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Susan Hall

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  • Curtis Symphony at Carnegie Hall Music

    Smith, Sibelius and Beethoven with Jonathan Biss

    By: Susan Hall - Feb 09th, 2020

    Curtis Symphony is on its annual eastern tour. At Carnegie Hall, led by Osmo Vänskä, they performed a new work by Gabriella Smith, a graduate of Curtis. She spent the 2015-16 season as Artist Year Fellow. She dedicated a citizen-artist year of national service in the Philadelphia region. For those who don't quickly imagine trigonometric functions, the title of her new piece f(x) = sin²x –1/x is a smooth, slightly curving line that rises. f(x) = sin²x –1/x is a delightful piece, set in the natural world Smith treasures.

  • Pipeline at Studio Theatre in Washington, D.C. Front Page

    A Searing Take on Black Male Anger and Rage

    By: Susan Hall - Feb 07th, 2020

    Pipeline by Dominique Morisseau opened at Lincoln Center Theater in July of 2017. Since it premiered, the play, a multi-faceted look at the 'pipeline' young black men travel from high school to prison, has had more performances across the US than any other play. It is easy to understand why. This powerful presentation of the role of parents, teachers, security guards and administration in this all too familiar path, the play provides rich opportunities for actors.

  • Queen for Nine Days Reigns at Jordan Hall Front Page

    Gil Rose Brings Us Arnold Rosner's Lady Jane Grey

    By: Susan Hall - Feb 03rd, 2020

    Jordan Hall in Boston was the setting for a concert version of Arnold Rosner’s The Chronicle of Nine. His only opera for full orchestra is having its world premiere. Gil Rose, recent Grammy winner for best recorded opera, finds treasures in the archives and brings them to our attention. We are fortunate indeed.

  • Object Collection Opera at La Mama Music

    Kara Feely and Travis Just Give Us Space Control

    By: Susan Hall - Jan 27th, 2020

    The Downstairs stage at La Mama is darkened.  People bustle around, cleaning equipment, moving it about, casting lights and cameras on it.  We the audience are not quite sure whether or not the performance has begun.  In fact, the minute we walk into the theater, we are in the drama.  It is the intention of Object Collection, the producers and creators, to keep the audience at high alert. Daniel takes a seat on the cosmic throne,  a cross between dental chair and space rocket.  The quotidian and the other worldly will be liberally mixed in music and action for the next hour.

  • Kathryn Hunter As Timon of Athens Front Page

    At Theatre for a New Audience

    By: Susan Hall - Jan 25th, 2020

    Timon of Athens gets a brilliant characterization by Kathryn Hunter at Theatre for a New Audience. This huge character is played by a diminutive woman who holds us in her thrall every moment she is on stage. In the first part of the play, Timon enjoys her wealth, mindlessly giving her ‘friends’ whatever they want. Her Steward tries to tell her that if she keeps gifting at this pace, she will soon be penniless. Distinctive characters move across the stage, intriguing us.

  • Julian Wachner's Rev 23 at Prototype Front Page

    Biblical Opera is Fun

    By: Susan Hall - Jan 21st, 2020

    We are immediately struck by the lime color of the Rev 23 set: the walls, lights, desks in a school room in hell where God’s lessons are being taught, or unlearned. Clever James Darrah captures both the weight of Rev 23 and its surprising hopefulness in his production. Responding to an exuberant score by Julian Wachner, the Furies dance together across the classroom, lofting comments, instructions and denigrating the ideas of Lucifer. This is his world.

  • Cion at Prototype Festival Front Page

    Gregory Maqoma Erupts in a Graveyard

    By: Susan Hall - Jan 20th, 2020

    Graves are marked with sticks crossed. They seem to bend in the movement of the professional mourner and his followers. Light is spotted from the ceiling, sometimes two spots and at others six. The lights rhythmic entrances and exits fit perfectly with incessant beats of the feet. The brilliant South African choreographer Gregory Vuyani Maqoma has adapted Zakes Mda’s novel Cion.

  • Ellen West by Ricky Ian Gordon Front Page

    Jennifer Zetlan is a Force of Nature

    By: Susan Hall - Jan 17th, 2020

    Jennifer Zetlan gets a full opportunity to display her extreme force of nature in voice and acting in Ricky Ian Gordon’s Ellen West. The work premiered at Opera Saratoga last summer. Cast changes have been made. The distinguished Nathan Gunn takes on multiple roles. He is featured as the doctor, based on Ludwig Binswanger who wrote the classic case study of his patient whose pseudonym was Ellen West.

  • Hot Magadalene at HERE Front Page

    Danielle Birrittella Sings Richly of Love and Lust

    By: Susan Hall - Jan 15th, 2020

    Danielle Birrittella, the co-creator of Magadalene, has a rich, inventive lyrical delivery of the poet Marie Howe's words. She dares to explore the divide between feminine and erotic in Magdalene, a work having its world premiere at HERE in New York.

  • Jeremy Schonfeld's Iron & Coal Front Page

    Rock Opera at Prototype

    By: Susan Hall - Jan 14th, 2020

    Iron & Coal is a live rock show presented as part of the Prototype Festival at the Gerald Lynch Theater in New York. The title refers to an iron will to survive, but also to the charred emotions that remain after a concentration camp incarceration. The songwriter Jeremy Schonfeld tells the story of his father’s arrival in America at 11. He searched for his place in our sun, and especially to answer the question: for what purpose did I survive when so many others did not.

  • Garrett Fisher's Blood Moon in World Premiere Front Page

    Prototype Presents a Moving Contemporary Noh drama

    By: Susan Hall - Jan 13th, 2020

    Blood Moon is a chamber opera created with consummate sensitivity and skill by a team of artists, including the composer, a passionate appreciator of Noh theater, and the prize-winning playwright, Ellen McLaughlin. One of McLaughlin’s specialties is the adaptation of classic dramas for our time. The composer also likes to jump off from the past, and react to a work created many moons ago in the present now.

  • TON presents Honegger with Felix Valloton Front Page

    Sight and Sound at Metropolitan Museum

    By: Susan Hall - Dec 25th, 2019

    Leon Botstein, the polymath conductor, has taken on a delightful series, Sight & Sound, at the Metropolitan Museum of Art. With The Now Orchestra (TON) he offers a musical program which is related to a current exhibit at the Museum.

  • 30 Americans at the Barnes Foundation Front Page

    Not Incidentally Black Artists

    By: Susan Hall - Dec 24th, 2019

    Representative works from the Rubell Family collection are on view at the Barnes Foundation in Philadelphia. This is the 10th anniversary presentation of 30 Americans which has travelled the country, but have been seen only once before in the eastern United States. The Barnes presentation is striking. The art even more so.

  • The Jack Quartet in Residence at New School Front Page

    Exploring the Different Sounds of the Bow

    By: Susan Hall - Dec 21st, 2019

    Jack Quartet is in residence at the Mannes School of Music, the New School. They opened their program with Clara Iannotta’s “Dead Wasps in the Jam-Jar." The title is rich with suggestion. Wasps are not bees, but the buzzing was reminiscent of Nikolai Rimsky-Korsakov’s orchestral interlude from "The Tale of Tsar Sultan."

  • The Thin Place by Lucas Hnath Front Page

    Playwrights Horizons Holds a Seance, Sort Of

    By: Susan Hall - Dec 21st, 2019

    Lucas Hnath is a master storyteller, weaving threads from seemingly odd places into a seamless whole, which always intrigues. Playwrights Horizons has mounted his The Thin Place, in which shifting forms ask deep questions. Some suggested answers are novel.

  • Lucy Shelton at National Sawdust Front Page

    Legendary Singer of Contemporary Song Lofts Stravinsky and Rochberg

    By: Susan Hall - Dec 16th, 2019

    Lucy Shelton, the legendary soprano, did not let us forget. If we don't live in the action and passions of our musical times, we risk not having lived at all. Igor Stravinsky vocalise, with no words and only sung notes, introduced the evening.

  • Seance with Benjamin Britten Front Page

    The Crypt Conjures Brittain

    By: Susan Hall - Dec 14th, 2019

    The Crypt Session as imagined and realized by Death of Classical point the way to music’s lifefulness going forward. New, young audiences wait for months to get a ticket to one of these events. Tickets sell out moments after events like this Salon Séance are announced. Andrew Ousley, whose creation Crypt Sessions and The Catacombs assures us that more events in new locations are coming. A cave is promised in the future.

  • Judgment Day at Park Avenue Armory Front Page

    Richard Jones and Christopher Shinn Disturb and Thrill

    By: Susan Hall - Dec 13th, 2019

    Entering the drill hall at the Armory, we are greeted first by sounds of birds flitting through the tall, pine trees in a forest stage left and right. Branches are laden with snow. The platform of a train station fills the front of the station. The scent of the plywood from which the big blocks of the moving stage are built, also wafts through the hall. The station master’s home is above the tracks. His wife often sits in the window, observing the action below. Express trains roar by, their lights glancing off the ceilings and the other block structures on a shiny floor, whose surface reflects. We are taken in.

  • Heartbeat Opera's Der Freischutz Front Page

    Louisa Proske Creates a Present Moment

    By: Susan Hall - Dec 11th, 2019

    Der Freischutz is everything an 1821 opera should be in a present day performance. The brilliant conception by Louisa Proske, credited with the adaptation and direction, surrounds us from the moment with enter the theater. The circle in the square encompasses the audience. Next to the home of Agathe at one point in the circle is a looming rock which is part of the Wolf Canyon. The orchestra is inside the circle under one section of audience. In the largest seating area, a platform extends. The singing actors use all these spaces. They come very close to us at time, ignoring our presence, but allowing us to see into their souls. Immersion hardly describes what the production offers.

  • Amahl and the Night Visitors Front Page

    Gian Carlo Menotti's Christmas Spirit for Today

    By: Susan Hall - Dec 10th, 2019

    On Site Opera revived what one hopes will become an annual production of Gian Carlo Menotti's Amahl and the Night Visitors. In choosing settings for familiar and unfamiliar operas, On Site adds an intriguing dimension to the form. With Amahl, the location in the Holy Apostles Soup Kitchen returns the opera to its original meaning.

  • Joe Rosen Presents Clarinet Quintets Front Page

    New Insights Into the Form

    By: Susan Hall - Dec 07th, 2019

    An active patron of New York music associations, Joe Rosen is a first-rate amateur clarinetist who opens his home to salons. Here young musicians accompany him in chamber music pieces. Recently he changed his method of operation. Instead of transposing one string instrument's part for clarinet, he is performing quintets specifically written for the instrument. The clarinet's mellow, earthy timbre is revealed.

  • MsTrial at New World Stages Front Page

    Can a Lawyer Be Truthful and Succeed

    By: Rachel de Aragon - Dec 05th, 2019

    Dep Kirkland asks us to inhabit the legal world and fathom truth from within the walls of a well appointed law office. The leather sofa, floor-to-ceiling bookcase, long wooden table and oak desk with curtained view of the city, act as silent signifiers.

  • Seance with Benjamin Britten at Crypt Front Page

    String Quartets One and Two Spectral

    By: Susan Hall - Dec 05th, 2019

    The Crypt Session as imagined and realized by Death of Classical point the way to music’s lifefulness going forward. New, young audiences wait for months to get a ticket to one of these events. Tickets sell out moments after events like this Salon Séance are announced. Andrew Ousley, whose creation Crypt Sessions and The Catacombs assures us that more events in new locations are coming. A cave is promised in the future.

  • The Interitance on Broadway Front Page

    Matthew Lopez, Stephen Daldry and Bob Crowley Truple Team for Brilliance

    By: Susan Hall - Nov 28th, 2019

    The moving two-part drama, The Inheritance, began its stage life at the Young Vic in London. The play transferred to the West End and is now on Broadway. For seven hours, divided into two sessions of theater, the history of gays in American unfolds. At its heart, the playwright Matthew Lopez weaves language of great beauty mixed with humor. Spanish words are sprinkled throughout, ay meo (oh God), la fiesta (the party) and maracon (faggot) among them. These are not phrases but rather exclamations. The word 'faggot' is never used in the play.

  • Lucy Dhegrae at National Sawdust Front Page

    Giving Voice to Rape

    By: Susan Hall - Nov 24th, 2019

    Lucy Dhegrae, a superb mezzo soprano, lost her singing voice after an assault. In finding her singing voice again, she follows the sounds of a human from the first grunts and breaths to the glorious free sounds of song. Dhegrae is National Sawdust's Artist-in-Residence.

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