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Susan Hall

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  • Jane Austen's Persuasion at Chicago Chamber Opera Theatre

    Barbara Landis's Production in NY September 14 & 15

    By: Susan Hall - Sep 09th, 2013

    Barbara Landis found Jane Austen’s language so perfect that she appropriated it as lyrics. Persuasion is set in music she plucked from the period in which Austen wrote. Landis, an assembler among her many talents, refers to this enterprise as a “mishmash.” We review the Chicago production which will be performed at Dicapo Opera Theatre, New York City , September 14 and 15.

  • Chicago's Timeline Theatre's Raisin in the Sun Theatre

    Hansberry's Play Lingers in the Imagination and Sadly in Reality

    By: Susan Hall - Sep 01st, 2013

    Timeline takes brilliant advantage of its limitations to produce an irresistible staging of Lorraine Hansberry’s classic, A Raisin in the Sun. The play takes place in a family living room. We the audience are sitting there too, pressed up against the actors who seem more like family than stage presences as we join them.

  • Jamie Nabers Annie Bosh at Steppenwolf Theatre

    First Look Series is First Rate Theater

    By: Susan Hall - Aug 18th, 2013

    Jamie Nabers recently workshopped a musical at Williamstown and is a presence around the US.

  • Edith Freni's Buena Vista at Steppenwolf Theatre

    A Good View, but a Dark One in Compelling Drama

    By: Susan Hall - Aug 14th, 2013

    Playwright Edith Freni has been produced at Williamstown and almost every other important theater venue in this country. Steppenwolf's production of Buena Vista shows you why.

  • The Gospel of Franklin at Steppenwolf Theatre

    Playwright Aaron Carter Tackles Fathers and Sons

    By: Susan Hall - Aug 11th, 2013

    Gospel is good news and glad tidings. Aaron Carter’s fascinating play presented by Steppenwolf’s First Look program at first blush appears to be good news. But quickly, we see that it is complicated. There are two characters who bear tidings, Franklin the father, and his son William. William is trying to piece together his own life and at the same time discover his father, not as a story, but as the truth woven from bits and pieces of information he has received over time. They are not in chronological order, but in the order of his discovery.

  • Aida is Grand Opera Under James Conlon Music

    Ravinia Brings Out Everyone's Best.

    By: Susan Hall - Aug 04th, 2013

    Maestro Conlon promised that the audience would be thrilled, chilled, dazzled and besotted by his Aida, even though he could not bring on the elephants. Maestro Conlon delivers on his promises.

  • Slowgirl with William Petersen and Rae Gray Theatre

    Steppenwolf Transports Guilt to the Jungle

    By: Susan Hall - Aug 01st, 2013

    Colors are muted browns. An intense red will come to dominate the feeling of the play. Playwright Greg Pierce conjures it up. We never see red. A dangerous snake is attracted to the color. And red blood signifies the cause of Becky’s guilt and perhaps guilt itself, like a bold red letter G emblazoned on a shirt.

  • Music from Exile by James Conlon at Ravinia Music

    A Ravishing Case Made for Squelched Music

    By: Susan Hall - Jul 27th, 2013

    James Conlon, music director of the Ravinia Festival, laughs as he points out that the three B’s of music, Bach, Beethoven and Brahms, actually top a long list of musical Bs. Some composers who are not prominent on the A list of Bs should be.

  • Eric Owens to Sing Bass Role in Verdi Requiem Music

    Tanglewood Subbing at the Last Moment

    By: Susan Hall - Jul 23rd, 2013

    Make no mistake. Eric Owens is one of music's leading ambassadors today. Despite a demanding schedule as the go-to bass for roles ranging from Alberich to Handel's Hercules, Eric Owens is everywhere. Now he steps in for Ferruccio Furlanetto to heal the wounds of Andris Nelsons absence at Tanglewood. Bravo Eric Owens.

  • Big Lake Big City at Lookingglass in Chicago Theatre

    Theater Noir by Keith Huff Thrills

    By: Susan Hall - Jul 21st, 2013

    At the play’s opening, a spot light focuses on the sculpture of a Modigliani head. Heads in all forms are the focus of Big Lake Big City. Detective Podaris’ head has become unscrewed, Stew’s head screwed with a driver, and head shrink Dr. Susan’s head is stolen. Go figure.

  • Blood and Gifts at Chicago's Timeline Theatre

    J.T. Rogers Compelling Play Produced Brilliantly

    By: Susan Hall - Jul 19th, 2013

    Probing current issues is one of the Timeline Theatre’s missions. Blood and Gifts suits their purposes well. It is a terrific theater piece, full of mystery and high drama. Nick Bowling and the Timeline group offer not just a well-conceived and brilliantly acted version of J.T. Rogers play, but also an intimate one.

  • The Jungle Book at the Goodman Theater Theatre

    At Boston's Huntington Theatre Company. in September

    By: Susan Hall - Jul 17th, 2013

    This curious mix of writer/director Mary Zimmerman and Disney creates an uplifting, visually gorgeous stage on which the dancers choreographed by Christopher Gattelli, prance and entrance.

  • The Chicago Symphony Orchestra Opens Ravinia Music

    Dohnányi, Ax and the Orchestra Entrance in Beethoven

    By: Susan Hall - Jul 13th, 2013

    You would never know that symphony orchestras are having a tough time if you sit in the hall or the shed of a Ravinia event. Like Tanglewood orchestras are fighting back for their place in the musical sun. And they are succeeding in their efforts to make classical music relevant for our times.

  • Amy Herzog's Belleville at Steppenwolf Theatre

    Disturbing, Intriguing, Good Theater

    By: Susan Hall - Jul 10th, 2013

    The Belleville section of Paris, in which Belleville by Amy Herzog is set, is known as one of the hotbeds of the Revolution of 1848, as an ethnic melting pot, and also one of the high points of Paris, literally. It competes with Montmartre for the best view of the fabled city. Now it witnesses a couple unravel.

  • Wagner's The Flying Dutchman in Zurich Music

    Anja Kampe, Bryn Terfel and Matti Salminen Star

    By: Susan Hall - Jul 06th, 2013

    A clock ticks on stage. We are in real time. The opera, through composed, is through produced. Kampe, Terfel and Salminen head a superb cast. Young conductor Alain Altinoglu brings forth all the glories of the score. Zurich, under music director Fabio Luisi, is an opera house you can count on.

  • Opera Thrives in Budapest with Parsifal Opinion

    The Palace of Arts an Acoustical Masterpiece

    By: Susan Hall - Jun 23rd, 2013

    What pleasure is to be had in Budapest, even as it groans under poverty. From an afternoon at the thermal baths in City Park, just in back of Heroes Square, where water rushes you around in circles in an inner circles, and surprise jets massage your feet, shoulders and back, to a beautfiul performance of Parsifal at the 10-year-old old Palace of the Arts, Budapest is a treat.

  • Nina Stemme Triumphs as Isolde in Vienna Music

    A Highlight of 200th Anniversary of Wagner's Birth

    By: Susan Hall - Jun 21st, 2013

    Stemme made her mark in the role of Isolde earlier this year in Houston, but her performance with a tender and often inspired Tristan in Vienna honored Richard Wagner in a very special production.

  • A Sprightly Rusalka in Zurich Music

    Attention Must be Paid: Ekaterina Scherbachenko, Pavel Cernoch

    By: Susan Hall - Jun 13th, 2013

    The design of the Zurich Opera House comes straight from Brno, Czechoslovakia so it does not surprise that Zurich creates just the right feeling and tone for Dvorak's great opera.

  • The Ensemble Studio Theatre's Marathon Theatre

    Thirty-four-years Young and Still Going Strong

    By: Susan Hall - May 27th, 2013

    The five one act plays presented in Series A at the Ensemble Studio Theatre’s 34th marathon promise a bang up series in 2013. At the top of the evening was John Patrick Shanley’s Poison, about which the characters should have had much doubt. Not the audience however who bought in immediately and hopefully as a young woman, rebuffed by her boyfriend, seeks a fortuneteller’s help in getting him back.

  • Missy Mazzoli and the Gotham Opera Music

    Le Poisson Rouge Showcases Opera and Other Music

    By: Susan Hall - May 26th, 2013

    Neal Goren is the moving force behind Gotham Chamber Opera, eleven years old and mature beyond its years. Over and over again, in a variety of venues, Gotham brings us opera, intimate and at its best. Committed to bringing seldom performed opera to light, Goren also presents the cutting edge composers of our day. It was another brilliant evening at New York's arts cabaret Le Poisson Rouge

  • Alan Cumming as Macbeth and Everyone Else Theatre

    Descent into Madness Electrifies at the Barrymore

    By: Susan Hall - May 23rd, 2013

    Shakespeare called his Macbeth the Scottish play, and it seems particularly appropriate that the Scotch actor, Alan Cumming, magnifying his burr, takes on the play. Cumming portrays all the characters as they whirl from his mind onto the stage.

  • Five First-Rate One Acts in New York Theatre

    The Distinguished Workshop Theater Presents

    By: Susan Hall - May 20th, 2013

    The Workshop Theater is made up of 150 actors, directors and writers. In a small space, you are smashed up against the action. Each of the actors in this series found just the right balance between up close drama and in your face, It is particularly exciting to have performance next to you. You either enter the drama or embrace it or both.

  • Andris Nelsons New Music Director of the BSO Music

    Appointment of Youthful Conductor Shocks Music World

    By: Susan Hall - May 16th, 2013

    With the numerous cancellations of former Music Director, James Levine, his inevitable retirement and a two year interregum, the past few years have been a nightmare for the Boston Symphony Orchestra. Just in his mid 30s the Latvian born Andris Nelsons has been appointed as Music Director of the BSO and Tanglewood.

  • Giulio Cesare a Triumph at the Met Opera Music

    Natalie Dessay in Top Form

    By: Susan Hall - May 12th, 2013

    Handel took eight months to compose Giuilo Cesare, an unusually long time for him. Rinaldo was composed in two weeks. Harry Bicket, conducting with his hands, sometimes on a harpsichord which held his score, brought forward all the delights of this superb score.

  • Dumbarton Oaks in the Spring Fine Arts

    Gardens by Edith Wharton's Niece and Pre-Columbian Art

    By: Susan Hall - May 05th, 2013

    Dumbarton Oaks, the famous estate built on the highest point of the Georgetown section of Washington, DC, is a special treat in the spring.

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