Museum of Fine Arts

In her candid memoir, Pow! Right in the Eye!—recently translated into English—Weill described herself as having a "difficult personality." She wasn’t wrong. Her sharp tongue and uncompromising attitude were well known. Picasso biographer John Richardson even described her as a "peppery, homely Jewish spinster with spectacles thick as goldfish bowls." Yet it was her fiery personality and unrivaled intuition for spotting talent that made her a key figure.

Organized against the backdrop of the 2024 U.S. presidential election, Power of the People: Art and Democracy at the Museum of Fine Arts, Boston (MFA), presents diverse perspectives on democracy through 175 works of art that include ceramics, coins, inscriptions, paintings, sculpture, prints, photographs, posters, and fashion

Jeffrey Gibson’s POWER FULL BECAUSE WE’RE DIFFERENT is a newly commissioned immersive installation that will occupy MASS MoCA’s signature Building 5 gallery and follows Gibson’s highly celebrated United States representation at the 60th edition of La Biennale di Venezia. The exhibition opens on November 3.

Bert Stern’s children, Trista and Bret, comment on the exhibition, “We are thrilled to bring our father’s iconic 1962 shoot with Marilyn Monroe back to vivid life at the beautiful Sohn Fine Art Gallery. Marilyn was our dad’s dream girl, a unique mix of actress, model and ‘American goddess’ (as he called her) that he never encountered before or after. He told us, ‘Stars die, but light goes on forever.’ Through the magic of photography, Marilyn Monroe is still reaching us with her light today.”

In the late 1960s a new generation of artists revitalized the Boston art world. They created Studio Coalition the nation's first open studios event. Katherine Porter emerged with immediate recognition and success. She was shown twice in Whitney Biennials and exhibited in major galleries. Social concerns informed her work. She moved a number of times seeking a like minded community. We reconnected when for several years she lived in Vermont. In her final recent move she settled in Santa Fe.

Mark Morrisroe, who died at 30, was the most innovative of the artists shown as the Boston School at the ICA in an exhibition curated by Lea Gangitano. Since his premature death his reputation has continued to grow. This is his fifth solo with Clamp Gallery. His work has been acquired by numerous museums.

I first met Clement Greenberg after Ken (Moffett) invited me to go to Toronto in the summer of 1981 where he and Greenberg were on a panel discussion at the Toronto Art Fair. I accompanied Greenberg and Moffett on their visit to at least 20 artists’ studios in Toronto. It was the best art education of my life!

For under a million dollars, MFA curator Kenworth Moffett, presented Jackson Pollock's Lavender Mist to the acquisitions committee. In an epic pratfall the trustees under orders from the new director, Merrill Rueppel, turned it down. In a matter of weeks it was acquired by the National Gallery. The MFA later acquired two works by the abstract expressionist artist. Several years ago a Pollock, now owned by the Norton Museum, sold for $200 million.

Whimsical figurative artist Andrew Stevovich is exhibiting at Clark Gallery in Lincoln, Mass.

In conjunction with the exhibition Hallyu! The Korean Wave, which explores the worldwide impact of South Korean pop culture, the Museum of Fine Arts, Boston (MFA), presents films by some of the country's greatest auteurs.

The collection of Japanese art at the Museum of Fine Arts, Boston (MFA), is one of the most comprehensive in the world. Five newly transformed galleries showcasing nearly 200 highlights—including painting, sculpture, decorative arts and selections from the Museum’s vast collection of ukiyo-e prints—open on May 11, 2024.Japanese

With minimal marketing and fanfare the Cape Ann Museum launches its 2024 season with the special exhibition In the Round: 20th Century Cape Ann Sculpture which opens April 6 from 3 to 5 pm. It focuses on major sculptors who lived and worked on Cape Ann. In July there will be a survey of women artists. The museum has pulled back to business as usual following last summer's blockbuster Edward Hopper and Jo Nivison exhibition in collaboration with the Whitney Museum of American Art.

In my new paintings I am imagining “evolutants” stuck in the mud, from remains of the flora and fauna of the smallest cell-like creatures to the evolution of our present human form, painted as staggered layers of history. They are colorful, animated patterns of biological and imaginary forms painted in acrylic and oil.

First Friday, March 1, 5 - 8:30pm, will feature the reception & artist talks at Boston Sculptors in the South End. Works by Ed Andrews and Leslie Wilcox will be on view through March 31. There will be artist talks on Saturday March 16 from 2-5 PM.

Pandering to the public continues at the ever more accessible Museum of Fine Arts. It follows a blockbuster show of Sargent portraits of white supremacists with an in depth view of the ultimate charlatan Salvador Dali. He has been described as the greatest modernist from the wrist down. Dalí: Disruption and Devotion, opens in July with 30 works by Dali compared to European masterpieces from the museum's collection. The Dalis are on loan from the St Petersburg, Florida museum. The project is both cost effective and crowd pleasing.

Presenting over 150 photographs of, by, and for Indigenous people, “In Our Hands” welcomes all to see through the lens held by Native photographers.

A majority of the works in Mondrian: Foundations are drawn from a gift to the MFA from Maria and Conrad Janis by and through the Janis Living Trust. In addition to 34 paintings, drawings and watercolors by Mondrian—24 of which are on view in the exhibition

In collaboration with curator/designer Martina Salisbury, The Friends of Beattie-Powers Place presents Moments in Time :: Pictures 1965-2023. The intimate salon installation offers a rare opportunity to view a selection of over 60 of Gerard Malanga’s photographs, including portraits of some of the most illustrious artists, musicians, literary figures, and cultural icons of the last six decades.  ?

Hall Space presents Ellen Shattuck PIerce "Taking Place." It's a lively exhibition of relief and hand colored laser prints.

These paintings, inspired by the Major Arcana cards in the traditional Rider-Waite tarot deck, are also the inspiration for a Major Arcana-specific 22-card tarot deck released by Jane Hudson this summer with WIld Soul River.  

Jacob’s Pillow today announced the artists who will participate in 10 onsite residencies this fall through next summer, as part of the Pillow Lab residency program. Artists participating in this series, in chronological order, are: Ilya Vidrin, Sekou McMiller, LaJuné McMillian, Minty Fresh Circus, Aakash Odedra, Kyle Marshall Choreography, CONTRA-TIEMPO Activist Dance Theater, Hari Krishnan/inDANCE, Theresa Ruth Howard, and Miguel Gutierrez.

Strong Women in Renaissance Italy features approximately 100 works of art—sculpture, paintings, ceramics, textiles, illustrated books and prints—largely drawn from the MFA’s collection, alongside eight key loans from the British Library, the Dayton Art Institute, the Bowdoin College Museum of Art, the Jewish Museum, the Boston Athenaeum and a private collection. Women became artists, writers, poets, musicians and singers. They acted as patrons and commissioned works of art.

Noted for its Wax Works the Annisquam Seafair is now 178-years-old. We attended this past weekend.

Gabrielle Barzaghi is one of the leading contemporary artists residing on Cape Ann. Horse Opera is Barzaghi's fourth solo exhibition at the Matthew Swift Gallery, and presents a significant new body of her work comprising more than a dozen drawings.

Trembling Earth features seventy-five objects, ranging from brilliantly hued landscapes and three stunning self-portraits, to an extensive selection of his innovative prints and drawings. The exhibition includes more than thirty works from MUNCH’s world-renowned collection, major pieces from other museums in the USA and Europe, and nearly forty paintings, prints, and drawings from private collections, many of which are rarely exhibited. The Clark is the only American venue for this stunning exhibition.