Jennifer Zetlan gets a full opportunity to display her extreme force of nature in voice and acting in Ricky Ian Gordon’s Ellen West. The work premiered at Opera Saratoga last summer. Cast changes have been made. The distinguished Nathan Gunn takes on multiple roles. He is featured as the doctor, based on Ludwig Binswanger who wrote the classic case study of his patient whose pseudonym was Ellen West.

First produced in Convent Garden in 1841, when Boucicault was 21, London Assurance, is a farcical comedy of manners, this time directed by Charlotte Moore. It is the cleverest and most enjoyable play to open this year.

Ordinary Americans is a timely and relatable play about an early television sitcom which aired during the McCarthy era. Joseph McDonough's piece is world premiering in a strong co-production by GableStage and Palm Beach Dramaworks. The comedy-drama continues through Feb. 16 at GableStage, following a run at Dramaworks.

We are immediately struck by the lime color of the Rev 23 set: the walls, lights, desks in a school room in hell where God’s lessons are being taught, or unlearned. Clever James Darrah captures both the weight of Rev 23 and its surprising hopefulness in his production. Responding to an exuberant score by Julian Wachner, the Furies dance together across the classroom, lofting comments, instructions and denigrating the ideas of Lucifer. This is his world.

Sheepdog, by Kevin Artigue, Shattered Globe Theatre’s new production, crisply directed by Wardell Julius Clark, will have you holding your breath as details of the incident spool out over 90 minutes.

Gerry Bergstein is on the short list of leading Boston artists of his generation. Taking a leap on every level his monumental paintings will be show during February with a bonus day at Gallery Naga. Hood Museum director, John Stomberg, will provide an overview on the theme of Body Politic.

WHEN: Not if, but when all our lives come to an end. - Here we are searching for personal meaning and memories via a monumental sculpture exhibition that expresses obliquely life and death issues of today and since Millennia.

Taking Steps offers its own unique spatial conceit, one with considerable charm but that takes a little getting used to. The action occurs on three floors of the dilapidated Victorian house, but those three floors share the same stage space

The Downstairs stage at La Mama is darkened.  People bustle around, cleaning equipment, moving it about, casting lights and cameras on it.  We the audience are not quite sure whether or not the performance has begun.  In fact, the minute we walk into the theater, we are in the drama.  It is the intention of Object Collection, the producers and creators, to keep the audience at high alert. Daniel takes a seat on the cosmic throne,  a cross between dental chair and space rocket.  The quotidian and the other worldly will be liberally mixed in music and action for the next hour.

Playwrights rarely write sequels. That's the twist of Lucas Hnath’s A Doll’s House – Part 2 . This ersatz Ibsen next chapter has been widely produced from Broadway to regional theatre. Here Cordell reviews a California production.

Despite 7,000 attending her funeral, Bessie Smith lay in an unmarked grave for many years, as her ultimately estranged husband pocketed funds donated for her headstone. That was remedied in 1970 with a gift from one Janis Joplin.

The Wick Theatre presents a powerhouse production of Evita. Triple-threat performers and Behind-the Scenes crew shine. The production runs through Feb. 23 in Boca Raton.

Jordan Hall in Boston was the setting for a concert version of Arnold Rosner’s The Chronicle of Nine. His only opera for full orchestra is having its world premiere. Gil Rose, recent Grammy winner for best recorded opera, finds treasures in the archives and brings them to our attention. We are fortunate indeed.

The structure of Tiny Beautiful Things is comprised of unrelated letters requesting counsel, followed by Sugar’s responses, so the incoming letters lack a narrative arc. However, the themes of human dignity, self-worth, redemption, forgiveness, and especially love, course throughout, resulting in emotional connectedness.

I highly recommend this fast-moving, smart and funny play by U.K. playwright Beth Steel. If you’re not familiar with the early 1980s global economic recession and the Latin American debt crisis, you might want to read up on it before seeing the play.

When you think of Spain and its wineries, you think about butterflies. Well think again, as you read about El Regajal Winery and winemaker Danny Garcia-Pita. It is a remarkable combination.

Pipeline by Dominique Morisseau opened at Lincoln Center Theater in July of 2017. Since it premiered, the play, a multi-faceted look at the 'pipeline' young black men travel from high school to prison, has had more performances across the US than any other play. It is easy to understand why. This powerful presentation of the role of parents, teachers, security guards and administration in this all too familiar path, the play provides rich opportunities for actors.

The 2020 season of Shakespere and Company starts on May 21 with Lifespan of a Fact by Jeremy Kareken, David Murrell, and Gordon Farrell. The small stage production features Annette Miller. King Lear opens at the Tina Packer Playhouse on June 28. Berkies Award winner, director Regge Life returns to anchor the season with Harold Pinter's Betrayal on September 18.

Ballroom features the music of Billy Goldenberg, with a libretto by Jerome Kass, and the lyrics by multiple Oscar, Emmy, and Grammy award-winning songwriters Alan and Marilyn Bergman, under the direction of Ron Celona. It’s the boldest and most audacious production in CVREP history.

John Powell finished but did not see his final exhibition. He died at 73 just days before the opening of Neon Shadows at Howard Yezerski. Artists and former fellows of the Center for Advanced Visual Studies at MIT will gather to pay their respects. He will be celebrated for a career in art, science and technology. That was manifested in large public art projects. Using dramatic lighting he transformed quotidian into sublime. A bridge we traverse every day and hardly notice was transformed into an enormous sculpture with light shaping its form.

Some California Chardonnays are often too buttery and oaky for the palate. A little oak is good and not overpowering, as is the case with this brilliant bottle of Sonoma Coast Chardonnay.

It is always a time for heightened expectations when one goes to any performance at the Komische Oper, Berlin. It will not necessarily be enjoyable for everybody but it will definitely always be provocative. The Komische Oper presents as one performance: Fruehlingsstuerme and La Traviata.

Throughout the play, the patients engage in therapy scenes, identified by actors two-stepping in with signs announcing Opera Therapy, Steam Therapy, Abdominal Therapy, Dancing Therapy or Makeup Therapy (patients apply cosmetics to each other). The worst is the ghastly Smile Therapy, in which patients parade around wearing strap masks with garish painted-on smiles.

The Crystal Bridges Museum of American Art is a jewel created by the architect Moshe Safdie near a natural spring called Crystal and a bridge construction which is built into the museum. It was conceived and financed by Alice Walton whose family created Walmart, a company headquartered in Bentonville, Arkansas. Now other members of the family have joined her in creating an exciting performance space in an old Kraft cheese factory in town.

After performing around the world Bonobo, the internationally acclaimed Chilean experimental theater company finally made its way to New York City’s Baryshnikov Arts Center, with Tú Amarás (You Shall Love), a socio-political offering with a surreal touch that examines what is an enemy, how do we create one, and how do we connect to others.