Prurience. Maybe we should linger on the title of a docu-play running at the Wright Restaurant in the Guggenheim Museum. A group consisting of planted actors with written roles and an audience who have bought tickets expecting to participate in a porn addiction recovery session, are directed by the work’s creator, Christopher Green. This gentle psychodrama had a sold out run on London’s South Bend. The idea is a hoot.

From March 23 to 25 Milwaukee Repertorty Theatre hosted a conference Intersections Summit. It was convened to address equity, identity and inclusion through diversity and community outreach. In a letter to ATCA president, Bill Hirschman, managing director, Chad Bauman, who hosted us said in part "All in all, nearly 200 theater professionals from 80+ organizations from 30+ states attended including ATCA, TCG, funders such as the Doris Duke Charitable Foundation, and journalists from media outlets such as The New York Times and The Chicago Tribune. More than 50 engagement leaders presented sessions and several of which were live streamed via our Facebook page as well as Howlround."

Germany is up in arms! She is against the right wing tendencies among the population in general, and she is against the political party, AFD (Alternative For Germany), in particular. Of course, the Gorki, as an openly politically engaged theater, has lots to say on the subject.

The arrival of The English Concert at Carnegie Hall is an event that creates excitement in New York. This year, since many people have been induced to listen to Baroque music sung by the world’s most exciting countertenor on Broadway in Farinelli and the King, interest is heightened. Carnegie Hall was packed.

Memphis: The Musical is a big-hearted, bold show about the power of the human spirit and music to bring about change. A thrilling and touching regional production is underway in Ft. Lauderdale. An electric cast with impressive acting and dancing skills beautifully sings the soul-stirring music of Memphis.

The superb little Opera company has mounted Hasse’s Piramo and Tisbe, based on the tale told in Ovid’s Metamorphosis, Book IV. It resembles Romeo and Juliet. Two young people, who in this case live in adjoining homes in Babylon, fall in love through the wall that separates them, but are driven apart by warring parents. All does not end well. Yet in the process of telling the story, glorious music abounds.

Saint Thomas Church was one of the first buildings constructed with an acoustical architect's guidance. Wallace Sabine, who also gave acoustical advice for the building of Symphony Hall in Boston, guided in New York. Concern then was for the human voice delivering sermons. Listening to Bruckner and Brahms, just the right reverberation is clear.

Dido's Lament is a beautiful aria. it suffuses Abby Rosebrock's new play and is not helpful. Nora, a contemporary Dido, is drowning in love, alcohol and mother-angst. Rosebrock drives her tale with often witty and amusing dialogue.

The Triangle Fire of 1911, in which more lives were lost than in any other disaster before 9/11, flames in the background of Ricky Ian Gordon and William Hoffman’s opera Morning Star.

Choosing the right wines for your Easter meal is often a hard task. Two recommendations for your Easter table are contained in this article. All you have to provide is either lamb, pasta with red sauce or pizza.

Beth Morrison and National Sawdust host new composers and new works in a competition for the chance to expand a work next year. The Next Generation is here.

Are you looking for wines that are light and perfect for the summer seaso? I have found three that cost under $13 a bottle.

South Florida's Wick Theatre and Costume Museum present an enchanting Brigadoon. The regional production of Lerner and Loewe classic is magical and humorous. Despite sound and timing issues, the actors enchant in mostly strong staging.

Through the Elevated Line is made up of a series of sometimes-bumpy scenes, running about 2.25 hours with one intermission. The direction seems uneven too, with some characters shouting when it doesn’t seem called for. Razi is a sympathetic character despite getting into trouble both at home in Iran and in Chicago. His relationship with his sister is sweet and realistic.

Mia Chung’s other plays include Catch as Catch Can and This Exquisite Corpse. You for Me for You premiered at the Royal Court Theatre in London; its first U.S. production was in 2012 at Woolly Mammoth Theatre in Washington, DC. Chung is a graduate of Brown University with an MFA in playwriting.

"The Threepenny Opera" needs to be done with color and verve if it is to speak to today's audiences. The BLO's production was all too beige. Director James Darrah soft-pedaled the politics at the heart of the work, which left it a corpse with some not-so-pretty songs attached.

Edward Albee, a three-time Pulitzer Prize-winner, debuted his highly controversial play “The Goat, Or Who is Sylvia?” on Broadway in 2002. It went on to garner a Tony Award for Best Play, A Drama Desk Award for Outstanding Play, and was a finalist for the 2003 Pulitzer Prize for Drama.

“Sister Act” the Musical owes its theatrical existence to the movie “Sister Act”, starring Whoopy Goldberg. Popularity begets popularity. The movie was then turned into a musical written by Alan Menken and Glen Slater, from a libretto by Bill and Cheri Steinkellner, with additional book material by Douglas Carter Beane. The result is a musical Blockbuster which I believe is one of the best musicals ever produced by the Palm Canyon Theatre.

Rostand wrote Cyrano de Bergerac in 1897 in Paris and based his leading character on a French libertine of the same name. He is credited with introducing the word “panache” into English; the word then meant a plume or feather on a helmet or headdress. Cyrano by Boho Theatre continues in Chicago at Theater Wit, 1229 W. Belmont, through April 15

Education is a bold title for a play, but this arresting new play by Brian Dykstra deserves the title. Directed with precise attention to detail and an ability to turn the emotional context on a dime, Margarett Perry captures 21st century public school high school life.

Sarah Ruhl is one of the darlings of contemporary theater. Her work ricochets between grounded and fanciful, with storylines usually a little off-normal, and populated with at least some loopy characters. “Dead Man’s Cell Phone” is one that turns from realistic to fantasy at intermission.

Piano students aged 7 to 16 of all skills levels who live within 100 mile radius of Bennington Vermont are encouraged to apply for this summer scholarship opportunity. Deadline is April 6th.

Alan Pierson of Alarm Will Sound invites us to a salon he conducts with Nadia Sirota. Tonight’s subject would be György Ligeti, the Hungarian composer who many people heard for the first time as they watched Stanley Kubrick’s 2001: A Space Odyssey.

Dancing Lessons is a surprising packed, yet taut play about the capacity to change. The poignant Mark St. Germain play demonstrates the effect people seemingly with nothing in common can have on each other. This comedy-drama spreads knowledge, awareness about an autism-related disorder without lecturing or using too much jargon. The play had its world premiere at Barrington Stage in the Berkshires.

How do you solve the problem of presenting an opera that forces men and women into the stereotypes of the 18th century to a 21st century audience? If you're director Phelim McDermott, whose dazzling new Cosí fan tutte arrived at the Metropolitan Opera on Thursday night, you roll the score in glue, dip it in glitter, and hope for the best.