Lucas Hnath has a gift for making the past present on stage. In a marvel of edited tape, brilliant acting and staging, the Vineyard Theatre is hosting his play, Dana H. We don't see Edgar Bergen manipulating Charlie. Yet we hear the tape voice of the real Dana as it is mouthed by Deidre O'Connell. Taking on the voice, O'Connell inhabits the character, soundless, but with more subtle and apt gestures than you can imagine. It is a stunning evening of theater.

Real Eyes Gallery in Adams, Mass resumes its monthly exhibitions. One of two repeaters Henry Klein returns with Uber Waves: Other Location on March 7. Gallerist Bill Riley, the other prior exhibitor, is slotted for August. On March 14 at 5pm, Kathline Carr and Patricia Sheppard will read their poetry. Ricky Darell Barton shows in April followed by Gil Riley (June), Lauren Olitski (July), William Riley (August), Pennie Brantley and Bob Morgan (September), Diane Reed Sawyer (October), Cotter Luppi (November), and To Be Announced (December).

Lincoln Center's Great Performers surrounded us with Gustav Mahler for five days. In addition to a concert by Ivan Fischer conducting the Budapest Festival Orchestra, three films were offered.

Beauty and the Beast is enchanting, playful, funny and magical at the Lauderhill Performing Arts Center. The classic Disney musical is timely with messages about tolerance and treating everyone with respect. The show is visual delight, but it also teaches people not to judge people based solely on their external appearances. The production, which is strong despite obviously fake fight scenes, runs through March 8.

Even the simplest human being is complicated and Charlotte von Mahlsdorf, the central character in I Am My Own Wife is scarcely a simple human being. She is incredibly complex and her story is amazing.

Colorstruck and its creators come to us from the San Francisco Bay area where they have been involved in radio, theater and film. They are also participants in community outreach in the arts. Lacy has crafted a one man show which straddles a gap where tears laughter and anger resolve. On an empty stage, Lacy emerges from darkness, a black man in black clothing. He speaks for 75 minutes, lighting up our hearts and minds.

Franz Welser-Möst leads what is arguably the best orchestra in the United States, the Cleveland. His mastery of Richard Strauss' music is well-known. He began the program with the US premiere of Babylon Suite by Jörg Widmann, composer in residence at Carnegie Hall this year.

Irina Knaster founded the Aspect Chamber Music series to provide an enriched communal atmosphere for the performance of music. Concertgoers are invited to come early and drink wine and chat before the concert and during the intermission. Knaster fills the halls at the Bohemian National Center and Columbia's Italian Academy, two beautiful settings. She featured Grace Park and Gilles Vonsattel performing Debussy and Chausson.

A new exhibit at the Barnes Foundation in Philadelphia features the collection of Marie Cuttoli, an entrepreneur who convinced many of the artists of her time to create designs for her the workshops, first in her own design studio in Paris and then for the tapestry weavers of of Aubusson, France.

Prolific, award-winning American playwright Lynn Nottage, the only female to win two Pulitzer Prizes in drama, is also considered to be one of the most produced playwrights not only in America but across the world. “SWEAT” is an absorbing and profound production that grapples with the issues plaguing most of America’s workforce today.

In 1963 at The Jazz Workshop I heard McCoy Tyner with Trane. It was Trane's only Boston gig. Later Tyner played Lulu White's and we caught him a few back at the Mahaiwe in Great Barrington. His massive attack was much admired by aspiring pianists. He just checked at 81.

These two operas make for a highly entertaining evening. The only false note concerns the orchestra, which was skillful in the comedy on opening night. But especially in the overture and early parts of the tragedy, dissonant tracts sounded more out of tune and out of sync as if the orchestra hadn’t mastered Zemlinsky’s more challenging and unfriendly music. It also overpowered the singers at times.

Metropolis is a Grammy-nominated Ensemble founded by Andrew Cyr, who encourages artists to realize their bliss. The group was not named for the Fritz Lang film, but the temptation to take on this silent great must have been tantalizing. The live, electronic score by Ricardo Romaneiro was brilliant and brilliantly realized by the musicians. Cyr conducts.

With a sexy (for the late sixties) ad campaign depicting all four characters in bed, a headline that read “Consider the Possibilities” – some newspapers would not run this ad – and a titillating R-rated story which dealt with infidelity and wife swapping, the movie—the number 5 moneymaking hit of the year—rang up some 31 million dollars at the box office.

A day late and a dollar short, NY critic, Edward Rubin, is notorious for blowing off deadlines. By now the September, 2019 14th Annual Tennessee Williams Theater Festival is a faded memory. Arguably a rose pressed between the pages of a book. But here in loving detail Rubin posts a definitively detailed, documentary account of an historic event. It also serves as a preview of what to expect this September. By then, hopefully, the virus will have passed and we will enjoy the last gasp of summer with magnificent theatre and high jinks by the sea.

Kosmos Inverse is the world below and the world way out there. We have a powerful feeling of infinity as we are being cast into a carnaval space. The central sphere resmbles a mop. Depending on the lights, it can be colored red and green and purple. Pigs, an elephant who strongly resembles Mo Willems’, two classic rubber dolls, and a busty woman bounce before us.

We begin as the guests at a black debutante ball in New Orleans. White staircase, be-gowned young women, stiffly poised young-men stand on the threshold of their presentation to society. Step by step we see the painstaking bows and courtesies of a society steeped in the mores of color and class that are expressions of the history of that city.

The libretto by Donald Sturrock is based on a book by Roald Dahl. Three farmers, Bunce, Boggis and Bean want revenge on Mr. Fox for taking their chickens, their geese and their cider. They are frustrated by Mr. Fox’s clever tactics. Gil Rose brings the music and story to life in this masterful recording which won the 2020 Grammy for Best Opera Recording.

I was joking with one of my daughters this morning about masks. She works in law enforcement, and was sharing a few stories about people who have called 911 about running low on toilet paper, and people who have come to her station to complain about a spouse who won't take this "virus thing" seriously. She wears a department-issued N95 mask, but she asked me if I knew where she could get a mask to protect her from stupid

Gallery NAGA, with a lease from Church of the Covenant, was organized as a cooperative in 1977. In 1982 Arthur Dion was hired as director and soon became sole owner. With a commitment to painting and studio furniture it prevails on what was formerly Boston's gallery row. Now director emeritus Dion stepped away from daily management. As part of compiling an oral history of contemporary art in Boston, Dion shared insights of his remarkable career.

Prolific playwright Terrence McNally loses his battle with coronavirus. McNally was an American Theatre Hall of Fame inductee. The prolific writer also won five Tony Awards.

A native of Toronto, Matthew Teitelbaum, departed Boston in 1993 to take a curatorial position at the Art Gallery of Ontario. In this interview he was acting director of the Institute of Contemporary Art. Then 37, it provides insights of his curatorial vision and process. He went on to be director of the AGO. In 2015 he returned to Boston as director of the Museum of Fine Arts.

During a time of confinement we reach out to family and friends by phone and e mail. From France my artist friend, Rafael Mahdavi, wrote a wonderful detailed note. He also sent a remarkable new work that inspired this piece. Art represents hope and salvation through the darkest moments of human condition.

For the first time in its 88-year history, the Jacob’s Pillow Board of Trustees and Executive Leadership have made the decision to cancel the 2020 Jacob’s Pillow Dance Festival, previously scheduled for June 24-August 30 along with its annual gala scheduled for June 20.

Full of color and a driving beat, this special Philippine dance group presents Pananadem. The term means “remembering” in the language of the Meranao people (Philippines). It is a way of looking back across time, to gain inspiration and perspective from one’s ancestors.