A major part of freshman orientation on many campus is about Title IX – sexual activity, consent, the school’s policies and the penalties that may result from violation of these.

The Ojai Music Festival in California is almost 75 years old. In this magical setting an hour and a half north of Los Angeles, music making is very much here and now. Each year, an artistic director selects a music director and works with her to program four days of performance, talk and film screenings. While coming for one program undoubtedly gives pleasure, the maximum effect of this festival is to be had by immersion. This is not your ordinary concert program. One performance follows another by design and relationships become more clear as the days pass.

Trident Gallery in Gloucester is presenting Gabrielle Barzaghi: The Tzar’s Children. There will be a discussion wth the figurative /narrative artist on Sunday, June 16, at 4 PM.

Artist and Activist Phil Sellers passed away in July, 2020. He and his wife Gail were part of the team behind the successful Faerie Festival. It is being presented in his honor on June 18. This is fun for the whole family.

Paul Pelkonen, a brilliant critic, died suddenly of heart failure at the age of 46. Paul was one of the great pleasures of reporting on music. He loved it as much as anyone could, and knew more about it than most people. His taste was impeccable.

Phenomenal Nature, the first American retrospective of the remarkable sculptures of Indian artist, Mrinalini Mukherjee, will be on display at the Met Breuer until September 29 and is well worth viewing.

Leo Mateo, the artistic and Executive Director of the Miners Alley Playhouse, is a fan of the podcast form. One day, he heard about Mae Brussell, a prominent conspiracy theorist who lived from 1922-1988. Her radio broadcasts were extremely popular. She dove into JFK’s murder, giving herself as a birthday present 26 volumes of the Warren Commission report. Her life and impact are explored in Josh Hartwell's highly entertaining and provocative new play.

The award winning play, America v. 2.1. The Sad Demise and Eventual Extinction of the American Negro, by Stacey Rose is a tough evening of theatre at Barrington Stage Company. It is the inaugural winner of The Bonnie and Terry Burman New Play Award, a new national play contest at BSC. The playwright has absorbed the spectrum of avant-garde theatre and deflected it as a timely theatrical screed about racism in America, past, present and future.

Come From Away renews our faith in the human race. The popular Broadway musical demonstrates people's innate capacity for kindness. An invigorating equity national touring production is playing in Miami.

A superb production of Sean O’Casey’s play, The Plough and the Stars, concludes the Irish Repertory Theatre’s O’Casey cycle. Charlotte Moore directs this subtly textured staging, deploying all the tools her theatre and actors have honed over the years.

Working Theater Presents the World Premier of Dropping Gumballs on Luke Wilson by Rob Ackerman , directed by Theresa Rebeck. The Working Theater's Mark Present is the producing artistic director and Laura Carbonell Monarque the managing director bring us a play which is true the the vision and mission of the company. Stories reflect a diverse population of the working majority, acknowledging their complexity by creating theater of interest to working people.

The Swiss dealer, Bruno Bischofberger commissioned a collaboration between Jean-Michel Basquiat and Andy Warhol as well as Francesco Clemente. The project with Clemente fizzled by thrived with the other two artists. The dealer would purchase between sixty and eighty of their works together. The project wasn't completed but eight works from the series are on view at The School in Kinderhook New York. There are some hundred works by the artists on view, Saturdays, through early September.

When I first wrote about Zombie abstraction in December 2013 several months before the concept achieved notoriety in Walter Robinson's now famous essay on Zombie Formalism, I got a blowback in a comment on my Zombie blog from artist Craig Stockwell.

Andrew Ousley has instituted the most exciting and comforting series of concerts in the greater New York area. Using unusual spaces which afford superb acoustics and warming the audience up with excellent whiskeys and cheeses, followed by moonlit walks under a canopy of glorious first growth trees, the audience might end up in Catacombs.

Mark St. Germain met for a lunch break on the first day of rehearsal for his play Gertrude and Claudius based on a 2000 novel by John Updike. Opening on July 31 it will be the thirteenth play by St. Germain to be produced by Barrington Stage Company in Pittsfield. The company's second stage is named for him. We discussed the process from Shakespeare to Updike and now St. Germain.

So convincing was Conan Doyle’s creation at the turn of the 20th century both Holmes and Watson were believed to be real people. So much so that the city of London actually turned Holmes’ fictional living quarters at 221- B Baker Street into a physical replica in a building located at 221-B Baker Street; due to the demand of tourists wanting to visit the famous detective’s home.

Six decades later Williamstown Theatre Festival is presenting the Lorraine Hansberry masterpiece Raisin in the Sun. A superb cast is anchored by S. Epatha Merkerson (Lena Younger [Marner]), Francois Battiste (Walter Lee Younger), and Mandi Masden (Ruth Younger). The director Robert O'Hara has stated that he avoided presenting the classic drama as a "museum piece." His improvements and updates, however, are less than judicious

A new play by Jonathan Payne, A Human Being, of a Sort, at Williamstown Theatre Festival is based on an historical event. In 1906 a Congolese Pigmy native, Ota Benga, was brought to New York City, placed in a cage along with monkeys, orangutans and other primates for display in the Bronx Zoo. From this Payne has created a social justice drama that explores racism at the turn of the 20th century.

Starting late last night at Tanglwood the quirky man/ child, Josh Groban, delivered a chatty 90 minute set with ten minutes of encores. In tribute to James Taylor, who performs tonight, in a total gonzo move, Groban fell to his knees and "kissed the hallowed ground" of Tanglewood. All kidding aside he has truly awesome pipes.

Johnny is sure that he and Frankie should be a couple – after all their names reflect the hold song. So he is going to convince Frankie of that fact, no matter how she tries to resist.

So, a Bertolt Brecht play can actually be fun! The play’s central theme is about goodness, something that would seem intuitively straight forward, but the playwright examines the concept from many sides, resulting in more questions than answers.

Berkshire Theatre Group and its Colonial Theatre in Pittsfield is producing the world premiere of Rock and Roll Man: The Alan Freed Story. The jukebox musical, rumored to be headed to Broadway, has a book by Gary Kupper, Larry Marshak and Rose Caiola with original music and lyrics by Gary Kupper. A cast of nineteen performs some 47 musical interludes. The music was fun but the long and often slow production needs a lot of work.

For a change of pace Barrington Stage Company has opted not to give us yet another social justice scolding. Summer escapism with a belly full of laughs is provided by David Ives's Time Flies and Other Comedies. An all star cast of Barington actors are off the leash with total gonzo performances. They are anchored by the comedic genius of Debra Jo Rupp. Just wait till you see her paired with Cary Donaldson. With wings and buggy butts as Mayflys they wll be born, meet, mate, hatch and die all on one hilarious day. And that's just the first of six outrageous skits.

From the High School of Music and Art the young Arthur MItchell rose to become a principal dancer in George Balanchine's New York City Ballet. Responding to the death of Dr. Martin Luther KIng, Jr., fifty years ago with Karel Shook they founded Dance Theatre of Harlem. The company first appeared at Jacob's Pillow in 1970. This week they returned with a diverse program in tribute to Mitchell who passed away last September.

Mark Morris is as serious about music as anyone. A questioner dared to state that of course music performed for dance was not up to concert expectations. Morris quickly took exception. His standards are the highest. He expects the music to be performed as written by the composer. He decried excessive rubatos. Yet Morris is as impish as Eric Satie. Satie's Sports and divertissements inspired a world premiere commissioned by Mostly Mozart.