Share

Charles Giuliano

Bio:

Publisher & Editor. Charles was the director of exhibitions for the New England School of Art & Design at Suffolk University where he taught art history and the humanities. He taugh tModern Art and the Avant-garde for Metropolitan College of Boston University. After many years as a contributor, columnist and editor for a range of print publications from Art New England, Art News, the Boston Phoenix, the Boston Herald Traveler and Patriot Ledger, to mention a few, he went on line with Maverick Arts which evolved into a website.

Recent Articles:

  • Star of Freedom Front Page

    World Premiere Musical at Ivoryton Playhouse

    By: Karen Isaacs - Apr 26th, 2022

    Star of Freedom has music by Connecticut resident Jeff Blaney and a book by Lawrence Thelen. The piece began life as the concept album Exodus; Executive/Artistic Director Jacqueline Hubbard saw the possibilities and brought it to Thelen to write the book.

  • Emmanuel Iduma Earns AICA Prize Front Page

    Irving Sandler Award for New Voices in Art Criticism

    By: AICA - Apr 26th, 2022

    Emmanuel Iduma’s prize is in memory of Irving Sandler, esteemed art critic and valued board member and friend, who tirelessly illuminated the role of art, artists and art criticism in the 20th and 21st centuries. The award includes a gift of $2,500.

  • Artist Hermann Nitsch at 83 Front Page

    A Vienna Actionist

    By: Charles Giuliano - Apr 25th, 2022

    The Vienna Actionist, Hermann Nitsch, died at 83 on 18 April, 2022. Then in his 20s during the 1960s he and colleagues Otto Muehl, Gunter Brus and Rudolf Schwarzkogler performed actions entailing animal and human body parts and functions. They went for the jugular of conservative/ reactionary, post war Austrian culture. The authorities were not enlightened or amused. Their outrageous stunts were punished by prison sentences from a few months to seven years in the case of Muehl. During the late 1980s I spent a day with Nitsch at his rural schloss and studios.

  • Remixing the Hall: WCMA’s Collection in Perpetual Transition Front Page

    Williams Features New Acquisitions

    By: WCMA - Apr 22nd, 2022

    The Williams College Museum of Art (WCMA) is pleased to present the next iteration of Remixing the Hall: WCMA’s Collection in Perpetual Transition. This ongoing exhibition reinterprets the museum’s encyclopedic collection through thematic groupings, highlighting new research, new acquisitions, and new curatorial voices.

  • DigBoston Suspends Print Edition Front Page

    Plans to Publish On LIne

    By: Dig - Apr 22nd, 2022

    Desperate times call for desperate measures. We have to shut down the print edition of this publication for the second time since March 2020 effective immediately. For those of you that follow the American news industry—its local print markets in particular—this should come as no surprise.

  • Clark Art Institute’s Research and Academic Program Front Page

    Roundtable on Blackness as a Multifaceted Experience

    By: Clark - Apr 22nd, 2022

    The Clark Art Institute’s Research and Academic Program (RAP) presents an MCLA Artist Lab Roundtable on Blackness as a Multifaceted Experience and Giving Artists an Opportunity to Interpret the World on Their Own Terms on Thursday, May 12 at 5:30 pm.

  • The Great Animal Orchestra at Peabody Essex Museum Front Page

    Collaboration Between Bernie Krause and United Visual Artists

    By: PEM - Apr 22nd, 2022

    The Peabody Essex Museum (PEM) and the Fondation Cartier pour l’art contemporain are proud to announce a seven-week extension of the North American premiere of The Great Animal Orchestra, a collaborative work between pioneer soundscape ecologist Bernie Krause and United Visual Artists. Due to the overwhelming popularity, the exhibition will remain on view at PEM through July 10, 2022.

  • Jazz in the Berkshires Front Page

    The Joint is Jumpin'

    By: Ed Bride - Apr 21st, 2022

    The jazz scene is alive and well in the Berkshires, as the Berkshire Eagle points out in this deep-dive by Bob Luhmann. Some history and a good look at the current scene combine to provide context for the Pittsfield CityJazz Festival, April 23-May 1

  • Big Y Oh Why Word

    By: Charles Giuliano - Apr 21st, 2022

    y

  • Black Bear Brothers Word

    By: Mark Favermann - Apr 20th, 2022

    bear

  • Native Gardens by Karen Zacarias Front Page

    Produced by California's CVREP

    By: Jack Lyons - Apr 20th, 2022

    Latina/American born in Mexico, Karen Zacharias bases her “Native Gardens” comedy on her book of the same name, becoming the most produced playwright in America over the last four years.   Her plays include The Copper Children, Destiny of Desire, The Book Club, and Legacy of Light, among many others

  • Next to Normal Front Page

    Opens Season at Westport Country Playhouse

    By: Karen Isaacs - Apr 18th, 2022

    Next to Normal which won the Pulitzer Prize for drama is opening the season at Westport Country Playhouse through Sunday, April 24. The musical by Tom Kitts (music) and Brian Yorkey (book and lyrics) tells the story of an American family facing a serious mental health issue.

  • Bagatelle Word

    By: Charles Giuliano - Apr 16th, 2022

    bagatelle

  • Gil Riley at Real Eyes Gallery Front Page

    Adams Gallery Launches Summer Season

    By: Bill Riley - Apr 15th, 2022

    Real Eyes Gallery previously exhibited Gil Riley’s show Peak Machine during the summer of 2020. We hope you will join us to celebrate this colorful, optimistic world. Gil Riley’s imagery is based on a psychomagically constructed myth: Liontamer’s Paradise. Her book of the same name was published in 2016 by American Typewriter Press. This show will include pieces painted and printed on wood and fabric, monoprint and limited edition books, and small wooden sculptures.

  • Boston's Lyric Stage Front Page

    Program for 2022/23 Season

    By: Lyric - Apr 15th, 2022

    Unforgettable moments, laughter, discovery, and joy, he Lyric Stage 2022/23 Season is a season to share.

  • Emily Mann: Rebel Artist of the American Theater Front Page

    Biography by Alexis Greene

    By: Nancy Bishop - Apr 13th, 2022

    Alexis Greene is the author and editor of numerous books about theater, including The Lion King: Pride Rock on Broadway, written with Julie Taymor, and the biography Lucille Lortel: The Queen of Off Broadway. In addition to writing and editing books about women and theater, Greene’s career spans acting, theater criticism and teaching. She holds a PhD from the Graduate Center of the City University of New York

  • Wired Word

    By: Charles Giuliano - Apr 12th, 2022

    wired

  • Endlings by Celine Song Front Page

    Produced by Oakland Theater Project

    By: Victor Cordell - Apr 12th, 2022

    The main subjects of “Endlings” seem like inspiration for the kind of article you would see in “Parade” magazine – “World’s Most Unusual Occupations.”  Three Korean women, aged 78 to 93, are the last of a dying breed in a centuries-old occupation.

  • Two Peregrine Falcons at the Stone Zoo Word

    By: Mark Favermann - Apr 09th, 2022

    word

  • Museum of Fine Arts Boston: 1870 to 2020, An Oral History Front Page

    Review by Martin Mugar

    By: Martin Mugar - Apr 09th, 2022

    Through his blog Painting, the artist Martin Mugar posts think pieces about theories of fine arts. He applies in depth critical analysis to a probing review of the Charles Giuliano book Museum of Fine Arts Boston, 1870 to 2020: An Oral HIstory.

  • Fefu And Her Friends Front Page

    produced by American Conservatory Theater

    By: Victor Cordell - Apr 08th, 2022

    In 1977, María Irene Fornés’ innovative “Fefu and Her Friends” replicated the notion of an all-female cast but flips the script on all of those dimensions.  It concerns a reunion of a group of friends gathered to rehearse a presentation to be given to a charity; themes are varied, including women’s relationships with women, which was pretty daring at the time; the single setting is Fefu’s house; action takes place in one day; and the characters, if a little wacky, are grounded in realism. 

  • Hotter Than Egypt by Yussef El Guindi Front Page

    Co-produced by Marin Theatre Company and A Contemporary Theatre of Seattle

    By: Victor Cordell - Apr 08th, 2022

    Yussef El Guindi’s new play deftly delves into a constellation of differences – not only cultural, but marital, economic, power, gender, and generational – some between cultures and some within.  The result is a lively dramedy that reveals the causes and consequences of the cracks in the American couple’s marriage.

  • Off Their Backs: Front Page

    150 T-Shirts from the David Bieber Archives

    By: Charles Giuliano - Apr 08th, 2022

    The entertainment and marketing industry churned out promo items and wampum to influencers. Free t-shirts with hip graphic design comprised the day-to-day wardrobe of movers and shakers. These of the moment items became the ephemera of an era. The vast, 2 million item David Bieber Archive, holds some 5,000 shirts. Now 150 prime examples have been published as a snappy picture book. Own it for an enticing stroll down memory lane.

  • 1776 Revival at A.R.T in May Front Page

    Then Roundabout’s American Airlines Theatre in September

    By: A.R.T. - Apr 08th, 2022

    American Repertory Theater (A.R.T.) at Harvard University announces the full cast and creative team of its upcoming revival of 1776 directed by Jeffrey L. Page and Diane Paulus. Co-presented with Roundabout Theatre Company (RTC), the production begins performances at the Loeb Drama Center in Cambridge, MA, on Tuesday, May 17; opens officially on Thursday, May 26; and plays through Sunday, July 24, 2022.

  • Philip Guston Now Launched at MFA Front Page

    Controversial Klan Paintings Start Tour in Boston

    By: MFA - Apr 07th, 2022

    Organized by the Museum of Fine Arts, Boston (MFA), the Museum of Fine Arts, Houston, the National Gallery of Art, Washington and Tate Modern, London, Philip Guston Now is the first retrospective of the artist’s work in nearly two decades. The exhibition features 73 paintings and 27 drawings from public and private collections, including both well-known and rarely seen works. Among the highlights are paintings from the 1930s that are rarely on public view; a reunion of paintings from Guston’s groundbreaking Marlborough Gallery show in 1970; a striking array of small panel paintings made from 1968 to 1972 as the artist developed his new vocabulary of hooded heads, books, bricks and shoes; and a powerful selection of large, often apocalyptic paintings of the later 1970s that form Guston’s last major artistic statement.

  • << Previous Next >>