The Berlin Philharmoniker, perhaps the world’s greatest orchestra, has opened their digital concert world for free. This allows us to safely enjoy their music, although of course we are denied the pleasure of live. Their annual European Concert was to have been performed in Tel Aviv. Instead they are at their home in Berlin, celebrating their founding on May 1 in 1882.

Alan Smason is a New Orleans based home cook. He is a colleague from American Theatre Critics Association. This recipe may be prepared Kosher.

The Harold and Mimi Steinberg/American Theatre Critics Association 2020 New Play Award award announced. The honor recognizes playwrights for the best scripts that premiered professionally outside New York City. E.M. Lewis' How The Light Gets In receives top award. The runners-up are Chandler Hubbard's Animal Control and Lee Edward Colston II's The First Deep Breath. The M. Elizabeth Osborn Award went to Dan McCabe, for his play, The Purists.

Rene Fleming and Rufus Wainwright entertained us on Thursday. Next week Yannick Nezet-Seguin on Tuesday and a tribute to Lynn Harrell on Thursday. From the Super Bowl to Broadway, Fleming has spread her lovely voice across unusual venues and in unusual projects like the impact of music on health.

Because of the Raphael Incident, Perry T. Rathbone. was forced out as director of the Museum of Fine Arts in 1970. The board president, George Seybolt, who ousted Rathbone, then passed over acting director, Classical curator, Cornelius Vermeule, to unilaterally appoint a dark horse candidate, Merrill Rueppel. That ended with a curatorial coup from which Asiatic curator, Jan Fontein, emerged as acting director in 1975. He calmed troubled waters and acccomplished much through 1987. From April 1983, this is the first of two transcribed interviews.

Hostas, bleeding hearts, astilbe, ligularia, snakeroot, spirea, lying dormant (yin) for the winter and now bursting forth (yang) as the seasonal change urges them on. They have not spent the winter “thinking” about this; they have simply done it. The Japanese red lace leaf maple gave it not a thought when buds peaked out and began to open. It just happened.

In 1983 the Museum of FIne Art organized a traveling exhibition A New World: Masterpieces of American Painting: 1760-1910. It toured the Corcoran Gallery of Art and Grand Palais in Paris, as well as being shown at the MFA. Artists and members of Boston's African American community protested that the exhibition did not include artists of color. In this 1984 interview former MFA director, Jan Fontein, discussed negotiatons to include the 19th century artist Henry Osawa Tanner. We also covered gaps in 20th century European and American art.

Long Distance Affair zooms you to London, Madrid, Miami, New York, Paris, and Singapore. Take a safe overseas trip without worrying about passports, baggage, or COVID-19. A collaboration between Miami-based Juggerknot Theatre Company and New York's PopUP Theatrics could lead to a dream summer vacation.

On Thursday, June 4 as part of Massachusetts Phase 1 initiative, Hancock Shaker Village will open only its outdoor spaces—including its beloved baby animals in outdoor fenced-in areas—to the public Thursdays through Sundays, 10 am–3 pm. This schedule will be in place at least through June, as the Village plans for a full reopening in Phase 3.

Elizabeth Sprague Coolidge, a grande dame of Berkshire music, financed the building of a concert hall for the Library of Congress. A concert planned at Coolidge Hall this spring was presented live streamed instead. The Library of Congress joined with co-presenter, Portland Ovation, and the International Contemporary Ensemble to present a program that worked amazingly well in Zoom.

Linda Troeller exhibited in 2018 at the Griffin Museum in Winchester. Her earlier work focused on TB and AIDS. The Berkshires were a haven for TB patients when the disease was out of control. North Adams had a sanitarium. Gaylordsville was home of a sanitarium recognized nation-wide. Eugene O'Neill spent time there. Now Troeller looks at a new pandemic.

At 83 the reowned portrait photographer, Elsa Dorfman, passed away at home in the People's Republic of Cambridge. As a young women she worked for Grove Press in New York. There she met many writers including Allen Ginsberg who became a lifelong subject and friend. I included her in exhibitions and wrote about her for Art News.

They were known by first names, Christo and Jeanne-Claude. Until her death in 2009, and now his, they astonished the world with virtually imnpossible, monumental, site specific works. The official and bureaucratic opposition to their projects was formidable. Routinely it took years and decades to raise money and overcome obstacles. That all became part of the work. Solving that resistance made the end result all the more astonishing. Their amazing projects will be remembered by the millions who experienced them.

The Drama Desk organization and Spectrum News NY1 have postpone the Drama Desk Awards. "Breaking news events," purportedly in connection with protests, caused the postponment. A re-scheduled date will be announced. The Drama Desk Awards honor outstanding theater work in New York.

When David Felton came to cover the Lyman Family, he knocked on my door in the Harvard Square Murder Building. He introduced himself as sent by my friend Bill “Dr. Gonzo” Cardoso. In his Rolling Stone piece, I was caricatured as a political thug, Harry Bikes. He covered Lyman and Charlie Manson both of whom he interviewed.

It is tempting for current composers of new opera to use films as a jumping off place. In two recent efforts, the creative artists miss the strength of the film's story arc and flatten their effort to create opera. Marnie at the Metropolitan Opera (and English National Opera) and Breaking the Waves (Opera Philadelphia) both overlook the strengths which provide drama in the films on which they are based.

It's hard to deny Hairspray's timeliness during these days of discord. Protagonist Tracy Turnblad can serve as a role model for us all. Hairspray Live! recently streamed on Andrew Lloyd Webber's YouTube channel, The Shows Must Go On!"

Forgiveness is a gift we give ourselves. It is not for the sake of those we forgive; it is for our own sake. We take our anger and disappointment out of our backpack and toss it away. We stop carrying it with us, get unstuck from the past, and bring ourselves into the present.

Canyon Ranch may be just down the road for Berkshireites, but in the time of Covid, it's as inaccessible as the moon. Jessica Robinson suggests how to satisfy a spa yearning safely.

MFA director Jan Fontein appointed Theodore E. Stebbins, Jr. as John Moors Cabot Curator of American Art. For three years he was also head of the departments of American and European painting as well as the department of 20th century art. He acquired 600 works for the museum including 100 from the Lane Collection of American modernism. In terms of acquisitions and exhibitions few curators compare to his impact on the museum. \

Long before we had heard of, or even imagined, viruses like Covid-19, Post-Minimal painter, multi-media artist and art theoretician Joseph Nechvatal was generating them. Not the contagious types, but computer-robotic assisted ones.

Works & Process Artists (WPA) Virtual Commissions financially supports artists and nurtures their creative process during these challenging times. Works & Process at the Guggenheim is granting over $150,000 for artists to create new works while observing social distancing. New works will be posted on Facebook, Instagram, and YouTube (@worksandprocess) every Sunday and Monday at 7:30pm.

When I interviewed Alan Shestack in 1992 he had been MFA director for five years. It was a time of economic downturn and the museum faced an annual deficit of $3 million. We discussed ways in which the museum might meet this challenge including a relationship with a museum in Nagoya, Japan which it helped to launch and program. He spoke adamantly that selling works to cover costs violated the mission and covenant of museums and their donors.

Maria Scarpini is multi-faceted to put it mildly. She is a trained restorer of old master paintings, monuments and frescos. She is also a self-taught painter who has been in group and solo exhibitions from Brooklyn, New York to the American University in Paris. Now she turns to the settings of opera.

When John Walsh left for the Getty Museum, and with a hiatus in the contemporary department, Theodore E. Stebbins, chaired three departments. He seized the opportunity to acquire American and European modern and contemporary art. There were huge gaps to fill when works that now command millions were relatively affordable.