The exhibition to celebrate 'Centerbeam’s' 40 th anniversary has been open since mid May in Karlsruhe. On September 2nd ZKM will host ten representatives of the original participants on location or via skype. The symposium should deliver lively discussions of the past and perhaps a way forward to recreate 'Centerbeam,' a third time, in the near future.

To help the audience experience what takes place inside the head of Christopher, director Elliott employs the full technical arsenal of the Ahmanson that is available to her. The set design by Bunny Christie, is a huge three sided space staging area with colored LED lights both on the walls and the floor that are cued by Christopher’s dialogue and stage movement. It’s all very technical and very eye-popping. In a transfer from Lodon “The Curious Incident of the Dog in the Night-Time” won a Tony Award in 2015.

Much of the criticism of this work is noteworthy but inappropriate. Complainers argue that the opera misses much of the play, which must be expected unless you want a five-hour opera. This is the same argument people use when they’ve read a long book and then see the movie.

On Friday, August 11th, the Trustees of Reservations and Naumkeag, located in Stockbridge, Massachusetts host a free day of fun and education for the entire family.

The artists and their supporters in the Berkshires will take to the streets on Saturday, August 12, from 9 AM to noon. There will be picket lines in front ot the Berkshire Museum in Pittsfield. They will provide a visible presence of those protesting the pending sale of 40 choice works and plans to gut and "reboot" the historic museum and collections.

The music of The Chastity Tree is very much of its time and place. From the classic era, it still embraces baroque traces in tinkling harpsichord and clipped recitatives. The Bay Area is blessed with and attracts an abundance of great young opera singers, and West Edge always casts well from this enviable pool.

Shakespeare-centric theater companies like Oregon Shakes must provide a balance of Elizabethan era works with other offerings to attract sufficient audiences. Sometimes, a hybrid, and especially a sophisticated comedy that is about Shakespeare or one of his plays can be well received. So it is with Shakespeare in Love, the U.S. premiere of the stage version of the highly successful film.

After development at music venues, the musical revue "Blues is a Woman" has begun a theatrical run at Custom Made Theater in San Francisco. In a memorable production, six women wail and moan and plead in a rewarding evening of blues standards and original music by lead singer Pamela Rose in a format that is as informative as it is entertaining.

This concert at Mostly Mozart was billed as a musical offering from Brahms, Bach and Mendelssohn. It seemed a stretch to hear these works without the centerpiece composer featured, except as an artist who liked to spell Bach's name in notes. The spirit was Mozartian, full of joy and inviting melodies, Featuring Joshua Bell and Steven Isserlis as soloists, who brought Schumann to the table in the slow movement of his violin concerto, it was a rich evening of music. A delightful offering.

Broadway and cabaret artist Barbara Cook was 80 wehen we first saw her perform at Ozawa Hall and several times after that. In Indiana we enjoyed a concert wth Michael Feistein and an interview for critics that followed. We have compiled a collage from those reviews.

A half century later in the spirit of the Summer of Love there is a revival of Hair: The American Tribal Love-Rock Musical. Two and a half generations of later it still casts magical spells. Nancy Bishop takes on a trip down memory lane.

St. Francis Gallery, once a church, hosts a gallery opening and artists reception this weekend in Lee, Massachusetts from 3-6pm on Saturday, August 12th

Imagine nearly 14,000 attendees of the long awaited, Yo-Yo Ma concert of Schumann's 'Cello Concerto in A minor, Opus 129, in awe after the concert artist shuns the audience's applause, with an appeal for a concerted effort to help find Maestro David Zinman's lost puppy.

Jiehae Park’s innovative and fast moving world premiere play, Hannah and the Dread Gazebo, touches on a dizzying number of themes including familial relationships, aspirations, wishes, creation mythology, international relations, cross-culturalism, and even a humorous twist on racism.

Issue-packed, yet taut play receives strong production at suburban Miami's GableStage. Informed Consent is unsettling, but is leavened with humor and optimism. Playwright Deborah Zoe Laufer directs a talented quintent of performers in a riveting production of her play.

Moving on from an endemic fixations with plays about milennials Barrington Stage has progressed by a generation with This by Melissa James Gibson. The focus is on the trials and tribulations of friends who met in college. Add to this a dark and sexy stranger in a French doctor without borders,

Members of the JACK Quartet are scattered across the eighth floor exhibit space at the Whitney Museum in which many Alexander Calder mobiles hang and stand. In the center of the room on the south wall, cellist Jay Campbell and violinist Austin Wulliman are conventionally seated with their music stands before them. They do not seem to notice violinist Christopher Otto who stands at the east entrance, only a music stand dividing him from a roaming, and finally seated and standing-still audience. At another entrance Jay Pickford Richards, violist, is completely in his own world, oblivious to in your face cameras, and the wandering audience. John Cage wrote the Quartet they will perform, not for a quartet, but for four soloists.

This is the second producton of the musical A Legendary Romance with music and lyrics, Geoff Morrow, book by Timothy Prager. While it needs more work, the norm for musicals, starring Jeff McCarthy and Lora Lee Gayer it is the best work we have seen this season from Wiliamstown Theatre Festival. It is a tragic love story set to music about lives and careers ruined during the 1950s when Holywood was on trial for its alleged communism.

Director Lilean Blais-Cruz does well with limited resources. Actors extract whatever drama and humor that the words allow. Lighting and sound achieve expected OSF standards. This production plays in the round and with a minimum of staging – the fixed portion being a number of vertical white pipes with light wands attached to a maze of pipes above.

This play is both entertaining and rich with messages. It deserves to be seen. At the same time, the playwright tries to accomplish a great deal, perhaps at the expense of cohesion. The tone changes often as dialogue alternates between Shakespearean tracts taken directly from the source and the naturalistic speech of the Old West.

When Laurie Norton Moffett, director of the Norman Rockwell Museum, in a Berkshire Eagle op-ed piece asked the Berkshire Museum to "pause" in its plan to sell 40 works the story broke as national news. In daily coverage since then the pro and con has rocked back and forth. I seemed like game over when Joe Thompson, director of MASS MoCA, endorsed the sale and radical plans urging readers to "get real." Then lawyers waded in questioning that the works may or may not be "unrestricted." The controversy went into extra innings when the Rockwell family, in an Eagle letter, stated that the artist never intended for his works to be sold as a last ditch bailout for the poorly managed and curatorially aenemic museum.

There is always something provocatice going on at Gloucester's Trident Gallery. The arts are the visible cloak of the bonds -- both empowering and restricting -- of community and heritage. The cloak of the arts reveals the shape of the present, bears the patterns and must of the past, and declares ourselves on our journey into the future.

Berkshire Theatre Group announces additions to the fall and winter seasons, as well as casting for the Fall production of David Auburn’s Lost Lake at The Unicorn Theatre. Therde wlll also be a number of unique musical events at its Colonial Theatre in downtiown Pittsfield.

On Wednesday, August 23, there will be a reading and book launch of Gloucester Poems; Nugents of Rockport by Charles Giuliano at the Gloucester Writer’s Center, 123 East Main Street, at 7 PM. The event will be shared with poet Geoffrey Movius. They grew up together in Annisquam. That experience and inspiration will be a part of the event.

Percussion was the theme of the Mostly Mozart concert featuring also David Lang. Mozart used kettle drums to underiine a point. In his comic opera, Abduction from the Seraglio, he also used triangle, cymbals and a bass drum to suggest the exotic Turkish locale. Jean-Baptiste Lully added percussion for the elevation of a Molière character to noble man. It was an inspired selection of music to surround David Lang's "man made" created to show how elemental percussion instruments are heard by their fancier orchestral counterparts.