Fusion of magic, mystery, music and storytelling make Death & Harry Houdini captivating. Artists shine in play with music about famed escape artist. Disappear into the world of Harry Houdini in play at South Florida venue.

Muntadas’ original version of Emisión/Recepción was made in Madrid at a moment when Franco’s control over the media left Spain with but one TV station. All locations and all viewership was confined to the same exact broadcast at all times.

Here is a clip and save rundown of the 2017 season of Barrington Stage Company. It begins on May 18 with Kinstler by Jeffrey Sweet, directed by Meagen Fay. Performances: Tuesday through Saturday at 7:30pm; Thursday, Saturday and Sunday at 3:00pm. Opening night May 21, 2017. The programm ends on October 22 with Gaslight.

Joshua Roman approaches his cello as a friend and collaborator. The Crypt Sessions invite audiences to be friends and collaborative listeners and to meet and greet on the terrace of the Church of the Intercession as the sun sets. Over delicious foods by Ward 8 and wine selected by Magnum Opus, you find out why your fellow Crypt listeners have come.

During high season it's challenging to get a reservation at the renowned Duckworth's Bistrot the most widely touted destination for fine dining in Gloucester. Due to lapses of attention it proved to be a disappointing experience. There is no excuse for soup served at near to room temperature and incinerated meat. You expect more from a top chef.

Henry Naylor is known as a comic writer for the British shows Spitting Image, Headcases, Dead Ringers and Alistair McGowan’s Big Impression. In the last three years, he has written three plays about the conflicts in the Middle East that focus on women.

The Muse is a special place in Brooklyn. Angela Buccini founded the space for artists to develop projects and then present them. A Length of Rope features Ariel Schmidtke joined by Strangely, & Above and Beyond Dance on May 5 at 8pm.

A beautifully presented exhibition built around works from The Frick Collection, Turner’s Modern and Ancient Ports: Passages through Time, brings together 37 water colors, drawings, engravings, sketchbooks and oil paintings, from 1817 – 1845, a turning point in the artist’s career.

The classical actor John Douglas Thompson, known to Berkshire audiences for his many roles at Shakespeare & Company, is among the nominees for a 2017 Tony Award. He was inspired to pursue a career in theatre by attending an August Wilson play at Yale Rep. This season he played a supporting role in Wilson's play Jitney having its long delayed Broadway debut. He has also been nominated for a Drama Desk award.

In “Other Than Honorable” [the term for a military discharge that perhaps won’t penalize the recipient, as a “Dishonorable” one does], the central character is a former Army officer who resigned her commission “under sealed terms.” She is persuaded to defend a young female soldier who stabbed her Master Sergeant after he raped her.

After his patron King George I died, Handel made a big comeback with three operas. Ariodante is the last and glorious. Set in Scotland, it is important to understand that, like the state of Texas in the US, women get killed if they are unfaithful. The culprit here is exonerated. The music and the singing triumph over all.

Depth of feeling makes Aida soar as South Florida company ends season with the Elton John, Tim Rice musical. Its production of Aida is passion-infused.

British plays are presented off-Broadway at the 59E59 Theatres. Currently running is an early JB Priestley play The Roundabout. Wit abounds, as does touching good humor. For a moment we imagine change in British society, but we whirl back to the status quo through lines that often sound like Oscar Wilde.

During the 19th Century and era of modernism Cape Ann was home to leading American artists. That faded in the post war era leaving a mostly tacky, conservative, artist colony. Several years ago Matthew Swift launched Trident Gallery as a matrix for Gloucester's best and brightest contemporary artists. While visiting we attended the closing party and special performances of the provocative exhibition The Political Body.

Sex With Strangers is a sexy, pleasant, entertaining play with pretentions that Laura Eason’s dialogue doesn’t quite live up to. This play has been making the rounds. Developed through Steppenwolf Theatre Company’s New Play Initiative, its world premiere was at Steppenwolf in Chicago, and its New York premiere was at Second Stage Theater New York in 2014.

“Ann Landers” was the pen name of Eppie Lederer, who wrote an advice column for one of Chicago’s leading newspapers. Ironically, her twin sister Pauline Lederer, wrote her advice column “Dear Abby” for the Chicago Herald American newspaper. The sisters were close but when it came to their columns, each were tigress’ defending their turf.

“Crawling Back to Broadway”, is a nicely written, well-crafted revue, of songs and patter, by Elliott, and a musical set list that includes inter-action with the audience, thanks to the cool and easy style of musical director Charlie Creasy.

Babes in Toyland debuted over a century ago. It has been reprised in many film and TV versions. Now we have it as it started out, as one of the first American musical comedies, a genre in which this country specializes. MasterVoices concocted a delicious concert version at Carnegie Hall.

The fourth and last concert of the Three Generations series that took place in Zankel Hall was dedicated to the third generation: composers Nico Muhly and Bryce Dessner. Steve Reich who orchestrated this event, highlighted the composers who contributed to "changing the direction of concert music", as the subtitle further implies and actually unites them under the "same roof".

As wonderful as soprano Christine Ebersole cum Elizabeth Arden is – and the lady does have a couple of sensational show stoppers - it is the in-your-face belter Patti LuPone’s Helena Rubinstein who commands the most on stage attention in this show, as Rubinstein did in her every day life with her exotic wardrobe and jewelry, her thick European accent, and fast-flying zingers. “There are no ugly women, only lazy ones,” is one of her more famous quotes.

Not About Nightingales, an early Tennessee Williams script, is a Depression-era tragedy with many elements that foretell Williams’ genius as a playwright. Even though considered a lost work, it helped Williams get started on his illustrious playwriting career. The play was one of a batch of plays sent to a Group Theatre competition in December 1938.

The Broadway revival of Hello, Dolly! tops the list with 10 nominations, while original Broadway musicals Anastasia and Come From Away follow close behind with nine nominations apiece. Lauded off-Broadway shows include the revival of Eugene O'Neill'sThe Hairy Ape, with eight nods, Atlantic Theater Company's production of The Band's Visit, with seven, and Stephen Sondheim's Sweeney Todd: The Demon Barber of Fleet Street at the Barrow Street Theatre, also with seven.

Hearing this perfectly beautiful voice reminds us of all the pleasure Natalie Dessay has given as an opera performer. As a concert artist, she brings dramatic talent to the words of song writers and adds a soupçon of opera to completely satisfy.

With two restaurants in Ohio Tito's has opened in Pittsfield. This is a high concept franchise with enticing decor and intetior design which is a bait and switch offering numbingly mediocre ersatz Tex Mex cuisine.

Boston Baroque's "Giulio Cesare" marked the role debut of soprano Susanna Phillips as Cleopatra in this tale of love and war with Cleopatra and Julius Caesar its central protagonists. Full of ravishing arias and ensembles, the opera is almost an embarrassment of riches. Boston Baroque did it justice if not in the elusive definitive production it deserves.