Tanglewood

In every sense it was a cool evening in the Shed as British rock star, Sting, brought his tour in support of the album 57th and 9th to Tanglewood. They have been on the road since last February.

Opening the first half of the annual Film Night at Tanglewood Andris Nelsons shared conducting duties with 85-year-old John Williams. Nelson's was a surprise guest trumpet soloist in the score of Lincoln by Williams. It was a sold out evening on a perfect summer night in Lenox. It is always a thrill to hear him conduct the iconic scores that have earned him a record 50 Academy Awards nominctions.

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Youthful, still, at 49, Joshua Bell proved his place in the history of great performances at Tanglewood, when playing Mendelssohn's, 'Violin Concerto in E minor, Opus 64.

The Festival of Contemporary Music is a highlight of the Tanglewood season. Curators assemble concerts from commissioned works and also from composers whose works form the canon of the contemporary music scene. Opening night suggested how rich this repertoire has become.

This concert at Mostly Mozart was billed as a musical offering from Brahms, Bach and Mendelssohn. It seemed a stretch to hear these works without the centerpiece composer featured, except as an artist who liked to spell Bach's name in notes. The spirit was Mozartian, full of joy and inviting melodies, Featuring Joshua Bell and Steven Isserlis as soloists, who brought Schumann to the table in the slow movement of his violin concerto, it was a rich evening of music. A delightful offering.

Broadway and cabaret artist Barbara Cook was 80 wehen we first saw her perform at Ozawa Hall and several times after that. In Indiana we enjoyed a concert wth Michael Feistein and an interview for critics that followed. We have compiled a collage from those reviews.

Imagine nearly 14,000 attendees of the long awaited, Yo-Yo Ma concert of Schumann's 'Cello Concerto in A minor, Opus 129, in awe after the concert artist shuns the audience's applause, with an appeal for a concerted effort to help find Maestro David Zinman's lost puppy.

Members of the JACK Quartet are scattered across the eighth floor exhibit space at the Whitney Museum in which many Alexander Calder mobiles hang and stand. In the center of the room on the south wall, cellist Jay Campbell and violinist Austin Wulliman are conventionally seated with their music stands before them. They do not seem to notice violinist Christopher Otto who stands at the east entrance, only a music stand dividing him from a roaming, and finally seated and standing-still audience. At another entrance Jay Pickford Richards, violist, is completely in his own world, oblivious to in your face cameras, and the wandering audience. John Cage wrote the Quartet they will perform, not for a quartet, but for four soloists.

Indeed it was a long evening ending around 11 PM with the tradition arsenal of fireworks accompanying the climax ith a massive performance of Tchaikovsky’s energizing 1812 Overture. It evoked Moscow’s triumphant church bells and the thunderous boom of Napoleon’s captured canons.

When ethical concerns and second guessing of its "reboot" plans surfaced the Berkshire Museum has spent money it doesn't have for expensive PR and marketing. Heavy hitters have been hired to deflect tough questions from the media and flack the museum's strategy to sell 40 works of art and change its mandate.

Works by Stephen Hannock are in global museum collections. His Oxbow painting in the Metropolitan Museum of Art will be included in a survey of Hudson River artist Thomas Cole. Hannock's mate Sting will also be involved in the project. When he created paintings for his friend's hometown of Newscastle the studies were shown at the Berkshire Museum. He gave one of the studies to the museum to honor philanthropist Nancy Fitzgerald. The fact of that work and the entire fine arts collection of the museum is unknown. We talked at length with the Berkshire based global artist about the impact of the museum's strategy to sell its fine arts collection with a radical makeover as an interactive educational museum for history and science.

A light drizzle evoked soft programming and attendance for the Friday night peformance of Andris Nelson's conducting at Tanglewood. Perhaps there was a conservation of energy for tonight's historic two and a half hour performance of Wagner without an intermission. But history was made last night as well with the astonishing debut of pianist Daniil Trifonov performing Mozart’s Piano Concerto No. 21 in C, K. 467. As they say, the crowd went wild.

The new Met Tosca will premier with James Levine replacing Andris Nelsons at the helm. Kristine Opolais stepped out of the title role. They are together in Tanglewood for what promise to be a starry evening on August 26th.

Ella Fitzgerald (April 25, 1917 – June 15, 1996) was among yhe foremost jazz singers of her generation. In Ozawa Hall a centennial celebration was organized by arranger, Lee Musiker in collaboration with classical singers Stephanie Blythe and Dawn Upshaw. Together they are mentoring vocal fellows who comprised most of the program.

Sondheim on Sondheim presents a multi-media scrapbook on the life and work of Broadway's genius, Stephen Sondheim. A unique personal glance at not only Sondheim's life, but his creation of Broadway musicals. This evening provides insight into Sondheim's process and the life experiences that influenced his work. The eight vocalists, including four Tanglewood Music Center Vocal Fellows, deliver Sondheim's music with feeling and vocal power.

The stage designs, lighting and props for Jessica Land Dance evoked a particular invention of abstract art. The now established company, founded in 2011, makes annual visits to Pillow this time on the main stage of Ted Shawn Theatre. The dance is varied, fresh and inventive.

For Nelsons and the BSO the performance of Gustav Mahler's sublime, mystical, poetic and powerful Symphony No. 2 in C Minor proved to be physically and emotionally exhausting.

18,500 guests visit Tanglewood on July 4th to pay their yearly homage to the Berkshires' best known musician, James Taylor. Bonnie Raitt joined him during the holiday celebration.

After leaving 10,000 Maniacs in 1993, her solo career debuted with her first album, Tigerlily, in 1995. Since then, Natalie Merchants hasn't turned back and is due to release a 10 record set on July 17th, a feat few artists achieve.

Last night rocker Boz Scaggs launched the 2017 popular artists series at Tanglewood. It was a soggy evening in Lenox with some hearty souls huddled under umbrellas on the lawn. The former lead singer of the Steve Miller Band performed a stunning and soulful set of old and new material including highlights with superhits "Lowdown" and "Lido Shuffle." Former Steely Dan pianist and vocalist, Michael McDonald, opened with a 90 minute set.

For what has evolved into an annual Tanglewood visit the Mark Morris Dance Group presented Lou 100: In Honor of the Divine Mr. Harrison. There were four sections the first of which dated to 1993. The fourth, Numerator, for six male dancers is having its world premiere. The four pieces are set to music by Lou Harrison, a deceased friend and associate of the choreographer, marking the hundredth year since his birth.

Whisper the name "Tanglewood" and you will tickle the conscience of the novice classical music-goer, and fire the memories of those who have walked its grassy paths and visited the summer home of the Boston Symphony Orchestra. Located on a sprawling estate in Lenox, Massachusetts, this is the Cadillac of summer festivals, offering symphonies, chamber music and opera to a throng of devotees who make the pilgrimage again and again.

Joan Baez led the Four Voices to a packed house at their final concert tour stop at Tanglewood in Lenox, Massachusetts. The four women serenaded the audience for two plus hours on a beautiful spring evening.

The end of a ten city tour is the great stage at Tanglewood. On June 17th, this tour of women's voices fills the air for the last night of their tour on the beautiful grounds in Lenox, Massachusetts.