American Theatre Critics Association members hold their annual conference to coincide with the National Black Theatre Festival. 'Black theater is for everyone,' a panelist tells critics during one of several discussions. This year's festival line-up ranged from well-known works to new plays. The event attracts black theater companies worldwide to perform productions from an African American perspective.

Five years ago I had my first meeting with winemaker Alejandro Galaz, who produces dozens of wines from Chile. We focused on a couple of wines that he brought to lunch, a Pinot Noir and a Sauvignon Blanc. Both wines were special in 2014, as well, as in 2019. Galaz is known as a cold climate winemaker. The proof is the Kalfu 2017 Pinot Noir, as well as the 2018 Sauvignon Blanc.

The greatest modernist dancer and choreographer of her generation, Martha Graham (1894-1991), had a long and unique connection to Jacob’s Pillow. This week the company she founded in 1926 is making its fifth posthumous appearance in the Berkshires. The program combines old and new, her own work and that of other women choreographers.

The structure of Kathleen Clark's world premiere comedy What We May Be, at Berkshire Theatre Group, is a play within a play. Actually, four plays within a play. That makes for a hard to follow , count them, five plays. It's confusing and not particularly funny. The writing of Clark and misdirection of Gregg Edelman squander generally fine performances by a terrific cast.

Alone and in duo, Ross and KT perform some two dozen Noel Coward songs, read a number of letters and first night theater opening telegrams (remember those days) both written by and received from his fans, famous friends, and yes, you might have guessed it, letters both to and from his mother.

In their summer home at La Mama in New York, dell'Arte Opera is presenting the first opera composed by a woman, Francesca Caccini. The composer understands the power of women well. She also portrays the power of evil in women. An exciting performance by a stellar cast of young artists accompanied by a small ensemble featuring lutes was conducted by Charles Weaver.

TIME:SPANS is a Contemporary Music Festival presented by the Earle Brown Music Foundation Charitable Trust at the DiMenna Center in New York. The Nikel Ensemble was featured in the first half of the Festival. Nothing daunts them. Wearing long extensions on their fingers, they kept the beat to Simon Løffler's music which accompanied a Peter Tscherkassky adaptation of The Entity, a classic psychological horror film.

Barry Edelstein, the Old Globe Theatre’s Erna Finci Viterbi Artistic Director, is not only a recognized scholar of the Shakespearean canon, He’s also the author of “Thinking Shakespeare” a book that has become the standard text on American Shakespeare Acting in universities and academies across America. Who better, then, than Edelstein to direct the Bard’s famous and tragic story of star crossed lovers, “Romeo and Juliet,.”

Directed by Regge Life Shakespeare & Company is presenting a riveting, superbly acted production of Topdog/Underdog by Susan-Lori Parks In 2002, Parks received the Pulitzer Prize for Drama and the Outer Critics Circle Award for the play. The actors Booth (Deaon Griffin-Pressley), and Lincoln (Bryce Michael-Wood) give astonishing performances. This is on the short list of best dramas of the 2019 Berkshire season.

Gershwin Alone by Hershey Felder has been performed on Broadway and toured globally. Too briefly this remarkable musical seance is at the Colonial Theatre in Pittsfield. Felder is actor/ entertainer, musicologist and biographer switching from schtick to instructive. With a "that's not all folks" surprise the ninety minute performance was followed by an eclectic engagement with the audience. That included a couple of sing alongs from The Great American Songbook.

Sea Wall/A Life, two-one act plays now at the Hudson Theater in New York City through Sept. 29 takes you on an emotional roller coaster. In part, this is due to the spectacular performances by Tom Sturridge and Jake Gyllenhaal.

Eagerly awaited, but somewhat disappointing, could be the short assessment of the 31st International Dance Festival 'Tanz im August' in Berlin, a performance marathon. The sold out festival drew18,000 visitors. This is a must read for all dance enthusiasts!

One weakness in the storyline of Annie Baker's The Flick is the playwright’s inability to edit down from a three-hour running time to a length reasonable for the topic matter. Like many contemporary movie directors, she seems unable to abandon story elements that may stand well on their own but dilute the overall effect. One tract that is an unnecessary waste of 10 or 15 minutes is the opening scene. Not only does it bore to tears, but it takes some time for the audience to put that experience behind them and hope that things will get better. Fortunately, they do.

From 4:20 PM to an exit at 5:45 PM country music star Reba McEntire laid down a vapor trail of a jet charged fifteen tunes. It was the final performance of a record setting 2019 Tanglewood season.

The Chamber Music Society of Lincoln Center is upward bound, on an odyssey filmed by Live From Lincoln Center as they journeyed through Greece. We visit the remote hills of Pelion and churches in Volos and Milies. Unusual and exotic locations are the setting of performances: from a Bach violin solo performed movingly by Aaron Boyd in a magnificent amphitheater to the wonderful Octet for strings that Mendelssohn composed at 16 years of age as he embarked on his classical career.

The Eclipse Mill Artists Annual Exhibition will be held September 6 to September 29 at 243 Union Street in North Adams, Mass. 01247. This serves as a preview for Open Studios on Saturday and Sunday, October 19 and 20. The complex, which houses forty live/ work lofts, is the epicenter of an ever growing community of artists in Northern Berkshire County.

Karen Isaacs previews what's on tap for fall theater in Connecticut.

While this is a well-crafted production of a well-designed and recognized work, it is not for everyone. For theater goers seeking fast-paced, forget-your-troubles entertainment, it will probably fill the bill. For those looking for meaning, social commentary, complexity of character, and the like, it may not fill much of anything.

Michael Grandage’s production has been revived several times since its inauguration almost a decade ago, and it’s easy to see why. The staging is sensational, dominated by the depiction of the innards of the man o’ war. Although Billy Budd underwent revisions after its debut in 1951, it is surprising that the American premiere didn’t occur until 1970.

When She Had Wings brings history to life in a fun way. This play about a young girl who wishes to regain her ability to fly should appeal to all ages. Boca Raton-based Theatre Lab is mounting a charming, magical production.

The first of a series of monthly pop up concerts at the Miller Theatre at Columbia University presented the world premiere of John Zorn’s 18 Studies from the Later Sketchbooks of JMW Turner. This expansive work embraces a variety of styles and forms, all inspired by the watercolors of 19th-century English painter Joseph Mallord William Turner. Pianist Stephen Gosling, a masterful interpreter of contemporary music and particularly Zorn's, performed.

Performing at the Cabot Theater in Beverly, to a packed and “on your feet” audience, David Hinds (vocals, guitarist) and longtime bandmate Selwyn Brown (keyboardist) kept an edge to their message of social and political outrage. The evening featured the first release by Steel Pulse in over a decade "Mass Manipulation" (2019, Rootfire Cooperative / Wiseman Doctrine).

Ensemble: An Oral History of Chicago Theater is a book you can enjoy in two ways. You can read it from beginning to end, as you would any narrative of fiction or nonfiction. Or you can dip in and out and read Mark Larson’s marvelous interviews with Chicago theater people in any order—and to any stage of completion—that you like.

Director Baird’s bold vision required him to strip-down the script to 10 performing characters without sacrificing any of the drama and/or light comedy moments that run throughout Shaffer’s illuminating, potent, tragic story concerning the early death, at 35 years of age, of musical genius Wolfgang Amadeus Mozart (an astonishing Rafael Goldstein).

The counterculture in Boston geared up in the summer of 1968. The music scene, WBCN, and alternative media were well established when The Cars emerged with a self titled album in 1978. They went on to record a string of hits breaking up a decade later. After kicking around with a variety of folk/ rock configurations Ric Ocasek and Ben Orr established a mega group that was inducted into the Rock and Roll Hall of Fame last year. Orr died in 2000 and Ocasek died yesterday at 75. They were an integral part of a golden age of Boston rock.