Opera project is making its Carnegie Hall debut this weekend (April 15).  Bostonians have had the privilege of hearing and seeing this company for many years.  The program at Carnegie is enticing

 Front Porch Arts Collective and The Huntington announce the cast and creative team of K-I-S-S-I-N-G, their co-production of the world premiere play written by Massachusetts playwright and Huntington Playwriting Fellow Lenelle Moïse and directed by The Porch’s Co-Producing Artistic Director Dawn M. Simmons. Front Porch Arts Collective is in residence at The Huntington as part of a multi-year strategic partnership.

The Huntington announces the casting and creative team for the highly anticipated revival of August Wilson’s Joe Turner’s Come and Gone, directed by Lili-Anne Brown. Wilson’s masterpiece serves as the inaugural production of the newly renovated Huntington Theatre and runs from October 14 – November 13, 2022, with digital access to the filmed performance available until November 27, 2022.  

The Boston Theater Critics Association's 39th Elliot Norton Awards stream live May 23 at 8 PM. Winners of over two dozen categories will be announced during the virtual ceremony. John Douglas Thompson receives the Elliot Norton Prize for Sustained Excellence,

The Huntington’s Board of Trustees and Advisors, announced today the appointment of acclaimed stage director, producer, and community builder Loretta Greco as The Huntington’s next Norma Jean Calderwood Artistic Director. She will be the first woman in the role and the fourth artistic leader in The Huntington’s 40-year history.

After a critically acclaimed run, the Lyric Stage Company of Boston announces that streaming of the World Premiere production of Mr. Parent by Melinda Lopez with Maurice Emmanuel Parent* and co-conceived and directed by Megan Sandberg-Zakian° will begin on February 7 and be available through February 20.

Miami New Drama's production of Seven Deadly Sins won a Drama League Award on Friday. The Drama League Awards have recognized outstanding achievements on and off Broadway since 1935. Seven Deadly Sins won in a new category -- “Outstanding Interactive or Socially-Distanced Theater.”

The Huntington presents Black Beans Project, a world premiere digital work by Huntington artist-in-residence Melinda Lopez and award-winning performer Joel Perez, directed by Jaime Castañeda, and available for on-demand streaming from May 11 – 30, 2021.

The Huntington announces the return to live, in-person performances following an incomparable year-and-a-half of stages left dark because of the global pandemic. The 7-play season will begin on August 27, 2021 and take place primarily at the Wimberly Theatre in the Calderwood Pavilion at the BCA in the South End while The Huntington Theatre undergoes a transformational renovation; one production will take place at the Emerson Cutler Majestic Theatre.

Previously, Denzel Washington produced and co-starred (with Viola Davis) in August Wilson's "Fences." Now he has produced Wilson's "Ma Rainey's Black Bottom" with the late Chadwick Boseman. Washington plans to film the other eight plays in Wilson's iconic Pittsburgh or Century Cycle. For the decade of the 1920s Wilson took a side trip to Chicago and a recording session with the Mother of the Blues the great Ma Rainey. The best news is that the new release is available to stream on Netflix. The production is destined for a bundle of nominations during awards season.

 Barrington Stage Company (BSC), announces the 2020 Associate Artists – lighting designer David Lander, director/choreographer Jeffrey Page and actress Alysha Umphress.

What a month to hear black men, and women too, at the top of their game in theater, talk about their journeys to success. As Andre De Shields told the world when he won his first Tony at age 73, "the slowest way is how to get where you want to be." Chuck Smith is a resident director at the Goodman in Chicago. Woodie King Jr. founded the New Federal Theater fifty years ago.

The Harold and Mimi Steinberg/American Theatre Critics Association 2020 New Play Award award announced. The honor recognizes playwrights for the best scripts that premiered professionally outside New York City. E.M. Lewis' How The Light Gets In receives top award. The runners-up are Chandler Hubbard's Animal Control and Lee Edward Colston II's The First Deep Breath. The M. Elizabeth Osborn Award went to Dan McCabe, for his play, The Purists.

Karen Isaacs previews what's on tap for fall theater in Connecticut.

In a conference organized by Florida critic, Jay Handelman, 30 members and guests of American Theatre Critics Association attended the biennial of the 30-year-old National Black Theatre Festival. In and around Winston-Salem, North Carolina there were 30 productions. During two insightful panel discussions we met artistic directors from Winston-Salem, Sarasota, Chicago and Houston. It provided a compelling overview of black theatre in America.

Huntington Theatre Company announces the lineup of the 2019-2020 season, featuring three world premieres, a Pulitzer Prize-winning play, a classic Tony Award-winning comedy by one of the world’s most celebrated playwrights, and two adaptations of powerful literary works.

Top Girls was first produced at London’s Royal Court Theater in 1982 and is still relevant for its socio-economic and political topics, and it weighs in on women’s places at work and in society. Liesl Tommy directed the play that is considered a Masterpiece.

"The Threepenny Opera" needs to be done with color and verve if it is to speak to today's audiences. The BLO's production was all too beige. Director James Darrah soft-pedaled the politics at the heart of the work, which left it a corpse with some not-so-pretty songs attached.

One of the more obscure of Sondheim's musical, the Huntington Theatre Company's terrific production underscore's its vitality and quality. Director Maria Friedman’s stunning London production of Merrily We Roll Along received universal rave reviews – the most five star reviews in West End history as well as the Olivier Award for Best Musical. Now she has recreated it for Boston audiences. Travelling backwards in time over 20 years in the entertainment business, this musical focuses on the relationships of close friends Franklin, Charley, and Mary, and features some of Sondheim’s most memorable songs, including “Good Thing Going,” “Old Friends,” and “Not a Day Goes By." Seeing the show is like an old friend remembered.

The 36th season will include four plays at the Huntington Avenue Theatre, as well as three plays at the Wimberly Theatre and one special event in the Roberts Studio Theatre, both located in the Calderwood Pavilion at the BCA in the South End.

Nora and Torvald Helmer are living their dream, Now happily married with children and financial security, but previously Nora risked her reputation to save her husband’s life. The consequences test the limits of their love. A new translation by Bryony Lavery of Ibsen’s powerful and groundbreaking classic about marriage, money, and equality shows that in the theatre if it aint broke, don't fix it. Trying to be contemporary and relevant takes skill not just daring.