Susan Hall
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Teodor Currentzis Brings Verdi to The Shed Front Page
Dramatic Performance Accompanied by Jonas Mekas Images
By: - Nov 22nd, 2019The Verdi Requiem conducted by Teodor Currentzis with the musicAeterna Orchestra and Chorus is performed at The Shed through November 24. The McCourt is a grand space and can seat 1,250 and hold 2000 standing. Designed to be flexibly conformed, this performance has bleacher seats extending from the floor before the stage up to the rafters, or heavens if you will. This program's music is both other-worldly and very much in the now.
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Conrad Tao Debuts at Carnegie Hall Front Page
Barefoot and Brazen Tao Makes a Case for the Piano
By: - Nov 21st, 2019The young musical polymath Conrad Tao made his debut at Carnegie Hall. In an ambitious program, designed in part to display the elements of virtuoso performance on the piano, Tao played representative composers from J. S. Bach to David Lang and Julia Wolfe.
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Tristan and Isolde Act II at Lincoln Center Front Page
White Light Festival Features Goerke and Gould
By: - Nov 18th, 2019Inducing current audiences to listen to Wagner operas is difficult. Ninety minutes seems to perfect time slot for young people. Wagner's operas can last for six hours. Can they be cut? Probably not without violating their essence. Producing an Act in concert form makes sense. The White Light Festival presented a spectacular concert based on Act II of Tristan and Isolde.
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Chicago Symphony Orchestra at Carnegie Hall Front Page
Joyce Di Donato Superb as Cleopatra
By: - Nov 16th, 2019Thrilling moments of the New York fall music season include the arrival of the Chicago Symphony Orchestra at Carnegie Hall. They do not disappoint. The first concert brought forward the superb brass section of the Orchestra in an unjustifiably overlooked early work by Georges Bizet, Roma. No one knows where the title came from.
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Verdi's Requiem with Tedor Currentzis at The Shed Front Page
New Views on a Great Work
By: - Nov 14th, 2019A hundred-member orchestra and an 80-member chorus from Perm Russia perform Verdi's Requiem at The Shed in Hudson Yards, New York. Direct from Salzburg where it received rapturous reviews this re-imagining has been eagerly awaited. For ten days prior to the performances on November 19-24, Jonas Mekas' filmed response to the music was screened. It was at first a shocking take, beautiful images of flower blossoms one after another. The Requiem is a work of sublime beauty. It also has Dylan Thomas's rage at death. Mekas shows this in black screens and sometimes winds raging through branches and dessicating leaves.
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American Composers Orchestra at Carnegie Hall Front Page
Jamie Barton Featured in Ives' songs
By: - Nov 14th, 2019Jamie Barton showed up at Carnegie on the wings of her tweet, "Be there or be square." Nothing about her performance of some of her favorite songs by Charles Ives was square. She is a gorgeous performer who ventures always to the edge of experience.
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Druid Shakespear's Richard III at Lincoln Center Front Page
White Lights Festival's Garry Hynes Brilliant Production
By: - Nov 10th, 2019The Lincoln Center White Lights Festival is presenting DruidShakespeare: Richard III, directed by the inimitable Garry Hynes. This play is odd for Shakespeare, who later would carefully etch the development of each character. Here we immediately meet Richard. Hynes has Aaron Monaghan rise from the grave into which all, or rather most of the people he murders or sets up for death, get dumped over the course of the evening.
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Victoria Bond's Opera Clara Front Page
A Child Prodigy Negotiates Career and Marriage
By: - Nov 09th, 2019Victoria Bond's Clara on the life of the pianist and composer who was married to Robert Schumann premiered at the Easter Festival in Baden-Baden Germany last spring. The German Forum offered a concert version in New York. It is a superb exploration of this important musician.
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Pacini's Mary Tudor at Odyssey Opera Front Page
First-Rate Mounting of an Under-appreciated Gem
By: - Nov 06th, 2019Queen Mary I is infatuated with the Scottish adventurer Fenimoore, who is in love with Clothilde, who in turn loves Ernesto. Romance and political intrigue are treacherous bedfellows in this opera based on Victor Hugo’s play about Mary Tudor. A remarkable and largely forgotten opera, its expressive vocal characterization paints an unforgettable portrait of a Queen and the repercussions of her indulgence in an unwise love. Presented as a fully-staged production in Italian with English subtitles. Libretto by Leopoldo Tarantini.
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Bunkaru Theater at the White Lights Festival Front Page
Sugimoto's The Love Suicides at Sonezaki
By: - Oct 24th, 2019White Lights Festival at Lincoln Center brings bunraku Puppet Theater from Japan to The Rose Theater. Hiroshi Sugmoto, an artist of many disciplines, has updated Chikamatsu Monzaemon’s Love Suicides at Sonezaki. Monzaemon was Japan’s Shakespeare and first to advance the notion that lovers whose relationship could be realized in this world could find happiness in a Buddhist paradise.
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Wondrous Oscar Wao at Repertorio Espanol Front Page
Written and Directed by Marco Antonio Rodriquez
By: - Oct 23rd, 2019Repertorio Espanol Presents The Brief Wondrous Life of Oscar Wao based on the novel by Junot Diaz. It is written and directed by Marco Antonio Rodriquez. The Pulitzer winning novel (2008) creates a painfully socially dysfunctional character. A young Dominican man armors himself within the world of sci-fi fantasy in order to weather the difficult process of assimilation. The story is as much a tale of one man's unbearable loneliness as it is a metaphor for the scars and trauma of ruthless dictatorial oppression, social fragmentation, ultimate immigration and assimilation.
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Off Off Braodway's Lively Fall Season Front Page
Duck by Tom Block and Quiet Enjoyment by Richard Curtis
By: - Oct 22nd, 2019Inside common experiences, one financial and the other political, are revealed in a broad slapstick comedy, Quiet Enjoyment and Duck, darkly humorous explorations of Snowden's dilemma and ours.
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The Jack Quartet at a Crypt Session Front Page
John Luther Adams Communes
By: - Oct 21st, 2019In The Crypt, composer and performing artists collaborate. Selections of a talented impresario invite artists and audience to enter special moments together. Sounds reverberate from stone as candles cast warm light. Moments nourish the soul to spread and re-capture the precious environment for which composer John Luther Adams has always fought. Adams now focuses on the power of music to transform. In the bows and string of the Jack Quartet, it does.
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Zorn, Hannigan, Jack Quartet, and Sae Hashimoto Front Page
Veterans Room at the Park Avenue Armory
By: - Oct 16th, 2019Super diva Barbara Hannigan and the Jack Quartet with Sae Hashimoto on vibraphone performed the music of John Zorn in the Veterans Room of the Park Avenue Armory. Hannigan had selected this room because she wanted the audience to have an intimate experience. We heard her daring and beautiful take on Zorn’s Jumalattaret, which was even more bold and beautiful than its US premiere in Ojai last June.
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Jason Hardink at National Sawdust Front Page
Ives' Concord Sonata and World Premiere Jason Eckhardt
By: - Oct 10th, 2019Jason Hardink will perform at National Sawdust in Williamsburg, Brooklyn on October 20. This is an unusual concert celebrating the centennial anniversary of the premiere of Charles Ives’ Concord Sonata.
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The Jazz Singer at Henry Street Settlement Front Page
By Joshua Gelb
By: - Oct 06th, 2019Joshua Gelb and Nehemiah Luckett do more than put on a good show. They ask us to look within the iconography and stereotypes of The Jazz Singer as props for the American story. The Henry Street Settlement's Abrons Art Center is the quintessential stage for this piece. A theatrical venue that reforms and reshapes itself to respond to an ever changing neighborhood demographic it is both old and new. The old playhouse in which the play was performed was built in 1915. It stands a block away from the historic Bialystoker Synagogue which opened in 1905 in a building originally built in 1826. The building was reputedly a stop on the underground railroad.
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Laurie Anderson at the Kaplan Penthouse Front Page
The Sound of Music and the Music of Language Mix
By: - Oct 06th, 2019Laurie Anderson curated the New York Philharmonic NightCap at the Stanley Kaplan Penthouse on October 5. This nightclub event followed a performance of Hector Berlioz’ Symphonie Fantastique in David Geffen Hall. The host, Nadia Sirota, pointed out that connection between Berlioz’ and Anderson’s work. Both use narrative but that by Anderson and her friends tests the boundaries of sound.
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Why by Peter Brook and Marie-Hélène Estienne Front Page
Theater for a New Audience Gives A Crucial Answer
By: - Oct 04th, 2019Peter Brook andMarie-Hélène Estienne’s Why is playing at the Theater for A New Audience. The co-director-writer Brook’s work spans a century. Yet, as he starts this work, we are surprised and delighted by the answer to the question of the play’s title. The question is tucked away in a little box, on a little scrap of paper, like a note launched in a bottle on an ocean. It has landed at last in Brooklyn.
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Wittengenstein and Russell Revealed Front Page
Douglas Lackey Play at Theater for the New City
By: - Oct 01st, 2019Lackey is a master at bringing philosophy out of the dusty corners of academia and putting them on a very passion filled center stage. As with his previous works produced at Theater for a New City Daylight Precision (2014) and Arendt/ Heidegger; a love story (2018) Ludwig and Bertie is a victory for smart theater.
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Oedipus an Opera by Elli Papapakonstantinou Front Page
Classic Myth Brought to Life at BAM
By: - Oct 01st, 2019Elli Papapakonstantinou has created a masterful and absorbing re-telling of the Oedipus story at the Fisher Theater, BAM. Elements of the story we know are central to the production. The sense Papapakonstantinou conveys is the randomness of life. The gruesome drama of the events we hear sung and see danced are horrific. Presented with strong videos, smoke and mirrors, with live video-ing of the principal characters, the piece is larger than life.
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Clara Schuman 200 Years Young Front Page
Works by Women Composers Featured at National Sawdust
By: - Sep 29th, 2019Constellation by Emma O'Halloran was inspired by images of hands in the first cave drawings. Turns out that most of these were women's hands, and they looked like constellations, which was O'Halloran's jumping off point. Naomi Louisa O'Connell drew their pictures in riveting song.
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New York Philharmonic Pairs Schoenberg and Bartok Front Page
From Sweden Come Rich New Takes
By: - Sep 29th, 2019The New York Philharmonic became an opera orchestra for Schoenberg’s Erwartung and Bela Bartok’s Bluebeard’s Castle. A Swedish cast, including the incomparable Nine Stemme and directed by Bengt Gomer, provided new twists to the tales, emphasizing the real or imagined murder of an errant lover and possible survival of an eighth wife of Bluebeard. His beard is not blue, and attractions go beyond a castle and riches.
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Liszt Performed in the Catacombs Front Page
Jenny Lin and Adam Tendler, a Remaarkable Double Team
By: - Sep 27th, 2019Pianists Jenny Lin and Adam Tendler took on one of Franz Liszt’s early and most demanding compositions, alternating roles as performance artists and page turners. Yamaha had delivered a grand piano which just fit between the arched stone walls of the Catacombs at Greenwood Cemetery in Brooklyn. The lid of the piano was completely removed, allowing a bright, distinctive tone to emerge, even when so many notes cascaded that it might have been difficult to distinguish one from another. Erotic and religious ecstasy erupted.
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Opera Philadelphia's Love for Three Oranges Front Page
Prokovief's American Opera Mounted Like Lollipops
By: - Sep 24th, 2019Apparently the audience for the Sunday performance of Love for Three Oranges at the Academy of Music in Philadelphia was only the second best audience so far. The best, 1,300 school children who had earlier found this work irresistible. It is.
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Joseph Keckler to Die for at Opera Philadelphia Front Page
Making the Case for Death
By: - Sep 24th, 2019Joseph Keckler takes on the subject of singing in opera with a unique flare for the dramatic, for humor and deep delve. He is a masterful monologuist. In Let Me Die, he goes to the center of the operatic volcano, the death song. Here divas have been challenged since Monteverdi to blast out their pain in dying with vocal chords wide open and lungs at full mast. Yet they are fading away. Neither singer nor composer has ever been much disturbed by the odd idea that someone is going to a breathless state with lungs belting
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