Barrington Stage Company

Mark St. Germain met for a lunch break on the first day of rehearsal for his play Gertrude and Claudius based on a 2000 novel by John Updike. Opening on July 31 it will be the thirteenth play by St. Germain to be produced by Barrington Stage Company in Pittsfield. The company's second stage is named for him. We discussed the process from Shakespeare to Updike and now St. Germain.

Barrington Stage always front ends an enticing musical. For the sixth time it's Stephen Sondeim. Into the Woods, with James Lapine, launches the 25th season on the Boyd-Quinson Main Stage in Pittsfield.

The award winning play, America v. 2.1. The Sad Demise and Eventual Extinction of the American Negro, by Stacey Rose is a tough evening of theatre at Barrington Stage Company. It is the inaugural winner of The Bonnie and Terry Burman New Play Award, a new national play contest at BSC. The playwright has absorbed the spectrum of avant-garde theatre and deflected it as a timely theatrical screed about racism in America, past, present and future.

The one person, one act play "Hold These Truths" by Jeanne Sakata focuses on the true story of Gordon Hirabayashi. After Pearl Harbor he was among 120,000 Japanese Americans who were relocated to prison camps in the South West. He was charged with the crimes of violating curfew and refusing to report to a detention center. He fought the charges to the Supreme Court. He and two other dissenters lost their cases. Invoking war powers as supreme commander Franklin D. Roosevelt's Executive Order 9006 was upheld as constitutional. Decades later Hirabayashi, by then a professor of sociology, was cleared of all charges. In 2012 Persident Barach Obama awarded him The Presidential Medal of Honor.

Kudos to Barrington Stage Company for bringing theatre back to the Berkshires in the dead of winter. Yesterday we enjoyed a matinee of the eighth annual, 10X10 New Play Festival. It runs February 14 - March 10, 2019 at BSC’s St. Germain Stage.

Barrington Stage Company (BSC) will feature four world premieres including the new musical from BSC’s Musical Theatre Lab, Fall Springs by Niko Tsakalakos and Peter Sinn Nachtrieb; America v. 2.1: The Sad Demise & Eventual Extinction of The American Negro by Stacey Rose; American Underground by Brent Askari; and Ragtag Theatre’s Hansel and Gretel, commissioned by BSC.

For the third annual Berkshire Theatre Awards, at the Zion Luteran Church in Pittsfield, it took two hours to present trophies in 21 categories. Some 27 critics voted on awards to companies in the Berkshires extending into New York, Connecticut and Vermont. The top honors went to Barrington Stage Company with nine awards and Williamstown Theatre Festival which took home five.

The stars came out in droves for the annual luncheon with critics at Sardi's the show bis watering hole. Sixteen individuals representing thirteen current plays broke bread with the scribes.

Barrington Stage Company (BSC) announced today three productions for its upcoming 25th season – Into the Woods, the musical classic by Stephen Sondheim and James Lapine; the world premiere new musical Fall Springs, by Niko Tsakalakos and Peter Sinn Nachtrieb; and Gertrude and Claudius, a new play by Mark St. Germain.

This week the Berkshire Theatre Critics Association is voting on the final award list in preparation for the Third Annual Berkshire Theatre Awards. Winners will be announced at the awards ceremony to be held on Monday, November 12 at 7 pm at the Zion Lutheran Church, 74 First Street (Route 7) in Pittsfield, MA. --

The final fall production of Barrington Stage Company for a number of years had been coordinated with the reginal school curriculum. It has been the norm to explore an agenda with social justice theatre. This time, however, Barrington has opted to focus on ars gratia artis. Teachers as their lesson plan will discuss a harrowing masterpiece of American theatre, The Glass Menagerie by Tennessee Williams.

As manifestation of a commitment to social justice theatre Barrington Stage is the first to produce a play by Rachel Lynett. Her Well Intentioned White People focuses on young, gifted and black, tenure track professor, Cass Davis. She teaches Carribean culture and the diaspora at a small, white, liberal college in a Red state. The play relates responses to racist attacks by an unknown assailant.

The summer long centenary celebration continued last night at Tanglewood with an All Bernstein Program conducted by Andris Nelsons. It featured Fancy Free a 1944 collaboration with choreographe Jerome Robbins for Fancy Free. That theme was expanded into their musical On the Town. The dance was performed in collaboration with Boston Ballet.

Barrington Stage Company produced West Wide Story eleven years ago and now celebrating the 100th birthday of Leonard Bernstein. In 2013 Barrington sents its production of Bernstein's On the Town to Broadway. With three productions in such a short span it's clear that artistic director, Julianne Boyd, views Bernstein as a bankable winner. Yet again, audiences agree with a sold out run in Pittsfield.

The Chinese Lady by Lloyd Suh with stutter steps, in a single 90 minute act, morphs from a side show curiosity to harrowing social justice theatre. It is a world premiere co production of Barrington Stage and Ma-Yi Theatre Company. It moves this fall from Pittifield to a run Off Broadway.

Ibsen premiered The Doll's House in 1879. That was two years after Leo Tolstoy published Anna Karenina another tale of a society woman who abandoned her marriage and children. We know of Anna's tragic end but the fate of Nora is left uncertain. With A Doll's House Part 2 Lucas Hnath provides entertaining but improbable answers. The award winning Broadway hit is having a run at Barrington Stage Company with Laila Robins in the role which won a Tony for Laurie Metcalf. Christopher Innvar plays Torvald.

We have posted an opinion piece "End of The Royal Family of Broadway: NY Times Review Spikes Barrington Stage Production." That evoked an e mail from playwrite Mark St. Germain which is posted with his permission. In his view the attack on a developing musical is not an isolated incident. Under its current policies the Times is now inflicting more harm than doing good for regional theatre.

The Barrington Stage world premiere of the musical Royal Family of Broadway has earned mostly positive reviews. It has been treated as a work in progress potentially bound for Broadway. The team assembled for this production have been there before. Because of a devastating review by Jesse Green in the New York Times that may not happen. While Green is an established, and well qualified critic, is it the role of the Times to nip in the bud regional productions being developed for a run in New York?

The Cake by Bekah Brunstetter is a ripped from the headlines topical drama at Barrington Stage. While addressing vendors refusing to provide services for gay marriages it does so with a comedic touch. As Della, the conflicted specialty baker, the brilliant Debra Jo Rupp has never been more hilarious.

Barrington Stage Company has assembled a dream team for the world premiere of The Royal Family of Broadway. It is a musical makeover of the 1927 play by George S. Kaufman and Edna Ferber. When word gets out about the first smash hit of the Berkshire season tickets may be hard to come by between now and July 7. This production was home grown by Barrington's Musical Theatre Lab.

Arts leaders and the media met at Shakespeare & Company to hear good news about state and federal funding. With manufacturing long gone from the region cultural tourism is the major industry. The arts season attracts more than 400,000 visitors and generates 4,000 plus jobs. Congressman Richard Neal announced $348,000 in NEA funding for the Berkshires. The federal funding cycle provides $900,700 to the Massachusetts Cultural Council and $1,092,400 to the New England Foundation for the Arts to benefit cultural groups across the state. He reported that the NEA this year got an increase of $3 million for a total of $152,849,000.

Wih medieval ignorance and devastating consequeneces science deniers dominate key cabinet positions in the reactionary Trump administration. Fundamentalism and misinformationm result in parents refusing to vaccinate children. These issues and concerns create uncanny relevance for the revival of Mark St. Germain's 1991 play Typhoid Mary. It launches the season for Barrington Stage Company on the stage that bears his name.

Celebrating the 100th anniversary of the birth of Leonard Bernstein there will be extensive programming of his music during the 2018 Tanglewood season. As has been the case in recent years James Taylor returns. There is extensive programming of popular artists in the shoulder seasons before and after the residence of the Boston Symphony Orchestra. Highlights include Roger Daltry and Tommy, Steve Miller, Peter Frampton, Judy Collins, Steve Stills, Bela Fleck, Andy Grammer, Steve Martin and Martin Short among others.

The 2018 season of Barrington Stage Company which will feature three world premieres, including a major new musical from Tony Awards winners William Finn and Rachel Sheinkin, a new play from Off Broadway Alliance Award winner Lloyd Suh, and the first major production from playwright, Rachel Lynett. The season starts with Typhpid Mary by Mark St. Germain in the theatre named for him.

In his final months theatre critic, Larry Murray, founded Berkshire Theatre Critics Association. In its first annual presenttation of awards "The Berkies" he rallied to enjoy the occasion and to present the first award in his name, for service to the community. We were packed into Mr. Finn's Cabaret last year but last night the event occured before a capacity, attentive audience in the Mark St. Germain Stage of the Pittsfield company. Many more regional companies were nominated and participated in the awards evening. Next year three more companies will be eligible.